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Letras de Canciones de
Talib Kweli & Hi Tek

For Women

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http://es.mp3lyrics.org/t/talib-kweli/for/)


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Versiõn 1 de
Letras de Canciones de
Talib Kweli & Hi Tek

For Women

(
http://es.mp3lyrics.org/t/talib-kweli/for/v1.html)


La versión 1 de la letra

1  Yeah, so we got this tune called 'For women' right   [Talib Kweli] (Spoken)                                               1
1  Yea, so we got this tune called "For Women" right1
  Originally, it was by Nina Simone  Originally, it was by Nina Simone
2  She said, it was inspired by, you know down south   She said it was inspired by, you know              2
3                In the south, they used to call her Mother Antie   Down south. In the south, they used to call her Mother Antie 3
4                         She said No Mrs. 4
5  She said, "No Mrs. just Antie"   Just Antie                          5
6  She said, "If anybody ever called her Antie   She said if anybody ever called her Antie 6
7  She'd burn the whole goddamn place down", I'm over past that   she'd burn the whole goddamn place down                        7
8  Coming into the new millennium, we can't forget our elders   I'm over past that                                              8
2  Coming into the new millenium, we can't forget our elders2
      
3  [Talib Kweli]3
  I got off the 2 train in Brooklyn on my way to a session  I got off the 2 train in Brooklyn on my way to a session
  Said let me help this woman up the stairs before I get to steppin'  Said let me help this woman up the stairs before I get to steppin'
9  We got in a conversation, she said, she a 107   We got in a conversation she said she a 107 9
  Just her presence was a blessing and her essence was a lesson  Just her presence was a blessing and her essence was a lesson
1   1
  She had her head wrapped  She had her head wrapped
  And long dreads that peeked out the back  And long dreads that peeked out the back
  Like antenna to help her get a sense of where she was at, imagine that  Like antenna to help her get a sense of where she was at, imagine that
10  Livin' a century, the strength of her memories   Livin' a century, the strenght of her memories 10
2   2
  Felt like an angel had been sent to me  Felt like an angel had been sent to me
11  She lived from nigger to colored to Negro to black   She lived from nigger to colored to negro to black 11
12  To afro then African-American and right back to nigger   To afro then african-american and right back to nigger 12
  You figure she'd be bitter in the twilight  You figure she'd be bitter in the twilight
13                                                                          But she alright, cuz she done sseen the circle of life yo 13
3  But she alright, 'cuz she done seen the circle of life yo   3
  Her skin was black like it was packed with melanin  Her skin was black like it was packed with melanin
  Back in the days of slaves she packin' like Harriet Tubman  Back in the days of slaves she packin' like Harriet Tubman
  Her arms are long and she moves like song  Her arms are long and she moves like song
4   4
  Feet with corns, hand with callouses  Feet with corns, hand with callouses
  But her heart is warm and her hair is wooly  But her heart is warm and her hair is wooly
  And it attract a lot of energy even negative  And it attract a lot of energy even negative
  She gotta dead that the head wrap is her remedy  She gotta dead that the head wrap is her remedy
5   5
  Her back is strong and she far from a vagabond  Her back is strong and she far from a vagabond
  This is the back of the masters' whip used to crack upon  This is the back of the masters' whip used to crack upon
  Strong enough to take all the pain, that's been  Strong enough to take all the pain, that's been
  Inflicted again and again and again and again and flipped  Inflicted again and again and again and again and flipped
  It to the love for her children nothing else matters  It to the love for her children nothing else matters
14  What do they call her? They call her aunt Sara   What do they call her? They call her aunt Sara. 14
      
15  [Unverified]                                 Woman singing in the background 15
      
