| Que se está viendo una comparación entre versión 5 y versión 6 de la canción que hemos archivado como Letras de Canciones de Red Hot Chili Peppers's - Can't Stop (actual) | |||||
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Versiõn 5 de Letras de Canciones de Red Hot Chili Peppers Can't Stop (http://es.mp3lyrics.org/r/red-hot-chili-peppers/cant-stop/v5...) La versión 5 de la letra |
Versiõn 6 de Letras de Canciones de Red Hot Chili Peppers Can't Stop (http://es.mp3lyrics.org/r/red-hot-chili-peppers/cant-stop/v6...) La versión 6 de la letra | |||||||||||||
| 1 | Can’t stop, addicted to the shin dig | Can't stop addicted to the shindig | 1 | |||||||||||
| 2 | Chop chop, he says I’m gonna win big | Chop top he says, "I'm gonna win big " | 2 | |||||||||||
| Choose not a life of imitation | Choose not a life of imitation | |||||||||||||
| Distant cousin to the reservation | Distant cousin to the reservation | |||||||||||||
| 1 | Defunkt the pistol that you pay for | 1 | ||||||||||||
| 1 | Defunk the pistol that you pay for | 1 | ||||||||||||
| This punk the feeling that you stay for | This punk the feeling that you stay for | |||||||||||||
| In time I want to be your best friend | In time I want to be your best friend | |||||||||||||
| 3 | East side love is living on the west end | East side love is living on the westend | 3 | |||||||||||
| 2 | Knocked out, but boy, you better come to | 2 | ||||||||||||
| 4 | Don’t die, you know the truth is some due | Knock out but boy you better come to | 4 | |||||||||||
| 2 | Don't die, you know the truth is some do | 2 | ||||||||||||
| Go write your message on the pavement | Go write your message on the pavement | |||||||||||||
| 5 | Burn so bright, I wonder what your wave meant | Burn so bright, I wonder what the wave meant | 5 | |||||||||||
| 3 | 3 | |||||||||||||
| White heat is screaming in the jungle | White heat is screaming in the jungle | |||||||||||||
| Complete the motion if you stumble | Complete the motion if you stumble | |||||||||||||
| 6 | Go ask the desk for any answers | Go ask the dust for any answers | 6 | |||||||||||
| 7 | Come back strong with fifty bellydancers | Come back strong with 50 belly dancers | 7 | |||||||||||
| 8 | [Chorus] | The world I love, the tears I drop | 8 | |||||||||||
| 9 | The world I love, the tears I drop, to be part of the wave, can’t stop | To be part of the wave can't stop | 9 | |||||||||||
| 10 | Ever wonder if it’s | Ever wonder if it's all for you | 10 | |||||||||||
| 11 | All for you | The world I love, the trains I hop | 11 | |||||||||||
| 12 | The world I love, the trains I hop, to be part of the wave, can’t stop | To be part of the wave can't stop | 12 | |||||||||||
| 13 | Come and tell me when it’s | Come and tell me when it's time to | 13 | |||||||||||
| 3 | Time to | 3 | ||||||||||||
| Sweetheart is bleeding in the snowcone | Sweetheart is bleeding in the snowcone | |||||||||||||
| 14 | So smart, she’s leading me to ozone | So smart she's leading me to ozone | 14 | |||||||||||
| 15 | Music, the great communicator, use two sticks to make it in the nature | Music the great communicator | 15 | |||||||||||
| 16 | I’ll get you into penetration | Use two sticks to make it in the nature | 16 | |||||||||||
| 4 | 4 | |||||||||||||
| 5 | I'll get you into penetration | 5 | ||||||||||||
| The gender of a generation | The gender of a generation | |||||||||||||
| The birth of every other nation | The birth of every other nation | |||||||||||||
| 17 | Hook your weight to go to meditation | Worth your weight the gold of meditation | 17 | |||||||||||
| 4 | This track is gonna be a close one | 4 | ||||||||||||
| 18 | Smoke rings, I know you’re gonna blow one | This chapter's going to be a close one | 18 | |||||||||||
| 19 | All on a spaceship persevering, | Smoke rings, I know your going to blow one | 19 | |||||||||||
| 6 | All on a spaceship persevering | 6 | ||||||||||||
| Use my hands for everything but steering | Use my hands for everything but steering | |||||||||||||
