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Versiõn actual de Letras de Canciones de Sheryl Crow We Do What We Can (http://es.mp3lyrics.org/s/sheryl-crow/we-do-what-we-can/) Versión actual de las letras |
Versiõn 2 de Letras de Canciones de Sheryl Crow We Do What We Can (http://es.mp3lyrics.org/s/sheryl-crow/we-do-what-we-can/v2.h...) La versión 2 de la letra | |||||||||||||
| 1 | Downstairs they're playing Kenton, the house set to swing | Downstairs they're playing Kenton | 1 | |||||||||||
| 2 | Lay in my bed and listen to everything | The house set to swing | 2 | |||||||||||
| 3 | 'Cause Leo's in rare form tonight | I lay in my bed | 3 | |||||||||||
| 4 | And his trombone sings so sweet | And listen to everything | 4 | |||||||||||
| 5 | This is the room where they all come to meet | Cause Leo's in rare form tonight | 5 | |||||||||||
| 6 | His trombone sings so sweet | 6 | ||||||||||||
| 7 | He said, "I do what I can, I live for the moment | This is the room | 7 | |||||||||||
| 8 | And that's who I am, yeah, that's who I am | Where they all come to meet | 8 | |||||||||||
| 1 | And isn't it good, if we could freeze moments in time | 1 | ||||||||||||
| 9 | We all would, I do what I can, I do what I can" | He said | 9 | |||||||||||
| 10 | I do what I can | 10 | ||||||||||||
| 11 | Downstairs he's playing Kenton, the Magnavox sighs | I live for the moment | 11 | |||||||||||
| 12 | And oh how the music has changed in all of our lives | And that's who I am | 12 | |||||||||||
| 13 | He says "Nobody listens to modern jazz | Yeah that's who I am | 13 | |||||||||||
| 2 | And I'll never have what those guys have" | 2 | ||||||||||||
| 14 | And isn't it good | 14 | ||||||||||||
| 15 | And he says "I do what I can, I work for a living | If we could freeze moments in time | 15 | |||||||||||
| 16 | And that's who I am yeah, that's who I am | We all would | 16 | |||||||||||
| 17 | And it's good to be alive but everything's different | But I do what I can | 17 | |||||||||||
| 18 | Since Leo died, I do what I can" | I do what I can | 18 | |||||||||||
| 3 | 3 | |||||||||||||
| 19 | Is this the end of the modern world? What could it mean for a young girl? | Downstairs he's playing Kenton | 19 | |||||||||||
| 20 | Who sees the pain on his face he does what he can | The Magnavox sighs | 20 | |||||||||||
| 21 | The procession on the TV screen, what could it possibly mean? | But oh how the music has changed | 21 | |||||||||||
| 22 | For a man who's come this far just to turn around | In all of our lives | 22 | |||||||||||
| 23 | He says "nobody listens | 23 | ||||||||||||
| 24 | Could there still be life in Kenton's swing? | To modern jazz" | 24 | |||||||||||
| 25 | With the Kennedy's gone and everything | And I'll never have what | 25 | |||||||||||
| 26 | Those sad rows of houses with their optimistic colors | those guys have | 26 | |||||||||||
| 4 | Democrat grandparents and draft-dodging brothers | 4 | ||||||||||||
| 27 | Riots down the street and discontented mothers | He says | 27 | |||||||||||
| 1 | I do what I can | 1 | ||||||||||||
| 2 | I work for a living | 2 | ||||||||||||
| 3 | And that's who I am | 3 | ||||||||||||
| 4 | Yeah that's who I am | 4 | ||||||||||||
| 5 | 5 | |||||||||||||
| 6 | And it's good to be alive | 6 | ||||||||||||
| 7 | But everything's | 7 | ||||||||||||
| 8 | different since Leo died | 8 | ||||||||||||
| 9 | I do what I can | 9 | ||||||||||||
| 10 | 10 | |||||||||||||
| 11 | Is this the end of the modern world | 11 | ||||||||||||
| 12 | What could it mean for a young girl | 12 | ||||||||||||
| 13 | Who sees the pain on his face | 13 | ||||||||||||
| 14 | He does what he can | 14 | ||||||||||||
| 15 | 15 | |||||||||||||
| 16 | The procession on the TV screen | 16 | ||||||||||||
| 17 | What could it possibly | 17 | ||||||||||||
| 18 | mean for a man | 18 | ||||||||||||
| 19 | Who's come this far | 19 | ||||||||||||
| 20 | just to turn around | 20 | ||||||||||||
| 21 | Could there still be life | 21 | ||||||||||||
| 22 | in Kenton's swing | 22 | ||||||||||||
| 23 | With the Kennedys gone | 23 | ||||||||||||
| 24 | and everything | 24 | ||||||||||||
| 25 | Those sad rows of houses | 25 | ||||||||||||
| 26 | with their optimistic | 26 | ||||||||||||
| 27 | colors | 27 | ||||||||||||
| 28 | Democrat grandparents and | 28 | ||||||||||||
| 29 | draft-dodging brothers | 29 | ||||||||||||
| 30 | Riots down the street and | 30 | ||||||||||||
| 31 | discontented mothers | 31 | ||||||||||||
| We do what we can | We do what we can | |||||||||||||
| 28 | Downstairs it's quiet, less alive somehow | Downstairs it's quiet | 28 | |||||||||||
| 29 | Somehow he was everything that I am now | Less alive somehow | 29 | |||||||||||
| 30 | Somehow he was | 30 | ||||||||||||
| 31 | And he says "I do what I can, I work for a living | everything that I am | 31 | |||||||||||
| 32 | And that's who I am, that's who I am | now | 32 | |||||||||||
| 5 | But it's good to be alive and these are the choices | 5 | ||||||||||||
| We make to survive, you do what you can" | And he says | |||||||||||||
| 32 | I do what I can | 32 | ||||||||||||
| 33 | I work for a living | 33 | ||||||||||||
| 34 | And that's who I am | 34 | ||||||||||||
| 35 | And that's who I am | 35 | ||||||||||||
| 36 | 36 | |||||||||||||
| 37 | But it's good to be alive | 37 | ||||||||||||
| 38 | And these are the choices | 38 | ||||||||||||
| 39 | We make to survive | 39 | ||||||||||||
| 40 | You do what you can | 40 | ||||||||||||
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