| Que se está viendo una comparación entre la versión actual y versión 3 de la canción que hemos archivado como Letras de Canciones de Shakira's - Hips Don't lie (actual) | |||||
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Versiõn actual de Letras de Canciones de Shakira Hips Don't lie (http://es.mp3lyrics.org/s/shakira/hips-dont-lie/) Versión actual de las letras |
Versiõn 3 de Letras de Canciones de Shakira Hips Don't lie (http://es.mp3lyrics.org/s/shakira/hips-dont-lie/v3.html) La versión 3 de la letra | ||||||||||||
| 1 | Ladies up in here tonight | Ladies up in here tonight No fighting No fighting | 1 | ||||||||||
| 2 | No fighting, no fighting | We got the Refugees in here No fighting No | 2 | ||||||||||
| 3 | We got the refugees up in here | fighting Shakira, Shakira | 3 | ||||||||||
| 1 | No fighting, no fighting | 1 | |||||||||||
| 4 | I Never really knew that she could dance like | 4 | |||||||||||
| 5 | Shakira, Shakira | this She makes a man wants to speak Spanish Como | 5 | ||||||||||
| 6 | se llama? Bonita? Mi casa? Su casa? Shakira, | 6 | |||||||||||
| 7 | I never really knew that she | Shakira | 7 | ||||||||||
| 2 | could dance like this | 2 | |||||||||||
| 8 | She makes a man wants to speak Spanish | Oh baby, when you talk like that You make a | 8 | ||||||||||
| 9 | Como se llama (si), bonita (si), | woman go mad So be wise and keep on reading the | 9 | ||||||||||
| 10 | mi casa (si, Shakira Shakira), | signs of my body | 10 | ||||||||||
| 3 | su casa | 3 | |||||||||||
| 11 | Shakira, Shakira | And I’m on tonight you know my hips don’t lie | 11 | ||||||||||
| 12 | and I’m starting to feel it’s right All the | 12 | |||||||||||
| 13 | Oh baby when you talk like that | attraction, the tension Don’t you see baby, this | 13 | ||||||||||
| 14 | You make a woman go mad | is perfection | 14 | ||||||||||
| 4 | So be wise and keep on | 4 | |||||||||||
| 15 | Reading the signs of my body | Hey girl, I can see your body moving And it’s | 15 | ||||||||||
| 16 | driving me crazy And I didn't have the slightest | 16 | |||||||||||
| 17 | And I'm on tonight | idea Until I saw you dancing | 17 | ||||||||||
| 5 | You know my hips don't lie | 5 | |||||||||||
| 18 | And I'm starting to feel it's right | And when you walk up on the dance floor Nobody | 18 | ||||||||||
| 19 | All the attraction, the tension | cannot ignore The way you move your body, girl | 19 | ||||||||||
| 20 | Don't you see baby, this is perfection | And everything's so unexpected The way you right | 20 | ||||||||||
| 21 | and left it So you can keep on taking it | 21 | |||||||||||
| 6 | Hey Girl, I can see your body moving | 6 | |||||||||||
| 22 | And it's driving me crazy | I Never knew she could dance like this She make | 22 | ||||||||||
| 23 | And I didn't have the slightest idea | a man want speak Spanish Como se llama? Bonita? | 23 | ||||||||||
| 24 | Until I saw you dancing | Mi casa? Su casa? Shakira, Shakira | 24 | ||||||||||
| 7 | 7 | ||||||||||||
| 25 | And when you walk up on the dance floor | Oh baby, when you talk like that You make a | 25 | ||||||||||
| 26 | Nobody can unignore the way | woman go mad So be wise and keep on reading the | 26 | ||||||||||
| 27 | you move your body, girl | signs of my body | 27 | ||||||||||
| 8 | And everything so unexpected - the | 8 | |||||||||||
| 28 | way you right and left it | And I’m on tonight, you know my hips don’t lie | 28 | ||||||||||
| 29 | So you can keep on shaking it | and I’m starting to feel you boy Come on let’s | 29 | ||||||||||
| 30 | go, real slow Don’t you see baby, asi es perfecto | 30 | |||||||||||
| 9 | I never really knew that she | 9 | |||||||||||
| 31 | could dance like this | Oh I know I’m on tonight, my hips don’t lie and | 31 | ||||||||||
| 32 | She makes a man want to speak Spanish | I’m starting to feel it’s right All the | 32 | ||||||||||
| 33 | Como se llama (si), bonita (si), | attraction, the tension Don’t you see baby, this | 33 | ||||||||||
| 34 | mi casa (si, Shakira Shakira), | is perfection Shakira, Shakira | 34 | ||||||||||
| 10 | su casa | 10 | |||||||||||
| 35 | Shakira, Shakira | Oh boy, I can see your body moving Half-animal, | 35 | ||||||||||
| 36 | half-man I don’t, don’t really know what I’m | 36 | |||||||||||
| 37 | Oh baby when you talk like that | doing But you seem to have a plan | 37 | ||||||||||
| 11 | You make a woman go mad | 11 | |||||||||||
| 38 | So be wise and keep on | My will self restraint Have come to fail now, | 38 | ||||||||||
| 39 | Reading the signs of my body | fail now See I’m doing what I can, but I can’t so | 39 | ||||||||||
| 40 | you know That’s a bit too hard to explain | 40 | |||||||||||
| 12 | And I'm on tonight | 12 | |||||||||||
| 41 | You know my hips don't lie | Baila en la calle de noche, baila en la calle de | 41 | ||||||||||
