| Que se está viendo una comparación entre versión 3 y versión 6 de la canción que hemos archivado como Letras de Canciones de Shakira's - Hips Don't lie (actual) | |||||
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Versiõn 3 de Letras de Canciones de Shakira Hips Don't lie (http://es.mp3lyrics.org/s/shakira/hips-dont-lie/v3.html) La versión 3 de la letra |
Versiõn 6 de Letras de Canciones de Shakira Hips Don't lie (http://es.mp3lyrics.org/s/shakira/hips-dont-lie/v6.html) La versión 6 de la letra | |||||||||||||
| 1 | Ladies up in here tonight No fighting No fighting | Ladies up in here tonight No fighting We've got | 1 | |||||||||||
| 2 | We got the Refugees in here No fighting No | the Refugees No fighting No fighting Shakira, | 2 | |||||||||||
| 1 | fighting Shakira, Shakira | 1 | ||||||||||||
| 2 | 2 | |||||||||||||
| 3 | I Never really knew that she could dance like | 3 | ||||||||||||
| 4 | this She makes a man wants to speak Spanish Como | 4 | ||||||||||||
| 5 | se llama? Bonita? Mi casa? Su casa? Shakira, | 5 | ||||||||||||
| Shakira | Shakira | |||||||||||||
| 3 | Oh baby, when you talk like that You make a | I never really knew that she could dance like | 3 | |||||||||||
| 4 | woman go mad So be wise and keep on reading the | this She make a man want to speak Spanish Como se | 4 | |||||||||||
| 5 | signs of my body | llama? Si ! Bonita? Si ! Mi casa? Shakira, Shakira | 5 | |||||||||||
| 1 | su casa ? | 1 | ||||||||||||
| 2 | 2 | |||||||||||||
| 3 | Oh baby, when you talk like that You make a woman | 3 | ||||||||||||
| 4 | go mad So be wise and keep on reading the signs | 4 | ||||||||||||
| 5 | of my body | 5 | ||||||||||||
| 6 | And I’m on tonight you know my hips don’t lie | I’m on tonight, you know my hips don’t lie and | 6 | |||||||||||
| 7 | and I’m starting to feel it’s right All the | I’m starting to feel it’s right All the | 7 | |||||||||||
| attraction, the tension Don’t you see baby, this | attraction, the tension Don’t you see baby, this | |||||||||||||
| is perfection | is perfection | |||||||||||||
| Hey girl, I can see your body moving And it’s | Hey girl, I can see your body moving And it’s | |||||||||||||
| driving me crazy And I didn't have the slightest | driving me crazy And I didn't have the slightest | |||||||||||||
| idea Until I saw you dancing | idea Until I saw you dancing | |||||||||||||
| And when you walk up on the dance floor Nobody | And when you walk up on the dance floor Nobody | |||||||||||||
| 8 | cannot ignore The way you move your body, girl | can ignore The way you move your body girl And | 8 | |||||||||||
| 9 | And everything's so unexpected The way you right | everything's so unexpected The way you are dancing | 9 | |||||||||||
| 10 | and left it So you can keep on taking it | So you can keep on taking it | 10 | |||||||||||
| 6 | 6 | |||||||||||||
| 11 | I Never knew she could dance like this She make | Never knew she could dance like this She make a | 11 | |||||||||||
| 12 | a man want speak Spanish Como se llama? Bonita? | man wanna speak Spanish Como se llama? Si ! | 12 | |||||||||||
| 13 | Mi casa? Su casa? Shakira, Shakira | Bonita? Si ! Mi casa? Shakira, Shakira su casa ? | 13 | |||||||||||
| 6 | 6 | |||||||||||||
| 7 | Oh baby, when you talk like that You make a woman | 7 | ||||||||||||
| 8 | go mad So be wise and keep on reading the signs of | 8 | ||||||||||||
| 9 | my body | 9 | ||||||||||||
| 10 | 10 | |||||||||||||
| 11 | I’m on tonight, you know my hips don’t lie I’m | 11 | ||||||||||||
| 12 | starting to feel you boy Come on let’s go, real | 12 | ||||||||||||
| 13 | slow Don’t you see baby, asi es perfecto | 13 | ||||||||||||
| 14 | 14 | |||||||||||||
| 15 | They know I’m on tonight, my hips don’t lie I’m | 15 | ||||||||||||
| 16 | starting to feel it’s right All the attraction, | 16 | ||||||||||||
| 17 | the attention Don’t you see baby, this is | 17 | ||||||||||||
| 18 | perfection Shakira, Shakira | 18 | ||||||||||||
| 19 | 19 | |||||||||||||
| 20 | Boy, I can see your body moving Half-animal, | 20 | ||||||||||||
| 21 | half-man I don’t, don’t really know what I’m doing | 21 | ||||||||||||
| 22 | But you seem to have a plan | 22 | ||||||||||||
| 23 | 23 | |||||||||||||
| 24 | my will and self-restrain Have come to fail now, | 24 | ||||||||||||
| 25 | fail now See I’m doing what I can, but I can’t so, | 25 | ||||||||||||
| 26 | you know That’s too hard to explain | 26 | ||||||||||||
| 14 | Oh baby, when you talk like that You make a | Baila en la calle de noche, baila en la calle de | 14 | |||||||||||
| 15 | woman go mad So be wise and keep on reading the | dia Baila en la calle de noche, baila en la calle | 15 | |||||||||||
