| Que se está viendo una comparación entre versión 6 y versión 3 de la canción que hemos archivado como Letras de Canciones de Shakira's - Hips Don't lie (actual) | |||||
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Versiõn 6 de Letras de Canciones de Shakira Hips Don't lie (http://es.mp3lyrics.org/s/shakira/hips-dont-lie/v6.html) La versión 6 de la letra |
Versiõn 3 de Letras de Canciones de Shakira Hips Don't lie (http://es.mp3lyrics.org/s/shakira/hips-dont-lie/v3.html) La versión 3 de la letra | |||||||||||||
| 1 | Ladies up in here tonight No fighting We've got | Ladies up in here tonight No fighting No fighting | 1 | |||||||||||
| 2 | the Refugees No fighting No fighting Shakira, | We got the Refugees in here No fighting No | 2 | |||||||||||
| 1 | fighting Shakira, Shakira | 1 | ||||||||||||
| 2 | 2 | |||||||||||||
| 3 | I Never really knew that she could dance like | 3 | ||||||||||||
| 4 | this She makes a man wants to speak Spanish Como | 4 | ||||||||||||
| 5 | se llama? Bonita? Mi casa? Su casa? Shakira, | 5 | ||||||||||||
| Shakira | Shakira | |||||||||||||
| 3 | I never really knew that she could dance like | Oh baby, when you talk like that You make a | 3 | |||||||||||
| 4 | this She make a man want to speak Spanish Como se | woman go mad So be wise and keep on reading the | 4 | |||||||||||
| 5 | llama? Si ! Bonita? Si ! Mi casa? Shakira, Shakira | signs of my body | 5 | |||||||||||
| 1 | su casa ? | 1 | ||||||||||||
| 2 | 2 | |||||||||||||
| 3 | Oh baby, when you talk like that You make a woman | 3 | ||||||||||||
| 4 | go mad So be wise and keep on reading the signs | 4 | ||||||||||||
| 5 | of my body | 5 | ||||||||||||
| 6 | I’m on tonight, you know my hips don’t lie and | And I’m on tonight you know my hips don’t lie | 6 | |||||||||||
| 7 | I’m starting to feel it’s right All the | and I’m starting to feel it’s right All the | 7 | |||||||||||
| attraction, the tension Don’t you see baby, this | attraction, the tension Don’t you see baby, this | |||||||||||||
| is perfection | is perfection | |||||||||||||
| Hey girl, I can see your body moving And it’s | Hey girl, I can see your body moving And it’s | |||||||||||||
| driving me crazy And I didn't have the slightest | driving me crazy And I didn't have the slightest | |||||||||||||
| idea Until I saw you dancing | idea Until I saw you dancing | |||||||||||||
| And when you walk up on the dance floor Nobody | And when you walk up on the dance floor Nobody | |||||||||||||
| 8 | can ignore The way you move your body girl And | cannot ignore The way you move your body, girl | 8 | |||||||||||
| 9 | everything's so unexpected The way you are dancing | And everything's so unexpected The way you right | 9 | |||||||||||
| 10 | So you can keep on taking it | and left it So you can keep on taking it | 10 | |||||||||||
| 6 | 6 | |||||||||||||
| 11 | Never knew she could dance like this She make a | I Never knew she could dance like this She make | 11 | |||||||||||
| 12 | man wanna speak Spanish Como se llama? Si ! | a man want speak Spanish Como se llama? Bonita? | 12 | |||||||||||
| 13 | Bonita? Si ! Mi casa? Shakira, Shakira su casa ? | Mi casa? Su casa? Shakira, Shakira | 13 | |||||||||||
| 7 | 7 | |||||||||||||
| 8 | Oh baby, when you talk like that You make a woman | 8 | ||||||||||||
| 9 | go mad So be wise and keep on reading the signs of | 9 | ||||||||||||
| 10 | my body | 10 | ||||||||||||
| 11 | 11 | |||||||||||||
| 12 | I’m on tonight, you know my hips don’t lie I’m | 12 | ||||||||||||
| 13 | starting to feel you boy Come on let’s go, real | 13 | ||||||||||||
| 14 | slow Don’t you see baby, asi es perfecto | 14 | ||||||||||||
| 15 | 15 | |||||||||||||
| 16 | They know I’m on tonight, my hips don’t lie I’m | 16 | ||||||||||||
| 17 | starting to feel it’s right All the attraction, | 17 | ||||||||||||
| 18 | the attention Don’t you see baby, this is | 18 | ||||||||||||
| 19 | perfection Shakira, Shakira | 19 | ||||||||||||
| 20 | 20 | |||||||||||||
| 21 | Boy, I can see your body moving Half-animal, | 21 | ||||||||||||
| 22 | half-man I don’t, don’t really know what I’m doing | 22 | ||||||||||||
| 23 | But you seem to have a plan | 23 | ||||||||||||
| 24 | 24 | |||||||||||||
| 25 | my will and self-restrain Have come to fail now, | 25 | ||||||||||||
| 26 | fail now See I’m doing what I can, but I can’t so, | 26 | ||||||||||||
| 27 | you know That’s too hard to explain | 27 | ||||||||||||
| 28 | 28 | |||||||||||||
| 29 | Baila en la calle de noche, baila en la calle de | 29 | ||||||||||||
| 30 | dia Baila en la calle de noche, baila en la calle | 30 | ||||||||||||
| 31 | de dia | 31 | ||||||||||||
| 32 | 32 | |||||||||||||
