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Versiõn actual de Letras de Canciones de Naughty By Nature Connections (http://es.mp3lyrics.org/n/naughty-by-nature/connections/) Versión actual de las letras |
Versiõn 1 de Letras de Canciones de Naughty By Nature Connections (http://es.mp3lyrics.org/n/naughty-by-nature/connections/v1.h...) La versión 1 de la letra | |||||||||||||
| 1 | Fuck the toughest I'm dangerous it's rowdy | (Treach) | 1 | |||||||||||
| 2 | Motherfuckers are up and outty the roughest sucker plucker | Fuck the toughest I'm danger-ous its rowdy | 2 | |||||||||||
| 3 | Since they found me | motherfuckers are up and outty the roughest | 3 | |||||||||||
| 4 | Openin' up a can of clash clicks six-packs of ass whips | sucker plucker since they found me | 4 | |||||||||||
| 5 | Pints and fifths of asses, burnt to ashes | Openin' up a can of clash clicks six-packs of ass whips, pints | 5 | |||||||||||
| 6 | and fifths of asses, burnt to ashes | 6 | ||||||||||||
| 7 | You've been spined, twisted | You've been spined, twisted, blistered and spun up in and lifted | 7 | |||||||||||
| 8 | Blistered and spun up in and lifted | shit boy ya free paper bum it's called I got | 8 | |||||||||||
| 9 | Shit boy ya free paper bum, it's called I got connections | connections, like Poonanny to erections | 9 | |||||||||||
| 10 | Like Poonanny to erections | I saw selected sets son for my selection | 10 | |||||||||||
| 11 | stretchin' sections etchin' and sketchin' | 11 | ||||||||||||
| 12 | I saw selected sets son for my selection stretchin' sections | to revive, reset and then set inspections | 12 | |||||||||||
| 13 | Etchin' and sketchin' to revive, reset and then set inspections | for the wet ones to the next ones, yes one, step son and get one | 13 | |||||||||||
| 1 | For the wet ones to the next ones, yes one, step son and get one | 1 | ||||||||||||
| Comin' from behind is the line yours for a nine war | Comin' from behind is the line yours for a nine war | |||||||||||||
| 14 | Walk nigga mind yours, of crime wars will find yours | 14 | ||||||||||||
| 2 | Walk nigga mind yours of crime wars will find yours | 2 | ||||||||||||
| The hot one will spot one, shock one and stop one | The hot one will spot one, shock one and stop one | |||||||||||||
| 15 | Crews will conquer as tough as Tonka | Crews will conquer as tough as Tonka now I got one | 15 | |||||||||||
| 3 | Now I got one | 3 | ||||||||||||
| 1 | (Chorus) | 1 | ||||||||||||
| I got connections, huh, huh, no question, huh | I got connections, huh, huh, no question, huh | |||||||||||||
| 16 | I got connections, I get that ass stuck like glue | I got connections; I get that ass stuck like glue | 16 | |||||||||||
| I got connections, huh, huh, no question, huh | I got connections, huh, huh, no question, huh | |||||||||||||
| 17 | I got connections, I get that ass stuck like glue | I got connections; I get that ass stuck like glue -- Method Man | 17 | |||||||||||
| 2 | (Road Dawgs) | 2 | ||||||||||||
| State of shock, it's a greater plot that made us stop | State of shock, it's a greater plot that made us stop | |||||||||||||
| 18 | The thunder from with under will make the whole of cradle rock, hah | the thunder from with under will make the whole of cradle rock, hah | 18 | |||||||||||
| Ken Boogie just hit me on the horn in California | Ken Boogie just hit me on the horn in California | |||||||||||||
| Born in Fort July Fourth you're sworn to bangin' and warrin' | Born in Fort July Fourth you're sworn to bangin' and warrin' | |||||||||||||
| Road Dawgs you assume right first draft kick | Road Dawgs you assume right first draft kick | |||||||||||||
| 19 | practic tactics of a great Western-type saloon fight | 19 | ||||||||||||
| 20 | Practic tactics of a great Western-type saloon fight | Caution - courage what I bring when I approach this | 20 | |||||||||||
| 21 | Caution courage what I bring when I approach this | Punks stays focused notice devotions and | 21 | |||||||||||
| 22 | Punks stays focused, notice devotions | commotion's of cruddy's corrosive | 22 | |||||||||||
| 4 | And commotion's of cruddy's corrosive | 4 | ||||||||||||
| Top gun and explosive motion East Coastin' deep | Top gun and explosive motion East Coastin' deep | |||||||||||||
| 23 | Throughout notions of all the shops I'm closin' | throughout notions of all the shops I'm closin' | 23 | |||||||||||
| 24 | Aiyyo, I play emcees like this | (VinRock) | 24 | |||||||||||
| 25 | I look 'em in the eye I know he's tense | Aiyyo, I play emcees like this I look 'em in the eye I know he's tense | 25 | |||||||||||
| And I break him like a bitch so I know there's no defense | And I break him like a bitch so I know there's no defense | |||||||||||||
| So at night when I creep, only want 'em, while he's awake not asleep | So at night when I creep, only want 'em, while he's awake not asleep | |||||||||||||
| By the way all I seek all I keep, so don't sleep | By the way all I seek all I keep, so don't sleep | |||||||||||||
| 3 | (Cruddy Click) | 3 | ||||||||||||
| Nigga what's the realest? | Nigga what's the realest? | |||||||||||||
| 26 | Rap pillars got the power to blow up spots | Rap pillars got the power to blow up spots from here to the Watts Tower | 26 | |||||||||||
| 5 | From here to the Watts Tower | 5 | ||||||||||||
