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Versiõn actual de Letras de Canciones de Queen Latifah Ladies First (Radio Edit) (Featuring Monie Love) (http://es.mp3lyrics.org/q/queen-latifah/ladies-first-radio/) Versión actual de las letras |
Versiõn 1 de Letras de Canciones de Queen Latifah Ladies First (Radio Edit) (Featuring Monie Love) (http://es.mp3lyrics.org/q/queen-latifah/ladies-first-radio/v...) La versión 1 de la letra | ||||||||||||
| 1 | Oooh, Ladies first, ladies first | 1 | |||||||||||
| 2 | Oooh, Ladies first, ladies first | 2 | |||||||||||
| 3 | Oooh, Ladies first, ladies first | 3 | |||||||||||
| 4 | Oooh, Ladies first, ladies first | 4 | |||||||||||
| 5 | 5 | ||||||||||||
| 6 | (Funky) | 6 | |||||||||||
| 7 | (Funky) | 7 | |||||||||||
| 8 | 8 | ||||||||||||
| [Queen Latifah] | [Queen Latifah] | ||||||||||||
| The ladies will kick it, the rhyme that is wicked | The ladies will kick it, the rhyme that is wicked | ||||||||||||
| Those that don't know how to be pros get evicted | Those that don't know how to be pros get evicted | ||||||||||||
| A woman can bear you, break you, take you | A woman can bear you, break you, take you | ||||||||||||
| Now it's time to rhyme, can you relate to | Now it's time to rhyme, can you relate to | ||||||||||||
| A sister dope enough to make you holler and scream | A sister dope enough to make you holler and scream | ||||||||||||
| [Monie Love] | [Monie Love] | ||||||||||||
| Ayo, let me take it from here, Queen... | Ayo, let me take it from here, Queen... | ||||||||||||
| Excuse me but I think I'm about do | Excuse me but I think I'm about do | ||||||||||||
| To get into precisely what I am about to do | To get into precisely what I am about to do | ||||||||||||
| 1 | I'm conversating to the folks who have no whatsoever clue | I'm conversating to the folks that have no whatsoever clue | 1 | ||||||||||
| So listen very carefully as I break it down for you | So listen very carefully as I break it down for you | ||||||||||||
| Merrily merrily merrily merrily hyper happy overjoyed | Merrily merrily merrily merrily hyper happy overjoyed | ||||||||||||
| 2 | Pleased with all the beats and rhymes | Pleased with all the beats and rhymes my sisters have employed | 2 | ||||||||||
| 9 | my sisters have employed | 9 | |||||||||||
| Slick and smooth throwing down the sound totally a yes | Slick and smooth throwing down the sound totally a yes | ||||||||||||
| Let me state the position: Ladies first, yes? (Yes) | Let me state the position: Ladies first, yes? (Yes) | ||||||||||||
| (Yeah, there's going to be some changes in here) | (Yeah, there's going to be some changes in here) | ||||||||||||
| 10 | Oooh, Ladies first, ladies first | 10 | |||||||||||
| 11 | 11 | ||||||||||||
| [Monie Love] | [Monie Love] | ||||||||||||
| Believe me when I say being a woman is great, you see | Believe me when I say being a woman is great, you see | ||||||||||||
| 3 | I know that all the fellas out there will agree with me | I know all the fellas out there will agree with me | 3 | ||||||||||
| 4 | Not the being one but the being with one | Not for being one but for being with one | 4 | ||||||||||
| Because when it's time for loving | Because when it's time for loving | ||||||||||||
| it's the woman that gets some | it's the woman that gets some | ||||||||||||
| Strong, stepping, strutting, moving on | Strong, stepping, strutting, moving on | ||||||||||||
| Rhyming, cutting, and not forgetting | Rhyming, cutting, and not forgetting | ||||||||||||
| We are the ones that give birth | We are the ones that give birth | ||||||||||||
| 5 | To the new generation of prophets | To the new generation of prophets because it's Ladies First | 5 | ||||||||||
| 12 | because it's Ladies First | 12 | |||||||||||
| [Queen Latifah] | [Queen Latifah] | ||||||||||||
| I break into a lyrical freestyle | I break into a lyrical freestyle | ||||||||||||
| 6 | Grab the mic, look at the crowd and see smiles | Grab the mic, look into the crowd and see smiles | 6 | ||||||||||
| Cause they see a woman standing up on her own two | Cause they see a woman standing up on her own two | ||||||||||||
| Sloppy slouching is something I won't do | Sloppy slouching is something I won't do | ||||||||||||
| Some think that we can't flow (can't flow) | Some think that we can't flow (can't flow) | ||||||||||||
| Stereotypes, they got to go (got to go) | Stereotypes, they got to go (got to go) | ||||||||||||
| I'm a mess around and flip the scene into reverse | I'm a mess around and flip the scene into reverse | ||||||||||||
| 7 | (With what?) With a little touch of | (With what?) With a little touch of "Ladies First" | 7 | ||||||||||
| 13 | "Ladies First" | 13 | |||||||||||
| 14 | 14 | ||||||||||||
| 15 | Oooh, Ladies first, ladies first | 15 | |||||||||||
| 16 | Oooh, Ladies first, ladies first | 16 | |||||||||||
| 17 | Oooh, Ladies first, ladies first | 17 | |||||||||||
| 18 | 18 | ||||||||||||
