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Versiõn actual de Letras de Canciones de Queen Latifah A King And Queen Creation (http://es.mp3lyrics.org/q/queen-latifah/a/) Versión actual de las letras |
Versiõn 1 de Letras de Canciones de Queen Latifah A King And Queen Creation (http://es.mp3lyrics.org/q/queen-latifah/a/v1.html) La versión 1 de la letra | |||||||||||||
| 1 | [45 King] | 1 | ||||||||||||
| Let's start the show off, sisters ago look alive | Let's start the show off, sisters ago look alive | |||||||||||||
| The Queen Latifah, the King of 45 | The Queen Latifah, the King of 45 | |||||||||||||
| Bringing a mixture of pure flavor | Bringing a mixture of pure flavor | |||||||||||||
| I make beats, she rock rhymes, so I gave a | I make beats, she rock rhymes, so I gave a | |||||||||||||
| 1 | 1 | |||||||||||||
| A sample sound, the she added a compound | A sample sound, the she added a compound | |||||||||||||
| Word, this is for those who haven't heard | Word, this is for those who haven't heard | |||||||||||||
| A King and Queen combine minds and trample | A King and Queen combine minds and trample | |||||||||||||
| 1 | Those who oppose us, here's an example | Thos who oppose us, here's an example | 1 | |||||||||||
| 2 | [Queen Latifah] | 2 | ||||||||||||
| It's time to run, the King and Queen is on the set | It's time to run, the King and Queen is on the set | |||||||||||||
| The competition is petty and ready to step | The competition is petty and ready to step | |||||||||||||
| To the first one, go ahead, rehearse one | To the first one, go ahead, rehearse one | |||||||||||||
| I hope you don't know you sound like the worst one | I hope you don't know you sound like the worst one | |||||||||||||
| Rhymes are smoking, concentration can't be broken | Rhymes are smoking, concentration can't be broken | |||||||||||||
| Queen Latifah's outspoken | Queen Latifah's outspoken | |||||||||||||
| 2 | 2 | |||||||||||||
| Use your imagination, picture this | Use your imagination, picture this | |||||||||||||
| 2 | Any male or female rapper trying to dis | Any male or female rapper trying to diss | 2 | |||||||||||
| Here for excitement and enticement | Here for excitement and enticement | |||||||||||||
| 3 | With my competitors killed I go build with my enlightenment | With my competitors killed I go | 3 | |||||||||||
| 3 | build with my enlightenment | 3 | ||||||||||||
| Teach the youth, feed the needy | Teach the youth, feed the needy | |||||||||||||
| 4 | Confident decedent of Queen Nefertiti | Confident decendent of Queen Nefertiti | 4 | |||||||||||
| The mother of civilization will rise | The mother of civilization will rise | |||||||||||||
| 3 | 3 | |||||||||||||
| Like the cream and still build the strong foundation | Like the cream and still build the strong foundation | |||||||||||||
| Secondary but necessary to reproduce | Secondary but necessary to reproduce | |||||||||||||
| Acknowledge the fact that I'm black and I don't lack | Acknowledge the fact that I'm black and I don't lack | |||||||||||||
| Queen Latifah is giving you a piece of my mind | Queen Latifah is giving you a piece of my mind | |||||||||||||
| A rhyme spoken by a feminine teacher | A rhyme spoken by a feminine teacher | |||||||||||||
| 4 | 4 | |||||||||||||
| Rhymes I do employ, no time for slimy toys | Rhymes I do employ, no time for slimy toys | |||||||||||||
| I'm steady and stable and the label is Tommy Boy | I'm steady and stable and the label is Tommy Boy | |||||||||||||
| Backed by The Unit, produced by The King | Backed by The Unit, produced by The King | |||||||||||||
| Perfection pressed with the style that we bring | Perfection pressed with the style that we bring | |||||||||||||
| 5 | For the hip-hop patients, this is a King and Queen creation | For the hip-hop patients, this is a | 5 | |||||||||||
| 4 | King and Queen creation | 4 | ||||||||||||
| 5 | [45 King] | 5 | ||||||||||||
| Technician, musical musician | Technician, musical musician | |||||||||||||
| I'm stating the facts, strictly non-fiction | I'm stating the facts, strictly non-fiction | |||||||||||||
| In hip-hop, you wonder who's in trouble most | In hip-hop, you wonder who's in trouble most | |||||||||||||
| Creativity, you get a double dose | Creativity, you get a double dose | |||||||||||||
| How can you stop me? No, I put you to a test | How can you stop me? No, I put you to a test | |||||||||||||
| 6 | The rhymes are Romeo | The rhymes are Romeo (The beat's a Juliet) | 6 | |||||||||||
| 5 | (The beat's a Juliet) | 5 | ||||||||||||
| 6 | 6 | |||||||||||||
| With topic blend, this makes me a hard one | With topic blend, this makes me a hard one | |||||||||||||
| Persevere, I'm here, gets taught one | Persevere, I'm here, gets taught one | |||||||||||||
| Strength producer, I send you an ultimatum | Strength producer, I send you an ultimatum | |||||||||||||
| Hardcore worldwide is how I take 'em | Hardcore worldwide is how I take 'em | |||||||||||||
| I rock, never hyperventilate | I rock, never hyperventilate | |||||||||||||
| Others get tired, could use a commercial break | Others get tired, could use a commercial break | |||||||||||||
| 7 | 7 | |||||||||||||
| 45 King, DJ Mark's my alias | 45 King, DJ Mark's my alias | |||||||||||||
| It takes a ton of MC's to prevail against me | It takes a ton of MC's to prevail against me | |||||||||||||
| Just listen, I'm unstoppable | Just listen, I'm unstoppable | |||||||||||||
| You want a mission? This one's impossible | You want a mission? This one's impossible | |||||||||||||
| Beats rock all night with no curfew | Beats rock all night with no curfew | |||||||||||||
| My talent's advanced, you haven't a clue | My talent's advanced, you haven't a clue | |||||||||||||
| 8 | 8 | |||||||||||||
| How I do it, the smoothest loopest spare it | How I do it, the smoothest loopest spare it | |||||||||||||
| If the style fits, I wear it | If the style fits, I wear it | |||||||||||||
| Many attempts were made, none was recognized | Many attempts were made, none was recognized | |||||||||||||
| 45 King said sample soundified | 45 King said sample soundified | |||||||||||||
| I'm going to Wonderland to check, find out who's next | I'm going to Wonderland to check, find out who's next | |||||||||||||
| You pretty good, but not quite a legend yet | You pretty good, but not quite a legend yet | |||||||||||||
| 9 | 9 | |||||||||||||
| Studio mixer, I got the formula | Studio mixer, I got the formula | |||||||||||||
| And said the man from self, I'm warning you | And said the man from self, I'm warning you | |||||||||||||
| 7 | It's my domain, just ask my chauffeur | It's my domain, just ask my chauffer | 7 | |||||||||||
| My ride's equipped everything from a pool to a sofa | My ride's equipped everything from a pool to a sofa | |||||||||||||
| 10 | 10 | |||||||||||||
| On top, it's a usual act | On top, it's a usual act | |||||||||||||
| Can't wait to get down to 45 Studios | Can't wait to get down to 45 Studios | |||||||||||||
| I'm into rap, but no urge to sing | I'm into rap, but no urge to sing | |||||||||||||
| I'm DJ Mark, 45, 45 King of Swing | I'm DJ Mark, 45, 45 King of Swing | |||||||||||||
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