| Niggas can feel us, do you wanna deal us? | Niggas can feel us, do you wanna deal us? | |||||||||||||
| 27 | It be the illest in Naughty it takes a fool to | 27 | ||||||||||||
| 28 | It be the illest in Naughty it takes a fool to learn that | learn that love don't love nobody | 28 | |||||||||||
| 6 | Love don't love nobody | 6 | ||||||||||||
| My department be collections remember that | My department be collections remember that | |||||||||||||
| Love Child got connections ain't no motherfuckin' question | Love Child got connections ain't no motherfuckin' question | |||||||||||||
| 4 | (Road Dawgs) | 4 | ||||||||||||
| I'm deep with a vicious vendetta | I'm deep with a vicious vendetta | |||||||||||||
| 29 | Silence prospectors, objectors to my lectures | Silence prospectors, objectors to my | 29 | |||||||||||
| 30 | Constructed as architecture | lectures constructed as architecture | 30 | |||||||||||
| Expressions of terror shakin' cold fingers of fear careers I spear | Expressions of terror shakin' cold fingers of fear careers I spear | |||||||||||||
| Prepare for a year full of nightmares | Prepare for a year full of nightmares | |||||||||||||
| 5 | (VinRock) | 5 | ||||||||||||
| Get 'em back and don't come near me | Get 'em back and don't come near me | |||||||||||||
| When appraochin' me come sincerely I don't fear the | When appraochin' me come sincerely I don't fear the | |||||||||||||
| 31 | Others that don't like that I stack papers, yearly | others that don't like that I stack papers, yearly | 31 | |||||||||||
| Merely mentioned men they don't come steppin' to Vin | Merely mentioned men they don't come steppin' to Vin | |||||||||||||
| 7 | 7 | |||||||||||||
| Anywhere I go, everywhere I flow | Anywhere I go, everywhere I flow | |||||||||||||
| I'm bringin' it back home to my twins and I got friends | I'm bringin' it back home to my twins and I got friends | |||||||||||||
| And friends don't let their friends drive drunk | And friends don't let their friends drive drunk | |||||||||||||
| So I suggest you grab your friends before I go and pop my trunk | So I suggest you grab your friends before I go and pop my trunk | |||||||||||||
| 32 | And best believe I come correct so yo, what you wanna do? | And best believe I come correct so yo, WHAT YOU WANNA DO? | 32 | |||||||||||
| 33 | I got connections, I get that ass stuck like glue | (Chorus) | 33 | |||||||||||
| 6 | I got connections; I get that ass stuck like glue --> Method Man | 6 | ||||||||||||
| 34 | Aiyyo, what up nigga? I here you the man now yo | (Interlude) | 34 | |||||||||||
| 35 | (Yo whattup my nigga, you know I ain't the man) | Aiyyo what up nigga I here you the man now yo | 35 | |||||||||||
| 36 | (But I got connections right for you what you need?) | (Yo whattup my nigga you know I ain't the man | 36 | |||||||||||
| 7 | but I got connections (right) for you what you need?) | 7 | ||||||||||||
| Yeah, yeah, yo, yo check this out | Yeah, yeah, yo, yo check this out | |||||||||||||
| 37 | I need you to handle a little something for me | I need you to handle a little something for | 37 | |||||||||||
| 38 | Though on the real though | me though on the real though | 38 | |||||||||||
| 39 | (You know I might not can't slip and do that right now | 39 | ||||||||||||
| 40 | (You know I might not, can't slip and do that right now) | but I got somebody to come through) | 40 | |||||||||||
| 41 | (But I got somebody to come through) | Nah, nah, nah, yo, yo I need you to take care of it man | 41 | |||||||||||
| 42 | Nah, nah, nah, yo, yo, I need you to take care of it man | (Yo I put this on everything I love man, it's real sneaky, sister hood | 42 | |||||||||||
| 43 | (Yo, I put this on everything I love, man, it's real sneaky, sister hood) | Females sneak up in here and come through (yeah) | 43 | |||||||||||
| 8 | Females sneak up in here and come through | 8 | ||||||||||||
| 9 | (Yeah) | 9 | ||||||||||||
| 8 | (Kandi Kain) | 8 | ||||||||||||
| 235 degrees and the mics about to be freezin' | 235 degrees and the mics about to be freezin' | |||||||||||||
| Emcee season on those who treason | Emcee season on those who treason | |||||||||||||
| I'm droppin' drinks like a pint of cool breeze, then | I'm droppin' drinks like a pint of cool breeze, then | |||||||||||||
| Intoxication, a million copies in circulation | Intoxication, a million copies in circulation | |||||||||||||
| Just a small indication to let you know Kandi Kain | Just a small indication to let you know Kandi Kain | |||||||||||||
| 44 | equals no intimidation on this naughty demonstration | 44 | ||||||||||||
| 45 | Equals no intimidation on this naughty demonstration | Eighteen plus a hundred niggas that I run wit | 45 | |||||||||||
| 46 | Eighteen plus a hundred niggas that I run with | on that one shit keepin' you outnumbered | 46 | |||||||||||
| 10 | On that one shit keepin' you outnumbered | 10 | ||||||||||||
| Collidin' with perfection, every direction can't pay enough protection | Collidin' with perfection, every direction can't pay enough protection | |||||||||||||
| 47 | 'Cause I got the Illtown to Inglewood connections | Cause I got the Illtown to Inglewood connections (*echoes*) | 47 | |||||||||||
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