4  [Talib Kweli] (+ Background Vocals)4
  I know a girl with a name as beautiful as the rain  I know a girl with a name as beautiful as the rain
  Her face is the same but she suffers an unusual pain  Her face is the same but she suffers an unusual pain
  Seems she only deals with losers who be usin' them games  Seems she only deals with losers who be usin' them games
  Chasin' the real brothers away like she confused in the brain  Chasin' the real brothers away like she confused in the brain
6   6
  She tried to get it where she fit in  She tried to get it where she fit in
16  On that American Dream mission paid tuition   on that American Dream mission paid tuition 16
17  For the receipt to find out her history was missing and started flippin'   For the receipt to find out her history was missing and started flippin 17
  Seeing the world through very different eyes  Seeing the world through very different eyes
7   7
  People askin' her what she'll do when it comes time to chose sides  People askin' her what she'll do when it comes time to chose sides
  Yo, her skin is yellow, it's like her face is blond word is bond  Yo, her skin is yellow, it's like her face is blond word is bond
  And her hair is long and straight just like sleeping beauty  And her hair is long and straight just like sleeping beauty
  See, she truly feels like she belong in 2 worlds  See, she truly feels like she belong in 2 worlds
8   8
  And that she can't relate to other girls  And that she can't relate to other girls
  Her father was rich and white still livin' with his wife  Her father was rich and white still livin' with his wife
  But he forced himself on her mother late one night  But he forced himself on her mother late one night
  They call it rape that's right and now she take flight  They call it rape that's right and now she take flight
9   9
  Through life with hate and spite inside her mind  Through life with hate and spite inside her mind
  That keep her up to the break of light a lot of times  That keep her up to the break of light a lot of times
18  (I gotta find myself)         (I gotta find myself) (3X) 18
10  (I gotta find myself)   10
11  (I gotta find myself)   11
12   12
  She had to remind herself  She had to remind herself
  They called her Safronia the unwanted seed  They called her Safronia the unwanted seed
19  Blood still blue in her vein                                       Blood still blue in her vein and still red when she bleeds 19
20  And still red when she bleeds         (Don't, don't, don't hurt me again) (8X) 20
13   13
14  Don't, don't, don't hurt me again   14
15  Don't, don't, don't hurt me again   15
16  Don't, don't, don't hurt me again   16
17  Don't, don't, don't hurt me again   17
18   18
19  Don't, don't, don't hurt me again   19
20  Don't, don't, don't hurt me again   20
21  Don't, don't, don't hurt me again   21
22  Don't, don't, don't hurt me again   22
      
5  [Talib Kweli] (+ Background Vocals)5
  Teenage lovers sit on the stoops up in Harlem  Teenage lovers sit on the stoops up in Harlem
21  Holdin' hands under the Apollo marquis dreamin' of stardom   Holdin' hands under the Apollo marquis dreamin of stardom 21
  Since they was born the streets is watchin' and schemin'  Since they was born the streets is watchin' and schemin'
22  And now it got them generations facin' diseases   And now it got them generations facin' deseases 22
23   23
  That don't kill you they just got problems  That don't kill you they just got problems
23  And complications that get you first   and complications that get you first 23
  Yo, it's getting worse, when children hide the fact that they pregnant  Yo, it's getting worse, when children hide the fact that they pregnant
24  'Cuz they scared of giving birth   Cuz they scared of giving birth 24
24   24
  How will I feed this baby?  How will I feed this baby?
  How will I survive, how will this baby shine?  How will I survive, how will this baby shine?
  Daddy dead from crack in '85, mommy dead from AIDS in '89  Daddy dead from crack in '85, mommy dead from AIDS in '89
  At 14 the baby hit the same streets they became her master  At 14 the baby hit the same streets they became her master
25   25
  The children of the enslaved, they grow a little faster  The children of the enslaved, they grow a little faster
  They bodies become adult  They bodies become adult
  While they keepin' the thoughts of a child her arrival  While they keepin' the thoughts of a child her arrival
  Into womanhood was heemed up by her survival  Into womanhood was heemed up by her survival
26   26
  Now she 25, barely grown out her own  Now she 25, barely grown out her own
  Doin' whatever it takes strippin', workin' out on the block  Doin' whatever it takes strippin', workin' out on the block
  Up on the phone, talkin' about  Up on the phone, talkin' about
25  (My skin is tan like the front of your hand)   (my skin is tan like the front of your hand) 25
26                        (And my hair...) 26
27  And my hair                                                  (Well my hair's alright whatever way I want to fix it, 27
28  Well my hair's alright whatever way I want to fix it   it's             alright it's fine)                       28
29  It's alright it's fine                                               (But my hips, these sweet hips of mine invite you daddy) 29
30  But               my hips, these sweet hips of mine invite you daddy   (And when I fix my lips my mouth is like wine)                     30
31                                                                        (Take a sip don't be shy, tonight I wanna be your lady) 31
32  And when I fix my lips my mouth is like wine                 (I ain't too good for your Mercedes, but first you got to pay me) 32
33  Take a sip don't be shy, tonight I wanna be your lady       (You better quit with all the question, sugar who's little girl am I) 33
34  I ain't too good for your Mercedes, but first you got                to pay me   (Why I'm yours if                                   you got enough money to buy)     34
35  You better quit with all the question, sugar who's little girl am I   (You better stop with      the compliments we running out of time,)    35
36                                                                         (You wanna talk whatever we could do that it's your dime) 36
37  Why I'm yours if you got enough money to buy           (From Harlem's from where I came, don't worry about my name,) 37
38  You better stop with the compliments we running out of time   (Up on one-two-five they call me sweet thang)                38
27  You wanna talk whatever we could do that it's your dime   27
28  From Harlem's from where I came, don't worry about my name   28
29  Up on one-two-five they call me sweet thang   29
      
