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Versiõn actual de Letras de Canciones de Shakira Hips Don't Lie (http://es.mp3lyrics.org/s/shakira/hips-dont-lie/) Versión actual de las letras |
Versiõn 6 de Letras de Canciones de Shakira Hips Don't Lie (http://es.mp3lyrics.org/s/shakira/hips-dont-lie/v6.html) La versión 6 de la letra | ||||||||||||
| 1 | Ladies up in here tonight | Ladies up in here tonight No fighting We've got | 1 | ||||||||||
| 2 | No fighting | the Refugees No fighting No fighting Shakira, | 2 | ||||||||||
| 3 | (We got the refugees up in here) | Shakira | 3 | ||||||||||
| 1 | No fighting | 1 | |||||||||||
| 4 | No fighting | I never really knew that she could dance like | 4 | ||||||||||
| 5 | Shakira, Shakira | this She make a man want to speak Spanish Como se | 5 | ||||||||||
| 6 | llama? Si ! Bonita? Si ! Mi casa? Shakira, Shakira | 6 | |||||||||||
| 7 | I never really knew that she could dance like this | su casa ? | 7 | ||||||||||
| 2 | She make a man want to speak Spanish | 2 | |||||||||||
| 8 | Como se llama? Bonita, mi casa, su casa | Oh baby, when you talk like that You make a woman | 8 | ||||||||||
| 9 | (Shakira, Shakira) | go mad So be wise and keep on reading the signs | 9 | ||||||||||
| 10 | of my body | 10 | |||||||||||
| 3 | Oh baby when you talk like that | 3 | |||||||||||
| 11 | You make a woman go mad | I’m on tonight, you know my hips don’t lie and | 11 | ||||||||||
| 12 | So be wise and keep on | I’m starting to feel it’s right All the | 12 | ||||||||||
| 13 | Reading the signs of my body | attraction, the tension Don’t you see baby, this | 13 | ||||||||||
| 14 | is perfection | 14 | |||||||||||
| 4 | And I'm on tonight | 4 | |||||||||||
| 15 | You know my hips don't lie | Hey girl, I can see your body moving And it’s | 15 | ||||||||||
| 16 | And I'm starting to feel it's right | driving me crazy And I didn't have the slightest | 16 | ||||||||||
| 17 | All the attraction, the tension | idea Until I saw you dancing | 17 | ||||||||||
| 5 | Don't you see baby, this is perfection | 5 | |||||||||||
| 18 | And when you walk up on the dance floor Nobody | 18 | |||||||||||
| 19 | Hey girl, I can see your body moving | can ignore The way you move your body girl And | 19 | ||||||||||
| 20 | And it's driving me crazy | everything's so unexpected The way you are dancing | 20 | ||||||||||
| 6 | And I didn't have the slightest idea | 6 | |||||||||||
| 7 | Until I saw you dancing | 7 | |||||||||||
| 8 | 8 | ||||||||||||
| 9 | And when you walk up on the dance floor | 9 | |||||||||||
| 10 | Nobody cannot ignore the way you move your body, girl | 10 | |||||||||||
| 11 | And everything's so unexpected, the way you right and left it | 11 | |||||||||||
| So you can keep on taking it | So you can keep on taking it | ||||||||||||
| 21 | I never really knew that she could dance like this | Never knew she could dance like this She make a | 21 | ||||||||||
| 22 | She make a man want to speak Spanish | man wanna speak Spanish Como se llama? Si ! | 22 | ||||||||||
| 23 | Como se llama? Bonita, mi casa, su casa | Bonita? Si ! Mi casa? Shakira, Shakira su casa ? | 23 | ||||||||||
| 12 | (Shakira, Shakira) | 12 | |||||||||||
| 24 | Oh baby, when you talk like that You make a woman | 24 | |||||||||||
| 25 | Oh baby when you talk like that | go mad So be wise and keep on reading the signs of | 25 | ||||||||||
| 26 | You make a woman go mad | my body | 26 | ||||||||||
| 13 | So be wise and keep on | 13 | |||||||||||
| 27 | Reading the signs of my body | I’m on tonight, you know my hips don’t lie I’m | 27 | ||||||||||
| 28 | starting to feel you boy Come on let’s go, real | 28 | |||||||||||
| 29 | I'm on tonight | slow Don’t you see baby, asi es perfecto | 29 | ||||||||||
| 14 | You know my hips don't lie | 14 | |||||||||||
| 30 | And I'm starting to feel you boy | They know I’m on tonight, my hips don’t lie I’m | 30 | ||||||||||
| 31 | Come on let's go, real slow | starting to feel it’s right All the attraction, | 31 | ||||||||||
| 32 | Don't you see baby asi es perfecto | the attention Don’t you see baby, this is | 32 | ||||||||||
| 33 | perfection Shakira, Shakira | 33 | |||||||||||
| 15 | I know I'm on tonight my hips don't lie | 15 | |||||||||||
| 34 | And I'm starting to feel it's right | Boy, I can see your body moving Half-animal, | 34 | ||||||||||
| 35 | All the attraction, the tension | half-man I don’t, don’t really know what I’m doing | 35 | ||||||||||