| 33 | Never really knew that she could dance like this | 33 | ||||||||||||
| 34 | She make a man wanna speak Spanish Como se llama? | 34 | ||||||||||||
| 35 | Si ! Bonita? Si ! Mi casa? Shakira, Shakira su | 35 | ||||||||||||
| 36 | casa ? | 36 | ||||||||||||
| 14 | Oh baby, when you talk like that You know you got | Oh baby, when you talk like that You make a | 14 | |||||||||||
| 15 | me hypnotised So be wise and keep on reading the | woman go mad So be wise and keep on reading the | 15 | |||||||||||
| signs of my body | signs of my body | |||||||||||||
| 16 | Señorita, feel the conga Let me see you | And I’m on tonight, you know my hips don’t lie | 16 | |||||||||||
| 17 | move like you come from colombia | and I’m starting to feel you boy Come on let’s | 17 | |||||||||||
| 6 | go, real slow Don’t you see baby, asi es perfecto | 6 | ||||||||||||
| 18 | Mira en barranquilla se baila asi, say it ! En | Oh I know I’m on tonight, my hips don’t lie and | 18 | |||||||||||
| 19 | barranquilla se baila asi | I’m starting to feel it’s right All the | 19 | |||||||||||
| 7 | attraction, the tension Don’t you see baby, this | 7 | ||||||||||||
| 8 | is perfection Shakira, Shakira | 8 | ||||||||||||
| 20 | Yeah, she’s so sexy, every man's fantasy | Oh boy, I can see your body moving Half-animal, | 20 | |||||||||||
| 21 | aRefugee get back with the Fugees From a | half-man I don’t, don’t really know what I’m | 21 | |||||||||||
| 22 | third-world country I go back like with ?? cream | doing But you seem to have a plan | 22 | |||||||||||
| 37 | For humpty hump We need a whole club, Jay-Z Nobody | 37 | ||||||||||||
| 23 | see I ain’t what I watch The Colombian’s a hitch I | My will self restraint Have come to fail now, | 23 | |||||||||||
| 24 | ain’t guilty, it’s a musical transaction | fail now See I’m doing what I can, but I can’t so | 24 | |||||||||||
| 25 | Boo-boop-so-boop, no more dooby snack groups | you know That’s a bit too hard to explain | 25 | |||||||||||
| 38 | Refugees run the scenes ‘cause we own our own | 38 | ||||||||||||
| 26 | booths | Baila en la calle de noche, baila en la calle de | 26 | |||||||||||
| 27 | dia Baila en la calle de noche, baila en la calle | 27 | ||||||||||||
| 28 | I’m on tonight, my hips don’t lie I’m starting to | de dia | 28 | |||||||||||
| 39 | feel you boy Come on let’s go, real slow Baby, | 39 | ||||||||||||
| 40 | like this is perfecto | 40 | ||||||||||||
| 29 | Oh, you know I’m on tonight, my hips don’t lie | I never really knew that she could dance like | 29 | |||||||||||
| 30 | I’m starting to feel it’s right | this She makes a man want to speak Spanish Como | 30 | |||||||||||
| 9 | se llama? Bonita? Mi casa? Su casa? Shakira, | 9 | ||||||||||||
| 10 | Shakira | 10 | ||||||||||||
| 31 | The attraction, the attention Baby, like this is | Oh baby, when you talk like that You know you | 31 | |||||||||||
| 11 | got me hypnotized So be wise and keep on reading | 11 | ||||||||||||
| 12 | the signs of my body | 12 | ||||||||||||
| 13 | 13 | |||||||||||||
| 14 | Señorita ??? feel the conga Let me see | 14 | ||||||||||||
| 15 | you move like you come from Colombia Yeah, oh, | 15 | ||||||||||||
| 16 | yeah Sing it, sing it | 16 | ||||||||||||
| 17 | 17 | |||||||||||||
| 18 | Mira en barranquilla se baila asi, say it! Mira | 18 | ||||||||||||
| 19 | en barranquilla se baila asi | 19 | ||||||||||||
| 20 | 20 | |||||||||||||
| 21 | Yeah she’s so sexy every man´s fantasy a | 21 | ||||||||||||
| 22 | refugee like me back with the Fugees From a | 22 | ||||||||||||
| 23 | third-world country I go back like when | 23 | ||||||||||||
| 24 | ´pac carried crates For humpty humpty I | 24 | ||||||||||||
| 25 | need a whole club dizzy Why the CIA I wanna watch | 25 | ||||||||||||
| 26 | us? Colombians and Haitians I ain’t guilty, it’s | 26 | ||||||||||||
| 27 | a musical transaction Boo-boop-so-boop no more | 27 | ||||||||||||
| 28 | do we snatch ropes Refugees run the seas ‘cause | 28 | ||||||||||||
| 29 | we own our own boats | 29 | ||||||||||||
| 30 | 30 | |||||||||||||
| 31 | I’m on tonight, my hips don’t lie I’m starting | 31 | ||||||||||||
| 32 | to feel you boy Come on let’s go, real slow | 32 | ||||||||||||
| 33 | Baby, like this is perfecto | 33 | ||||||||||||
| 34 | 34 | |||||||||||||
| 35 | Oh, you know I’m on tonight and my hips don’t lie | 35 | ||||||||||||
| 36 | and I’m starting to feel it’s right The | 36 | ||||||||||||
| 37 | attraction, the tension Baby, like this is | 37 | ||||||||||||
| perfection | perfection | |||||||||||||
| 32 | No fighting No fighting | No fighting No fighting | 32 | |||||||||||
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