| 16 | signs of my body | de dia | 16 | |||||||||||
| 17 | And I’m on tonight, you know my hips don’t lie | Never really knew that she could dance like this | 17 | |||||||||||
| 18 | and I’m starting to feel you boy Come on let’s | She make a man wanna speak Spanish Como se llama? | 18 | |||||||||||
| 19 | go, real slow Don’t you see baby, asi es perfecto | Si ! Bonita? Si ! Mi casa? Shakira, Shakira su | 19 | |||||||||||
| 27 | casa ? | 27 | ||||||||||||
| 20 | Oh I know I’m on tonight, my hips don’t lie and | Oh baby, when you talk like that You know you got | 20 | |||||||||||
| 21 | I’m starting to feel it’s right All the | me hypnotised So be wise and keep on reading the | 21 | |||||||||||
| 22 | attraction, the tension Don’t you see baby, this | signs of my body | 22 | |||||||||||
| 7 | is perfection Shakira, Shakira | 7 | ||||||||||||
| 23 | Oh boy, I can see your body moving Half-animal, | Señorita, feel the conga Let me see you | 23 | |||||||||||
| 24 | half-man I don’t, don’t really know what I’m | move like you come from colombia | 24 | |||||||||||
| 8 | doing But you seem to have a plan | 8 | ||||||||||||
| 9 | 9 | |||||||||||||
| 10 | My will self restraint Have come to fail now, | 10 | ||||||||||||
| 11 | fail now See I’m doing what I can, but I can’t so | 11 | ||||||||||||
| 12 | you know That’s a bit too hard to explain | 12 | ||||||||||||
| 25 | Baila en la calle de noche, baila en la calle de | Mira en barranquilla se baila asi, say it ! En | 25 | |||||||||||
| 26 | dia Baila en la calle de noche, baila en la calle | barranquilla se baila asi | 26 | |||||||||||
| 13 | de dia | 13 | ||||||||||||
| 27 | I never really knew that she could dance like | Yeah, she’s so sexy, every man's fantasy | 27 | |||||||||||
| 28 | this She makes a man want to speak Spanish Como | aRefugee get back with the Fugees From a | 28 | |||||||||||
| 29 | se llama? Bonita? Mi casa? Su casa? Shakira, | third-world country I go back like with ?? cream | 29 | |||||||||||
| 30 | Shakira | For humpty hump We need a whole club, Jay-Z Nobody | 30 | |||||||||||
| 28 | see I ain’t what I watch The Colombian’s a hitch I | 28 | ||||||||||||
| 29 | ain’t guilty, it’s a musical transaction | 29 | ||||||||||||
| 30 | Boo-boop-so-boop, no more dooby snack groups | 30 | ||||||||||||
| 31 | Refugees run the scenes ‘cause we own our own | 31 | ||||||||||||
| 32 | booths | 32 | ||||||||||||
| 33 | 33 | |||||||||||||
| 34 | I’m on tonight, my hips don’t lie I’m starting to | 34 | ||||||||||||
| 35 | feel you boy Come on let’s go, real slow Baby, | 35 | ||||||||||||
| 36 | like this is perfecto | 36 | ||||||||||||
| 37 | 37 | |||||||||||||
| 38 | Oh, you know I’m on tonight, my hips don’t lie | 38 | ||||||||||||
| 39 | I’m starting to feel it’s right | 39 | ||||||||||||
| 31 | Oh baby, when you talk like that You know you | The attraction, the attention Baby, like this is | 31 | |||||||||||
| 14 | got me hypnotized So be wise and keep on reading | 14 | ||||||||||||
| 15 | the signs of my body | 15 | ||||||||||||
| 16 | 16 | |||||||||||||
| 17 | Señorita ??? feel the conga Let me see | 17 | ||||||||||||
| 18 | you move like you come from Colombia Yeah, oh, | 18 | ||||||||||||
| 19 | yeah Sing it, sing it | 19 | ||||||||||||
| 20 | 20 | |||||||||||||
| 21 | Mira en barranquilla se baila asi, say it! Mira | 21 | ||||||||||||
| 22 | en barranquilla se baila asi | 22 | ||||||||||||
| 23 | 23 | |||||||||||||
| 24 | Yeah she’s so sexy every man´s fantasy a | 24 | ||||||||||||
| 25 | refugee like me back with the Fugees From a | 25 | ||||||||||||
| 26 | third-world country I go back like when | 26 | ||||||||||||
| 27 | ´pac carried crates For humpty humpty I | 27 | ||||||||||||
| 28 | need a whole club dizzy Why the CIA I wanna watch | 28 | ||||||||||||
| 29 | us? Colombians and Haitians I ain’t guilty, it’s | 29 | ||||||||||||
| 30 | a musical transaction Boo-boop-so-boop no more | 30 | ||||||||||||
| 31 | do we snatch ropes Refugees run the seas ‘cause | 31 | ||||||||||||
| 32 | we own our own boats | 32 | ||||||||||||
| 33 | 33 | |||||||||||||
| 34 | I’m on tonight, my hips don’t lie I’m starting | 34 | ||||||||||||
| 35 | to feel you boy Come on let’s go, real slow | 35 | ||||||||||||
| 36 | Baby, like this is perfecto | 36 | ||||||||||||
| 37 | 37 | |||||||||||||
| 38 | Oh, you know I’m on tonight and my hips don’t lie | 38 | ||||||||||||
| 39 | and I’m starting to feel it’s right The | 39 | ||||||||||||
| 40 | attraction, the tension Baby, like this is | 40 | ||||||||||||
| perfection | perfection | |||||||||||||
| 32 | No fighting No fighting | No fighting No fighting | 32 | |||||||||||
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