| 16 | Don't you see baby, this is perfection | 16 | |||||||||||
| 17 | (Shakira, Shakira) | 17 | |||||||||||
| 18 | 18 | ||||||||||||
| 19 | Oh boy, I can see your body moving | 19 | |||||||||||
| 20 | Half animal, half man | 20 | |||||||||||
| 21 | I don't, don't really know what I'm doing | 21 | |||||||||||
| But you seem to have a plan | But you seem to have a plan | ||||||||||||
| 36 | My will and self-restraint | my will and self-restrain Have come to fail now, | 36 | ||||||||||
| 37 | Have come to fail now, fail now | fail now See I’m doing what I can, but I can’t so, | 37 | ||||||||||
| 38 | See, I'm doing what I can, but I can't so you know | you know That’s too hard to explain | 38 | ||||||||||
| 22 | That's a bit too hard to explain | 22 | |||||||||||
| 39 | Baila en la calle de noche, baila en la calle de | 39 | |||||||||||
| 40 | Baila en la calle de noche | dia Baila en la calle de noche, baila en la calle | 40 | ||||||||||
| 41 | Baila en la calle de día | de dia | 41 | ||||||||||
| 23 | Baila en la calle de noche | 23 | |||||||||||
| 42 | Baila en la calle de día | Never really knew that she could dance like this | 42 | ||||||||||
| 43 | She make a man wanna speak Spanish Como se llama? | 43 | |||||||||||
| 44 | I never really knew that she could dance like this | Si ! Bonita? Si ! Mi casa? Shakira, Shakira su | 44 | ||||||||||
| 45 | She make a man want to speak Spanish | casa ? | 45 | ||||||||||
| 24 | Como se llama? Bonita, mi casa, su casa | 24 | |||||||||||
| 46 | (Shakira, Shakira) | Oh baby, when you talk like that You know you got | 46 | ||||||||||
| 47 | me hypnotised So be wise and keep on reading the | 47 | |||||||||||
| 48 | Oh baby when you talk like that | signs of my body | 48 | ||||||||||
| 25 | You know you got me hypnotized | 25 | |||||||||||
| 49 | So be wise and keep on | Señorita, feel the conga Let me see you | 49 | ||||||||||
| 50 | Reading the signs of my body | move like you come from colombia | 50 | ||||||||||
| 26 | 26 | ||||||||||||
| 51 | Señorita, feel the conga | Mira en barranquilla se baila asi, say it ! En | 51 | ||||||||||
| 52 | Let me see you move like you come from Colombia | barranquilla se baila asi | 52 | ||||||||||
| 27 | 27 | ||||||||||||
| 53 | Mira en Barranquilla se baila asi, say it! | Yeah, she’s so sexy, every man's fantasy | 53 | ||||||||||
| 54 | Mira en Barranquilla se baila asi | aRefugee get back with the Fugees From a | 54 | ||||||||||
| 55 | third-world country I go back like with ?? cream | 55 | |||||||||||
| 56 | Yeah, she's so sexy, every man's fantasy | For humpty hump We need a whole club, Jay-Z Nobody | 56 | ||||||||||
| 57 | A refugee like me back with the Fugees from a 3rd world country | see I ain’t what I watch The Colombian’s a hitch I | 57 | ||||||||||
| 58 | I go back like when 'Pac carried crates | ain’t guilty, it’s a musical transaction | 58 | ||||||||||
| 59 | For Humpty Humpty we need a whole club dizzy | Boo-boop-so-boop, no more dooby snack groups | 59 | ||||||||||
| 60 | Refugees run the scenes ‘cause we own our own | 60 | |||||||||||
| 61 | Why the CIA wanna watch us? | booths | 61 | ||||||||||
| 28 | Colombians and Haitians | 28 | |||||||||||
| 62 | I ain't guilty, it's a musical transaction | I’m on tonight, my hips don’t lie I’m starting to | 62 | ||||||||||
| 63 | [Incomprehensible] | feel you boy Come on let’s go, real slow Baby, | 63 | ||||||||||
| 64 | No more do we snatch ropes | like this is perfecto | 64 | ||||||||||
| 29 | Refugees run the seas 'cause we own our own boats | 29 | |||||||||||
| 65 | Oh, you know I’m on tonight, my hips don’t lie | 65 | |||||||||||
| 66 | I'm on tonight, my hips don't lie | I’m starting to feel it’s right | 66 | ||||||||||
| 30 | And I'm starting to feel you boy | 30 | |||||||||||
| 67 | Come on let's go, real slow | The attraction, the attention Baby, like this is | 67 | ||||||||||
| 68 | Baby, like this is perfecto | perfection | 68 | ||||||||||
| 31 | 31 | ||||||||||||
| 32 | Oh, you know I'm on tonight and my hips don't lie | 32 | |||||||||||
| 33 | And I'm starting to feel it's right | 33 | |||||||||||
| 34 | The attraction, the tension | 34 | |||||||||||
| 35 | Baby, like this is perfection | 35 | |||||||||||
| 69 | No fighting | No fighting No fighting | 69 | ||||||||||
| 36 | No fighting | 36 | |||||||||||
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