39  [Unverified]                                           Scratches + Woman singing in the background 39
      
40  A daughter come up in Georgia, ripe and ready to plant seeds   [Talib Kweli] (+ Background Vocals)                                               40
6  A daughter come up in Georgia, ripe and ready to plant seeds,6
  Left the plantation when she saw a sign even thought she can't read  Left the plantation when she saw a sign even thought she can't read
41  It came from God and when life get hard she always speak to him   It came from God and when life get hard she always speak to him, 41
42  She'd rather kill her babies than let the master get to 'em   She'd rather kill her babies than let the master get to 'em, 42
30   30
  She on the run up north to get across that Mason-Dixon  She on the run up north to get across that Mason-Dixon
43  In church she learned how to be patient and keep wishin'   In church she learned how to be patient and keep wishin', 43
  The promise of eternal life after death for those that God bless  The promise of eternal life after death for those that God bless
  She swears the next baby she'll have will breathe a free breath  She swears the next baby she'll have will breathe a free breath
44                                            and get milk from a free breast, 44
45  And get milk from a free breast, and love beeing alive   And                                         love beeing alive, 45
46  Otherwise they'll have to give up being themselves to survive   otherwise they'll have to give up being themselves to survive, 46
47  Being maids, cleaning ladies, maybe teachers       Being maids, cleaning ladies, maybe teachers or 47
48  Or college graduates, nurses, housewives, prostitutes, and drug addicts       college graduates, nurses, housewives,                                   48
49                                      prostitutes, and drug addicts 49
50  Some will grow to be old women, some will die before they born   Some will grow to be old women, some will die before they born, 50
51  They'll be mothers, and lovers who inspire and make songs   They'll be mothers, and lovers who inspire and make songs, 51
52  (But me, my skin is brown and my manner is tough)   (But me, my skin is brown and my manner is tough,) 52
53  (Like the love I give my babies when the rainbow's enuff)   (Like the love I give my babies when the rainbow's enuff,) 53
54                                                                                  (I'll kill the first muthafucka that mess with me, I never bluff) 54
55  I'll kill the first muthafucka that mess with me, I never bluff            (I ain't got time to lie, my life has been much too rough,) 55
56                                    I ain't got time to lie, my life has been much too rough   (Still running with barefeet, I ain't got nothin' but       my soul,)                              56
57  Still running with bare feet, I ain't got nothin' but my soul   (Freedom is the ultimate goal,                                        57
58  Freedom             is            the ultimate goal                life and death is small on the whole, in many ways) 58
59  Life and death is small on the whole, in many ways   (I'm awfully bitter these days                                  59
60                                                                    'cuz the only parents God gave me, they were slaves,) 60
61  I'm awfully bitter these days                                         (And it crippled me, I got the destiny of a casualty,) 61
62  'Cuz the only parents God gave me, they were slaves             (But I live through my babies and I change my reality) 62
63  And it crippled me, I got the destiny of a casualty   (Maybe one day I'll ride back to Georgia on a train,) 63
64  But                                    I live through my babies and I change my reality   (Folks 'round there call me Peaches, I guess that's my name.)                              64
31  Maybe one day I'll ride back to Georgia on a train   31
32  Folks 'round there call me Peaches, I guess that's my name   32
      


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