| Que se está viendo una comparación entre versión 3 y versión 7 de la canción que hemos archivado como Letras de Canciones de Shakira's - Hips Don't lie (actual) | |||||
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Versiõn 3 de Letras de Canciones de Shakira Hips Don't lie (http://es.mp3lyrics.org/s/shakira/hips-dont-lie/v3.html) La versión 3 de la letra |
Versiõn 7 de Letras de Canciones de Shakira Hips Don't lie (http://es.mp3lyrics.org/s/shakira/hips-dont-lie/v7.html) La versión 7 de la letra | |||||||||||||
| 1 | Ladies up in here tonight No fighting No fighting | Ladies up in here tonight | 1 | |||||||||||
| 2 | We got the Refugees in here No fighting No | No fighting, no fighting | 2 | |||||||||||
| 3 | fighting Shakira, Shakira | We got the refugees up in here | 3 | |||||||||||
| 4 | No fighting, no fighting | 4 | ||||||||||||
| 1 | I Never really knew that she could dance like | 1 | ||||||||||||
| 5 | this She makes a man wants to speak Spanish Como | Shakira, Shakira | 5 | |||||||||||
| 2 | se llama? Bonita? Mi casa? Su casa? Shakira, | 2 | ||||||||||||
| 6 | Shakira | I never really knew that she | 6 | |||||||||||
| 7 | could dance like this | 7 | ||||||||||||
| 8 | Oh baby, when you talk like that You make a | She makes a man wants to speak Spanish | 8 | |||||||||||
| 9 | woman go mad So be wise and keep on reading the | Como se llama (si), bonita (si), | 9 | |||||||||||
| 10 | signs of my body | mi casa (si, Shakira Shakira), | 10 | |||||||||||
| 11 | su casa | 11 | ||||||||||||
| 12 | And I’m on tonight you know my hips don’t lie | Shakira, Shakira | 12 | |||||||||||
| 3 | and I’m starting to feel it’s right All the | 3 | ||||||||||||
| 13 | attraction, the tension Don’t you see baby, this | Oh baby when you talk like that | 13 | |||||||||||
| 14 | is perfection | You make a woman go mad | 14 | |||||||||||
| 15 | So be wise and keep on | 15 | ||||||||||||
| 16 | Hey girl, I can see your body moving And it’s | Reading the signs of my body | 16 | |||||||||||
| 4 | driving me crazy And I didn't have the slightest | 4 | ||||||||||||
| 17 | idea Until I saw you dancing | And I'm on tonight | 17 | |||||||||||
| 18 | You know my hips don't lie | 18 | ||||||||||||
| 19 | And when you walk up on the dance floor Nobody | And I'm starting to feel it's right | 19 | |||||||||||
| 20 | cannot ignore The way you move your body, girl | All the attraction, the tension | 20 | |||||||||||
| 21 | And everything's so unexpected The way you right | Don't you see baby, this is perfection | 21 | |||||||||||
| 5 | and left it So you can keep on taking it | 5 | ||||||||||||
| 22 | Hey Girl, I can see your body moving | 22 | ||||||||||||
| 23 | I Never knew she could dance like this She make | And it's driving me crazy | 23 | |||||||||||
| 24 | a man want speak Spanish Como se llama? Bonita? | And I didn't have the slightest idea | 24 | |||||||||||
| 25 | Mi casa? Su casa? Shakira, Shakira | Until I saw you dancing | 25 | |||||||||||
| 6 | 6 | |||||||||||||
| 26 | Oh baby, when you talk like that You make a | And when you walk up on the dance floor | 26 | |||||||||||
| 27 | woman go mad So be wise and keep on reading the | Nobody cannot ignore the way | 27 | |||||||||||
| 28 | signs of my body | you move your body, girl | 28 | |||||||||||
| 29 | And everything so unexpected - the | 29 | ||||||||||||
| 30 | And I’m on tonight, you know my hips don’t lie | way you right and left it | 30 | |||||||||||
| 31 | and I’m starting to feel you boy Come on let’s | So you can keep on shaking it | 31 | |||||||||||
| 7 | go, real slow Don’t you see baby, asi es perfecto | 7 | ||||||||||||
| 32 | I never really knew that she | 32 | ||||||||||||
| 33 | Oh I know I’m on tonight, my hips don’t lie and | could dance like this | 33 | |||||||||||
| 34 | I’m starting to feel it’s right All the | She makes a man want to speak Spanish | 34 | |||||||||||
| 35 | attraction, the tension Don’t you see baby, this | Como se llama (si), bonita (si), | 35 | |||||||||||
| 36 | is perfection Shakira, Shakira | mi casa (si, Shakira Shakira), | 36 | |||||||||||
| 37 | su casa | 37 | ||||||||||||
| 38 | Oh boy, I can see your body moving Half-animal, | Shakira, Shakira | 38 | |||||||||||
| 8 | half-man I don’t, don’t really know what I’m | 8 | ||||||||||||
| 39 | doing But you seem to have a plan | Oh baby when you talk like that | 39 | |||||||||||
| 40 | You make a woman go mad | 40 | ||||||||||||
| 41 | My will self restraint Have come to fail now, | So be wise and keep on | 41 | |||||||||||
| 42 | fail now See I’m doing what I can, but I can’t so | Reading the signs of my body | 42 | |||||||||||
| 9 | you know That’s a bit too hard to explain | 9 | ||||||||||||
| 43 | And I'm on tonight | 43 | ||||||||||||
| 44 | Baila en la calle de noche, baila en la calle de | You know my hips don't lie | 44 | |||||||||||
