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Versiõn actual de Letras de Canciones de Ol' Dirty Bastard Damage (http://es.mp3lyrics.org/o/ol-dirty-bastard/damage/) Versión actual de las letras |
Versiõn 1 de Letras de Canciones de Ol' Dirty Bastard Damage (http://es.mp3lyrics.org/o/ol-dirty-bastard/damage/v1.html) La versión 1 de la letra | |||||||||||||
| 1 | Peace, peace! | [Ol Dirty Bastard] | 1 | |||||||||||
| 2 | Dirty, ol dirty bastard | I'll grab and the mic and now I damage you, cut your whole stamina | 2 | |||||||||||
| 3 | The Genius! | Here comes the medical examiner | 3 | |||||||||||
| 1 | The Genius | 1 | ||||||||||||
| 2 | 2 | |||||||||||||
| 3 | I'll grab the mic and now I damage you | 3 | ||||||||||||
| 4 | Cut your whole stamina, here comes the medical examiner | 4 | ||||||||||||
| One verse then you're out for the count | One verse then you're out for the count | |||||||||||||
| 4 | Bring the ammonia make sure he sniffs the right amount | (Bring the ammonia) make sure he sniffs the right amount | 4 | |||||||||||
| 5 | Wake him up and then I ask him | 5 | ||||||||||||
| 6 | Wake him up and then I ask him, "Why did he intend this?" | Why did he intend this -- | 6 | |||||||||||
| 7 | Competition to get an ass kickin' so tremendous | competition to get an ass kickin so tremendous | 7 | |||||||||||
| Boy you shouldn't bother this | Boy you shouldn't bother this | |||||||||||||
| 8 | Leave me alone like the son said, G or he'll be fatherless! | Leave me alone like the (son said G or he'll be fatherless!) | 8 | |||||||||||
| 5 | 5 | |||||||||||||
| I got the asiatic flow mixed with disco | I got the asiatic flow mixed with disco | |||||||||||||
| 9 | Roll up on the scene like the count of Monte Crisco | Roll up on the scene like the Count of Monte Crisco | 9 | |||||||||||
| 10 | And MC's start to vanish | and MC's start to vanish | 10 | |||||||||||
| 11 | I stepped up to a jet black kid, started speakin' Spanish | (I stepped up to a jet black kid, started speakin spanish! | 11 | |||||||||||
| 6 | 6 | |||||||||||||
| Yo he wasn't from Panama | Yo he wasn't from Panama | |||||||||||||
| 12 | I asked him how he get so dark, the nigga said, "Suntama" | I asked him how he get so dark, the nigga said suntama! | 12 | |||||||||||
| 13 | He responded so fast, you made me laugh | He responded so fast, you made me laugh) | 13 | |||||||||||
| 14 | Ha ha ha haa, then I scared his ass | Ha-ha-ha, HARARRRH (then I scared-his ass!) | 14 | |||||||||||
| 15 | (Kick the hundred strongest rhymes | 15 | ||||||||||||
| 16 | Kick the hundred strongest rhymes, I brought out the punk in him | I brought out the punk in him | 16 | |||||||||||
| Caught him with a strong five deadly venom | Caught him with a strong five deadly venom | |||||||||||||
| Told him enter the Wu-Tang | Told him enter the Wu-Tang | |||||||||||||
| 17 | Witness the Shaolin slang, that'll crush the shit you bring | Witness the Shaolin slang, that'll crush the shit you bring) | 17 | |||||||||||
| 18 | I watch your ass take a big fall, why?! | 18 | ||||||||||||
| 19 | I watch your ass take a big fall, why? | My Main Source, is like a friendly game of stickball | 19 | |||||||||||
| 20 | My main source is like a friendly game of stick ball | And as you step up to bat man (I play the riddler) | 20 | |||||||||||
| 21 | And as you step up to bat mana dn Iplay the riddler | You try to do me for a rhyme (then I'll change to Hitler) | 21 | |||||||||||
| 22 | You try to do me for a rhyme then I'll change to Hitler | Go out like Nazi; you'll be wishin your fuckin ass | 22 | |||||||||||
| 23 | stayed home and played (Yahtzee!) | 23 | ||||||||||||
| 24 | Go out like Nazi, you'll be wishin your fuckin' ass stayed | Or watchin Happy Days sweatin (Poxie) | 24 | |||||||||||
| 25 | Home and played yahtzee! | with Ralphie and Richie Cunningham, Joni and (Chachi) | 25 | |||||||||||
| 7 | Or watchin' 'Happy Days' sweatin' Poxie | 7 | ||||||||||||
| 8 | With Ralphie and Richie Cunningham, Joni and Chachi | 8 | ||||||||||||
| 9 | 9 | |||||||||||||
| Wu, who? Me gettin wreck so I'm through | Wu, who? Me gettin wreck so I'm through | |||||||||||||