| 5 | Can’t stop the spirits when they need you | 5 | ||||||||||||
| 20 | Mob shops are happy when they feed you | Can't stop the spirits when they need you | 20 | |||||||||||
| 7 | Mop tops are happy when they feed you | 7 | ||||||||||||
| J. Butterfly is in the treetop | J. Butterfly is in the treetop | |||||||||||||
| Birds that blow the meaning into bebop | Birds that blow the meaning into bebop | |||||||||||||
| 21 | [Chorus] | The world I love, the tears I drop | 21 | |||||||||||
| 22 | The world I love, the tears I drop, to be part of the wave, can’t stop | To be part of the wave can't stop | 22 | |||||||||||
| 23 | Ever wonder if it’s | Ever wonder if it's all for you | 23 | |||||||||||
| 24 | All for you | The world I love, the trains I hop | 24 | |||||||||||
| 25 | The world I love, the trains I hop, to be part of the wave, can’t stop | To be part of the wave can't stop | 25 | |||||||||||
| 26 | Come and tell me when it’s | Come and tell me when it's time to | 26 | |||||||||||
| 6 | Time to | 6 | ||||||||||||
| 27 | Wait a minute, I’m passing out win or lose | Wait a minute I'm passing out, win or lose | 27 | |||||||||||
| Just like you | Just like you | |||||||||||||
| 28 | Far more shocking than anything I ever knew | Far more shocking than anything, I ever knew | 28 | |||||||||||
| 29 | How ‘bout you | How about you | 29 | |||||||||||
| 7 | Ten more reasons why I need somebody new | 7 | ||||||||||||
| 8 | 10 more reasons why I need, somebody new | 8 | ||||||||||||
| Just like you | Just like you | |||||||||||||
| 30 | Far more shocking than anything I ever knew | Far more shocking than anything, I ever knew | 30 | |||||||||||
| Right on cue | Right on cue | |||||||||||||
| 31 | Can’t stop, addicted to the shin dig | Can't stop addicted to the shin dig | 31 | |||||||||||
| 32 | Chop chop, he says I’m gonna win big | Chop top he says, "I'm gonna win big" | 32 | |||||||||||
| Choose not a life of imitation | Choose not a life of imitation | |||||||||||||
| Distant cousin to the reservation | Distant cousin to the reservation | |||||||||||||
| 8 | Defunked the pistol that you pay for | 8 | ||||||||||||
| 9 | Defunk the pistol that you pay for | 9 | ||||||||||||
| This punk the feeling that you stay for | This punk the feeling that you stay for | |||||||||||||
| In time, I want to be your best friend | In time, I want to be your best friend | |||||||||||||
| 33 | East side love is living on the west end | East side love is living on the westend | 33 | |||||||||||
| 9 | Knocked out, but boy, you better come to | 9 | ||||||||||||
| 34 | Don’t die, you know the truth is some due | Knock out but boy you better come to | 34 | |||||||||||
| 10 | Don't die, you know the truth is some do | 10 | ||||||||||||
| Go write your message on the pavement | Go write your message on the pavement | |||||||||||||
| 35 | Burn so bright, I wonder what your wave meant | Burn so bright, I wonder what the wave meant | 35 | |||||||||||
| 11 | 11 | |||||||||||||
| Kick start the golden generator | Kick start the golden generator | |||||||||||||
| 36 | Sweet talk, but don’t intimidate her | Sweet talk but don't intimidate her | 36 | |||||||||||
| 37 | Can’t stop the gods from engineering | Can't stop the Gods from engineering | 37 | |||||||||||
| Feel no need for any interfering | Feel no need for any interfering | |||||||||||||
| 12 | 12 | |||||||||||||
| Your image in the dictionary | Your image in the dictionary | |||||||||||||
| This life is more than ordinary | This life is more than ordinary | |||||||||||||
| 38 | Can I get you maybe even three of these | Can I get 2 maybe even 3 of these | 38 | |||||||||||
| 39 | Coming from the space to teach you of the Pleiades | Come from space to teach you of the pliedes | 39 | |||||||||||
| 10 | Can’t stop the spirits when they need you | 10 | ||||||||||||
| 13 | Can't stop the spirits when they need you | 13 | ||||||||||||
| This life is more than just a read through | This life is more than just a read through | |||||||||||||
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