| 19 | (Yeah, there's going to be some changes made here) | 19 | |||||||||||
| 8 | [Queen Latifah] | Who said the ladies couldn't make it, you must be blind | 8 | ||||||||||
| 20 | Who said that the ladies couldn't | 20 | |||||||||||
| 21 | make it, you must be blind | 21 | |||||||||||
| If you don't believe, well here, listen to this rhyme | If you don't believe, well here, listen to this rhyme | ||||||||||||
| Ladies first, there's no time to rehearse | Ladies first, there's no time to rehearse | ||||||||||||
| I'm divine and my mind expands throughout the universe | I'm divine and my mind expands throughout the universe | ||||||||||||
| A female rapper with the message to send the | A female rapper with the message to send the | ||||||||||||
| Queen Latifah is a perfect specimen | Queen Latifah is a perfect specimen | ||||||||||||
| [Monie Love] | [Monie Love] | ||||||||||||
| My sister, can I get some? | My sister, can I get some? | ||||||||||||
| [Queen Latifah] | [Queen Latifah] | ||||||||||||
| Sure, Monie Love, grab the mic and get dumb | Sure, Monie Love, grab the mic and get dumb | ||||||||||||
| [Monie Lovie] | [Monie Lovie] | ||||||||||||
| Yo, praise me not for simply being what I am | Yo, praise me not for simply being what I am | ||||||||||||
| Born in L-O-N-D-O-N and sound American | Born in L-O-N-D-O-N and sound American | ||||||||||||
| You dig exactly where I'm coming from | You dig exactly where I'm coming from | ||||||||||||
| You want righteous rhyming, Imma give you some | You want righteous rhyming, Imma give you some | ||||||||||||
| To enable you to aid yourself and get paid | To enable you to aid yourself and get paid | ||||||||||||
| And the material that has no meaning I wish to slay | And the material that has no meaning I wish to slay | ||||||||||||
| Pay me every bit of your attention | Pay me every bit of your attention | ||||||||||||
| Like mother, like daughter, I would also like to mention | Like mother, like daughter, I would also like to mention | ||||||||||||
| I wish for you to bring me to, bring me to the rhythm | I wish for you to bring me to, bring me to the rhythm | ||||||||||||
| Of which is now systematically given | Of which is now systematically given | ||||||||||||
| Desperately stressing I'm the daughter of a sister | Desperately stressing I'm the daughter of a sister | ||||||||||||
| 9 | Who's the mother of a brother | Who's the mother of a brother who's the brother of another | 9 | ||||||||||
| 22 | who's the brother of another | 22 | |||||||||||
| Plus one more; all four | Plus one more; all four | ||||||||||||
| Have a job to do, we doing it | Have a job to do, we doing it | ||||||||||||
| Respect due, to the mother who's the root of it | Respect due, to the mother who's the root of it | ||||||||||||
| And next up is me, the M-O-N-I-E L-O-V-E | And next up is me, the M-O-N-I-E L-O-V-E | ||||||||||||
| And I'm first cause I'm a L-A-D-I-E | And I'm first cause I'm a L-A-D-I-E | ||||||||||||
| [Queen Latifah] | [Queen Latifah] | ||||||||||||
| Contact and in fact, the style, it gets harder | Contact and in fact, the style, it gets harder | ||||||||||||
| Cooling on the scene with my European partner | Cooling on the scene with my European partner | ||||||||||||
| Laying down track after track, waiting for the climax | Laying down track after track, waiting for the climax | ||||||||||||
| When I get there, that's when I tax | When I get there, that's when I tax | ||||||||||||
| The next man, or the next woman | The next man, or the next woman | ||||||||||||
| It doesn't make a difference, keep the competition coming | It doesn't make a difference, keep the competition coming | ||||||||||||
| And I'll recite the chapter in verse | And I'll recite the chapter in verse | ||||||||||||
| 10 | The title of this recital is "Ladies First" | The title of this recital is "Ladies First" | 10 | ||||||||||
| 23 | 23 | ||||||||||||
| 24 | Oooh, Ladies first, ladies first | 24 | |||||||||||
| 25 | Oooh, Ladies first, ladies first | 25 | |||||||||||
| 26 | Oooh, Ladies first, ladies first | 26 | |||||||||||
| 27 | Oooh, Ladies first, ladies first | 27 | |||||||||||
| 28 | 28 | ||||||||||||
| 29 | [Queen Latifah] | 29 | |||||||||||
| 30 | Step out into the night | 30 | |||||||||||
| 31 | Queens of civilization are on the mic | 31 | |||||||||||
| 32 | The scene is right, the crowd is hype | 32 | |||||||||||
| 33 | I expel the wack and those who bite | 33 | |||||||||||
| 34 | Why, cause I'm that type | 34 | |||||||||||
| 35 | Swaying with beats 45 King style | 35 | |||||||||||
| 36 | He wants me to sing but I swing, so meanwhile | 36 | |||||||||||
| 37 | A footnote for the opposite sex | 37 | |||||||||||
| 38 | Monie ripped the mic, I rocked it next | 38 | |||||||||||
| 39 | Plex, you never catch me at my worst | 39 | |||||||||||
| 40 | You get the drift? It's Ladies First | 40 | |||||||||||
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