| 26 | Like a ten and a half foot, gettin' in a seven shoe | Like a ten and a half foot, gettin in a seven (shoe) | 26 | |||||||||||
| 27 | Now picture that with a Minolta | (Now picture THAT with a Minolta) | 27 | |||||||||||
| 28 | Have your ass doin' some 'Night Fever' shit like John Travolta | Have your ass doin some Night Fever shit like John Travolta | 28 | |||||||||||
| 10 | 10 | |||||||||||||
| I come strong I make knowledge born, I flip the script | I come strong I make knowledge born, I flip the script | |||||||||||||
| 29 | And rock on from p.m. past the fucking dawn | and rock on from P.M. (past the fucking Dawn) | 29 | |||||||||||
| 30 | Pass the hammer you're broke down, niggaz grab my what, what | Pass the Hammer you're broke down, niggaz grab my what what | 30 | |||||||||||
| 31 | Can't understand it, here's the panaroma | Can't understand it here's the panaroma | 31 | |||||||||||
| 32 | (A complete view of how I defeat you) | 32 | ||||||||||||
| 33 | A complete view of how I defeat you | Should of stepped to those fuckin kids who tried to (beat you) | 33 | |||||||||||
| 11 | Should of stepped to those fuckin' kids who tried to beat you | 11 | ||||||||||||
| Yeah I bust that ass before | Yeah I bust that ass before | |||||||||||||
| 34 | You ran to Texas and came back but forgot the chainsaw! | (You ran to Texas and came back but forgot the chainsaw!) | 34 | |||||||||||
| 12 | 12 | |||||||||||||
| And want to perform a massacre | And want to perform a massacre | |||||||||||||
| Better be coming with some motherfucking shit that's spectacular | Better be coming with some motherfucking shit that's spectacular | |||||||||||||
| 35 | Crush the person who did 'em, well you just better | Crush the person who did em, well you just better | 35 | |||||||||||
| 36 | So I'm stepping to your raggedy ass jetta | So I'm stepping to your (raggedy ass jetta) | 36 | |||||||||||
| 13 | 13 | |||||||||||||
| Put the pedal to the metal | Put the pedal to the metal | |||||||||||||
| You and your DJ change your name to Ma and Pa Kettle | You and your DJ change your name to Ma and Pa Kettle | |||||||||||||
| 37 | As I pass the bone, kicks your every measure | as I (pass the bone, kicks your every measure) | 37 | |||||||||||
| It's not a Newport but it's still live with pleasure | It's not a Newport but it's still live with pleasure | |||||||||||||
| 38 | (C'mon don't be silly, just a bag of sensimilli | 38 | ||||||||||||
| 39 | C'mon don't be silly, just a bag of sensimilli | Rolled up in a) Motown Philly | 39 | |||||||||||
| 40 | Rolled up in a Motown Philly | (I used to write all the time when I smoked | 40 | |||||||||||
| 14 | I used to write all the time when I smoked | 14 | ||||||||||||
| Grab the mic, then I kinda like went for broke | Grab the mic, then I kinda like went for broke | |||||||||||||
| 15 | 15 | |||||||||||||
| With visually concepts strongest rhymes and biceps | With visually concepts strongest rhymes and biceps | |||||||||||||
| 41 | Lyrically speakin', three to four rhymes then choke | Lyrically speakin, three to four rhymes then choke | 41 | |||||||||||
| 42 | Some think they be harmin' this, claimin' they be bombin' this | Some think they be harmin this, claimin they be bombin this) | 42 | |||||||||||
| 43 | But they still remains anonymous | But they still remains a-nom-ynous | 43 | |||||||||||
| 16 | 16 | |||||||||||||
| I pull strings like Jimi Hendrix | I pull strings like Jimi Hendrix | |||||||||||||
| Ride more beats that go backs to the days of Eddie Kendricks | Ride more beats that go backs to the days of Eddie Kendricks | |||||||||||||
| 44 | I teach the truth to the youth, I say, "Hey youth | I teach the truth to the youth, I say (hey youth) | 44 | |||||||||||
| 45 | Here's the truth, better start wearing bullet proof" | Here's the truth, better start wearing (bullet proof) | 45 | |||||||||||
| Arm yourself with a shield | Arm yourself with a shield | |||||||||||||
| Before you get trapped up just like the children in the cornfield | (Before you get trapped up) just like | |||||||||||||
| 1 | the Children in the Cornfield | 1 | ||||||||||||
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