| 45 | dia Baila en la calle de noche, baila en la calle | And I am starting to feel you boy | 45 | |||||||||||
| 46 | de dia | Come on lets go, real slow | 46 | |||||||||||
| 47 | Don't you see baby asi es perfecto | 47 | ||||||||||||
| 10 | I never really knew that she could dance like | 10 | ||||||||||||
| 48 | this She makes a man want to speak Spanish Como | Oh I know I am on tonight my hips don't lie | 48 | |||||||||||
| 49 | se llama? Bonita? Mi casa? Su casa? Shakira, | And I am starting to feel it's right | 49 | |||||||||||
| 50 | Shakira | All the attraction, the tension | 50 | |||||||||||
| 51 | Don't you see baby, this is perfection | 51 | ||||||||||||
| 52 | Oh baby, when you talk like that You know you | Shakira, Shakira | 52 | |||||||||||
| 11 | got me hypnotized So be wise and keep on reading | 11 | ||||||||||||
| 53 | the signs of my body | Oh boy, I can see your body moving | 53 | |||||||||||
| 54 | Half animal, half man | 54 | ||||||||||||
| 55 | Señorita ??? feel the conga Let me see | I don't, don't really know what I'm doing | 55 | |||||||||||
| 56 | you move like you come from Colombia Yeah, oh, | But you seem to have a plan | 56 | |||||||||||
| 57 | yeah Sing it, sing it | My will and self restraint | 57 | |||||||||||
| 58 | Have come to fail now, fail now | 58 | ||||||||||||
| 59 | Mira en barranquilla se baila asi, say it! Mira | See, I am doing what I can, | 59 | |||||||||||
| 60 | en barranquilla se baila asi | but I can't so you know | 60 | |||||||||||
| 61 | That's a bit too hard to explain | 61 | ||||||||||||
| 12 | Yeah she’s so sexy every man´s fantasy a | 12 | ||||||||||||
| 62 | refugee like me back with the Fugees From a | Baila en la calle de noche | 62 | |||||||||||
| 63 | third-world country I go back like when | Baila en la calle de día | 63 | |||||||||||
| 13 | ´pac carried crates For humpty humpty I | 13 | ||||||||||||
| 64 | need a whole club dizzy Why the CIA I wanna watch | Baila en la calle de noche | 64 | |||||||||||
| 65 | us? Colombians and Haitians I ain’t guilty, it’s | Baila en la calle de día | 65 | |||||||||||
| 14 | a musical transaction Boo-boop-so-boop no more | 14 | ||||||||||||
| 66 | do we snatch ropes Refugees run the seas ‘cause | I never really knew that she | 66 | |||||||||||
| 67 | we own our own boats | could dance like this | 67 | |||||||||||
| 68 | She makes a man want to speak Spanish | 68 | ||||||||||||
| 69 | I’m on tonight, my hips don’t lie I’m starting | Como se llama (si), bonita (si), | 69 | |||||||||||
| 70 | to feel you boy Come on let’s go, real slow | mi casa (si, Shakira Shakira), | 70 | |||||||||||
| 1 | su casa | 1 | ||||||||||||
| 2 | Shakira, Shakira | 2 | ||||||||||||
| 3 | 3 | |||||||||||||
| 4 | Oh baby when you talk like that | 4 | ||||||||||||
| 5 | You know you got me hypnotized | 5 | ||||||||||||
| 6 | So be wise and keep on | 6 | ||||||||||||
| 7 | Reading the signs of my body | 7 | ||||||||||||
| 8 | 8 | |||||||||||||
| 9 | Senorita, feel the conga, let | 9 | ||||||||||||
| 10 | me see you move like you come | 10 | ||||||||||||
| 11 | from Colombia | 11 | ||||||||||||
| 12 | 12 | |||||||||||||
| 13 | Mira en Barranquilla se baila así, say it! | 13 | ||||||||||||
| 14 | Mira en Barranquilla se baila así | 14 | ||||||||||||
| 15 | 15 | |||||||||||||
| 16 | Yeah | 16 | ||||||||||||
| 17 | She's so sexy every man's fantasy | 17 | ||||||||||||
| 18 | a refugee like me back with the | 18 | ||||||||||||
| 19 | Fugees from a 3rd world country | 19 | ||||||||||||
| 20 | I go back like when 'pac carried | 20 | ||||||||||||
| 21 | crates for Humpty Humpty | 21 | ||||||||||||
| 22 | I need a whole club dizzy | 22 | ||||||||||||
| 23 | Why the CIA wanna watch us? | 23 | ||||||||||||
| 24 | Colombians and Haitians | 24 | ||||||||||||
| 25 | I ain't guilty, it's a musical transaction | 25 | ||||||||||||
| 26 | No more do we snatch ropes | 26 | ||||||||||||
| 27 | Refugees run the seas 'cause we own our own boats | 27 | ||||||||||||
| 28 | 28 | |||||||||||||
| 29 | I'm on tonight, my hips don't lie | 29 | ||||||||||||
| 30 | And I'm starting to feel you boy | 30 | ||||||||||||
| 31 | Come on let's go, real slow | 31 | ||||||||||||
| Baby, like this is perfecto | Baby, like this is perfecto | |||||||||||||
| 71 | Oh, you know I’m on tonight and my hips don’t lie | Oh, you know I am on tonight | 71 | |||||||||||
| 72 | and I’m starting to feel it’s right The | and my hips don't lie | 72 | |||||||||||
| 73 | attraction, the tension Baby, like this is | And I am starting to feel it's right | 73 | |||||||||||
| 74 | perfection | The attraction, the tension | 74 | |||||||||||
| 32 | Baby, like this is perfection | 32 | ||||||||||||
| No fighting No fighting | No fighting | |||||||||||||
| 33 | No fighting | 33 | ||||||||||||
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