| 42 | And I am starting to feel you boy | dia Baila en la calle de noche, baila en la calle | 42 | ||||||||||
| 43 | Come on lets go, real slow | de dia | 43 | ||||||||||
| 13 | Don't you see baby asi es perfecto | 13 | |||||||||||
| 44 | I never really knew that she could dance like | 44 | |||||||||||
| 45 | Oh I know I am on tonight my hips don't lie | this She makes a man want to speak Spanish Como | 45 | ||||||||||
| 46 | And I am starting to feel it's right | se llama? Bonita? Mi casa? Su casa? Shakira, | 46 | ||||||||||
| 47 | All the attraction, the tension | Shakira | 47 | ||||||||||
| 14 | Don't you see baby, this is perfection | 14 | |||||||||||
| 48 | Shakira, Shakira | Oh baby, when you talk like that You know you | 48 | ||||||||||
| 49 | got me hypnotized So be wise and keep on reading | 49 | |||||||||||
| 50 | Oh boy, I can see your body moving | the signs of my body | 50 | ||||||||||
| 15 | Half animal, half man | 15 | |||||||||||
| 51 | I don't, don't really know what I'm doing | Señorita ??? feel the conga Let me see | 51 | ||||||||||
| 52 | But you seem to have a plan | you move like you come from Colombia Yeah, oh, | 52 | ||||||||||
| 53 | My will and self restraint | yeah Sing it, sing it | 53 | ||||||||||
| 16 | Have come to fail now, fail now | 16 | |||||||||||
| 54 | See, I am doing what I can, | Mira en barranquilla se baila asi, say it! Mira | 54 | ||||||||||
| 55 | but I can't so you know | en barranquilla se baila asi | 55 | ||||||||||
| 17 | That's a bit too hard to explain | 17 | |||||||||||
| 56 | Yeah she’s so sexy every man´s fantasy a | 56 | |||||||||||
| 57 | Baila en la calle de noche | refugee like me back with the Fugees From a | 57 | ||||||||||
| 58 | Baila en la calle de día | third-world country I go back like when | 58 | ||||||||||
| 59 | ´pac carried crates For humpty humpty I | 59 | |||||||||||
| 60 | Baila en la calle de noche | need a whole club dizzy Why the CIA I wanna watch | 60 | ||||||||||
| 61 | Baila en la calle de día | us? Colombians and Haitians I ain’t guilty, it’s | 61 | ||||||||||
| 62 | a musical transaction Boo-boop-so-boop no more | 62 | |||||||||||
| 63 | I never really knew that she | do we snatch ropes Refugees run the seas ‘cause | 63 | ||||||||||
| 64 | could dance like this | we own our own boats | 64 | ||||||||||
| 18 | She makes a man want to speak Spanish | 18 | |||||||||||
| 65 | Como se llama (si), bonita (si), | I’m on tonight, my hips don’t lie I’m starting | 65 | ||||||||||
| 66 | mi casa (si, Shakira Shakira), | to feel you boy Come on let’s go, real slow | 66 | ||||||||||
| 19 | su casa | 19 | |||||||||||
| 20 | Shakira, Shakira | 20 | |||||||||||
| 21 | 21 | ||||||||||||
| 22 | Oh baby when you talk like that | 22 | |||||||||||
| 23 | You know you got me hypnotized | 23 | |||||||||||
| 24 | So be wise and keep on | 24 | |||||||||||
| 25 | Reading the signs of my body | 25 | |||||||||||
| 26 | 26 | ||||||||||||
| 27 | Senorita, feel the conga, let | 27 | |||||||||||
| 28 | me see you move like you come | 28 | |||||||||||
| 29 | from Colombia! | 29 | |||||||||||
| 30 | 30 | ||||||||||||
| 31 | Mira en Barranquilla se baila así, say it! | 31 | |||||||||||
| 32 | Mira en Barranquilla se baila así | 32 | |||||||||||
| 33 | 33 | ||||||||||||
| 34 | Yeah | 34 | |||||||||||
| 35 | She's so sexy every man's fantasy | 35 | |||||||||||
| 36 | a refugee like me back with the | 36 | |||||||||||
| 37 | Fugees from a 3rd world country | 37 | |||||||||||
| 38 | I go back like when 'pac carried | 38 | |||||||||||
| 39 | crates for Humpty Humpty | 39 | |||||||||||
| 40 | I need a whole club dizzy | 40 | |||||||||||
| 41 | Why the CIA wanna watch us? | 41 | |||||||||||
| 42 | Colombians and Haitians | 42 | |||||||||||
| 43 | I ain't guilty, it's a musical transaction | 43 | |||||||||||
| 44 | No more do we snatch ropes | 44 | |||||||||||
| 45 | Refugees run the seas 'cause we own our own boats | 45 | |||||||||||
| 46 | 46 | ||||||||||||
| 47 | I'm on tonight, my hips don't lie | 47 | |||||||||||
| 48 | And I'm starting to feel you boy | 48 | |||||||||||
| 49 | Come on let's go, real slow | 49 | |||||||||||
| Baby, like this is perfecto | Baby, like this is perfecto | ||||||||||||
| 67 | Oh, you know I am on tonight | Oh, you know I’m on tonight and my hips don’t lie | 67 | ||||||||||
| 68 | and my hips don't lie | and I’m starting to feel it’s right The | 68 | ||||||||||
| 69 | And I am starting to feel it's right | attraction, the tension Baby, like this is | 69 | ||||||||||
| 70 | The attraction, the tension | perfection | 70 | ||||||||||
| 50 | Baby, like this is perfection | 50 | |||||||||||
| 71 | No fighting | No fighting No fighting | 71 | ||||||||||
| 51 | No fighting | 51 | |||||||||||
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