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Versiõn actual de
Letras de Canciones de
Salt-N-Pepa
Beauty and the Beat
(http://es.mp3lyrics.org/s/salt-n-pepa/beauty-and-the-beat/)
Versión actual de las letras
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Versiõn 1 de
Letras de Canciones de
Salt-N-Pepa
Beauty and the Beat
(http://es.mp3lyrics.org/s/salt-n-pepa/beauty-and-the-beat/v1...)
La versión 1 de la letra
| |
| 1 | Ooh baby, I like the sound when | | | | | | Oooh, baby, I like the sound when | 1 |
| 2 | The switch is on and you start poundin' | | | | | | The switch is on, and you start poundin' | 2 |
| Out my radio and pretty soon | | | | | | Out my radio and pretty soon | |
| 3 | Salt-N-Pepa will boom into the room | | | | | | Salt and Pepa will boom into the room | 3 |
| | | | | | | | |
| 4 | Clap your hands, now people clap hard | | | | | | Clap your hands now people, clap hard | 4 |
| 5 | Clap your hands, now people clap your hands | | | | | | Clap your hands now people, clap your hands | 5 |
| 6 | Clap your hands, now people stomp your feet | | | | | | Clap your hands now people, stomp your feet | 6 |
| 7 | Clap your hands, now people clap with me | | | | | | Clap your hands now people, clap with me | 7 |
| | | | | | | | |
| Listen hard and tell me what you hear | | | | | | Listen hard and tell me what you hear | |
| Is it noise or is it def beats in your ear? | | | | | | Is it noise or is it def beats in your ear? | |
| 8 | You said you want one and now you got some | | | | | | You said you want one, and now you got some | 8 |
| 9 | Vicious snare, hi hats and a bass drum | | | | | | Vicious snare, high hats, and a bass drum | 9 |
| 1 | | | | | | | | 1 |
| First the mix empress to impress you | | | | | | First the mix empress to impress you | |
| Cutting right on time and I'll bet you | | | | | | Cutting right on time and I'll bet you | |
| 10 | Didn't know it, you can't believe it | | | | | | Didn't know it (did you?), you can't | 10 |
| 11 | (Did you? Could you?) | | | | | | believe it (could you?) | 11 |
| 12 | Word to life, I swear we wouldn't kid you | | | | | | Word to life, I swear, we wouldn't kid you | 12 |
| 2 | | | | | | | | 2 |
| And she can cut it up like a wild animal | | | | | | And she can cut it up like a wild animal | |
| Slicing and dicing away as a cannibal does | | | | | | Slicing and dicing away as a cannibal does | |
| 13 | 'Cuz only a beauty can make you people clap with me | | | | | | Cuz only a beauty can make you people clap with me | 13 |
| 3 | Who is the best? We are the best, who's one of the best? | | | | | | | 3 |
| 4 | You're one of the best | | | | | | | 4 |
| | | | | | | | |
| 14 | Why am I so def? Why don't I have flaws? | | | | | | Who is the best? | 14 |
| 15 | Why do I cut for Salt-N-Pepa? | | | | | | We are the best! | 15 |
| 16 | Because when my turntable talks your body | | | | | | Who's one of the best? | 16 |
| 5 | Will listen to a message [unverified] tested and kickin' | | | | | | | 5 |
| | | | | | | | |
| 1 | | | | | | | You're one of the best! | 1 |
| 2 | | | | | | | | 2 |
| 3 | | | | | | | Why am I so def? Why don't I have flaws? | 3 |
| 4 | | | | | | | Why do I cut for Salt and Pepa? Because | 4 |
| 5 | | | | | | | When my turntable talks your body will listen | 5 |
| 6 | | | | | | | To a message ?? tested and kickin' | 6 |
| Out of my speakers and into your sneakers | | | | | | Out of my speakers and into your sneakers | |
| Providing conversation for the woofers and tweeters | | | | | | Providing conversation for the woofers and tweeters | |
| When I play the Technics obey | | | | | | When I play the Technics obey | |
| 17 | 'Cuz I'm a fader translator, a mix board slave | | | | | | Cuz I'm a fader translator, a mixboard slave | 17 |
| 18 | And I'ma do like this on 'em, this on 'em | | | | | | And I'm-a do like this on 'em...this on 'em | 18 |
| | | | | | | | |
| When I'm on the floor, beat is like romance | | | | | | When I'm on the floor, beat is like romance | |
| The rhythm makes love to me as I dance | | | | | | The rhythm makes love to me as I dance | |
| And from what I see it's about to be | | | | | | And from what I see it's about to be | |
| A relationship between beauty and the beat | | | | | | A relationship between beauty and the beat | |
| 6 | | | | | | | | 6 |
| Word up y'all, it's a royal ball | | | | | | Word up y'all, it's a royal ball | |
| Turn hip-hop clubs into concert halls | | | | | | Turn hip-hop clubs into concert halls | |
| 19 | Inside is live if I use up highs | | | | | | Inside is live, if I use up highs | 19 |
| 20 | Twelve hundred [unverified] | | | | | | Twelve hundred ?? | 20 |
| 7 | | | | | | | | 7 |
| Power in high drive, the woofers don't lie | | | | | | Power in high drive, the woofers don't lie | |
| Opposites attract so the birthrate's high | | | | | | Opposites attract so the birthrate's high | |
| Your chest and ribcage the bass is poking at | | | | | | Your chest and ribcage the bass is poking at | |
| 21 | (Lower the what?) | | | | | | (Lower the what?) Stop joking... | 21 |
| 22 | | | | | | | We can't do that it possess power | 22 |
| 8 | Stop joking, we can't do that it possess power | | | | | | | 8 |
| You ask how-a people get louder | | | | | | You ask how-a people get louder | |
| 9 | Uh, step aside, sir | | | | | | | 9 |
| 10 | Sir, will you please step aside for the | | | | | | | 10 |
| | | | | | | | |
| 23 | Salt-N-Pepa MC's represent beauty | | | | | | (Uh, step aside, sir.... | 23 |
| 7 | | | | | | | Sir, will you please step aside for the....) | 7 |
| 8 | | | | | | | Salt and Pepa MC's represent beauty | 8 |
| We want y'all to see why we're the only | | | | | | We want y'all to see why we're the only | |
| Nominee nominated representing our race | | | | | | Nominee nominated representing our race | |
| This jam is dedicated to all the pretty faces | | | | | | This jam is dedicated to all the pretty faces | |
| 11 | | | | | | | | 11 |
| And we're gonna rock like you like | | | | | | And we're gonna rock like you like | |
| 24 | Spinderella on the mix, Salt-N-Pepa on the mic | | | | | | Spinderella on the mix, Salt and Pepa on the mike | 24 |
| And we can satisfy your desire | | | | | | And we can satisfy your desire | |
| We can make your body perspire | | | | | | We can make your body perspire | |
| 12 | | | | | | | | 12 |
| Make the men all want to get with it | | | | | | Make the men all want to get with it | |
| Then take 'em down to the ultimate | | | | | | Then take 'em down to the ultimate | |
| 25 | Sounds and I say, Spinderella's not a fella | | | | | | Sounds and I say: Spinderella's not a fella | 25 |
| 26 | But a girl DJ | | | | | | But a girl DJ! | 26 |
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