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Versiõn actual de Letras de Canciones de Metallica Astronomy (http://es.mp3lyrics.org/m/metallica/astronomy/) Versión actual de las letras |
Versiõn 1 de Letras de Canciones de Metallica Astronomy (http://es.mp3lyrics.org/m/metallica/astronomy/v1.html) La versión 1 de la letra | |||||||||||||
| 1 | The clock strikes twelve and moondrops burst | (Original: BLUE OYSTER CULT) | 1 | |||||||||||
| 1 | Out at you from their hiding place? | 1 | ||||||||||||
| 2 | Like acid and oil on a madman's face | 2 | ||||||||||||
| 3 | His reasons tend to fly away | 3 | ||||||||||||
| 2 | Like lesser birds on the four winds, yeah | Clock strikes twelve and moondrops burst | 2 | |||||||||||
| 1 | Out at you from their hiding place | 1 | ||||||||||||
| 2 | Like acid and oil on a madman's face | 2 | ||||||||||||
| 3 | His reason tends to fly away | 3 | ||||||||||||
| 4 | Like lesser birds on the four winds | 4 | ||||||||||||
| Like silver scrapes in May | Like silver scrapes in May | |||||||||||||
| And now the sand's become a crust | And now the sand's become a crust | |||||||||||||
| 3 | And most of you have gone away, hmm, yeah, gone away | Most of you have gone away | 3 | |||||||||||
| 4 | Ah, come Susie dear, let's take a walk | Come Susie dear, let's take a walk | 4 | |||||||||||
| Just out there upon the beach | Just out there upon the beach | |||||||||||||
| I know you'll soon be married | I know you'll soon be married | |||||||||||||
| And you'll want to know where winds come from | And you'll want to know where winds come from | |||||||||||||
| 5 | Well it's never said at all | 5 | ||||||||||||
| 4 | Well, it's never said at all | 4 | ||||||||||||
| On the map that Carrie reads | On the map that Carrie reads | |||||||||||||
| Behind the clock back there you know | Behind the clock back there you know | |||||||||||||
| 6 | At the four winds bar, yeah | At the Four Winds Bar | 6 | |||||||||||
| 7 | Yeah, hey, hey, hey, hey | Hey! Hey! Hey! Hey! | 7 | |||||||||||
| 8 | Four winds at the four winds bar | Four winds at the Four Winds Bar | 8 | |||||||||||
| Two doors locked and windows barred | Two doors locked and windows barred | |||||||||||||
| 9 | One door left to take you in | One door to let to take you in | 9 | |||||||||||
| The other one just mirrors it | The other one just mirrors it | |||||||||||||
| 10 | Hey, hey, yeah, hey, yeah, hey | Hey! Hey! Hey! Hey! | 10 | |||||||||||
| 11 | Ooh, in hellish glare and inference | Hellish glare and inference | 11 | |||||||||||
| The other one's a duplicate | The other one's a duplicate | |||||||||||||
| 12 | The queenly flux, eternal light | The Queenly flux, eternal light | 12 | |||||||||||
| Or the light that never warms | Or the light that never warms | |||||||||||||
| 13 | Yes the light that never, never warms | 13 | ||||||||||||
| 14 | Yes, the light that never, never warms | Or the light that never | 14 | |||||||||||
| 15 | Yes, the light that never, never warms | Never warms | 15 | |||||||||||
| 16 | Never warms, never warms | Never warms | 16 | |||||||||||
| 5 | Never warms | 5 | ||||||||||||
| The clock strikes twelve and moondrops burst | The clock strikes twelve and moondrops burst | |||||||||||||
| 17 | Out at you from their hiding place? | Out at you from their hiding place | 17 | |||||||||||
| Miss Carrie nurse and Susie dear | Miss Carrie nurse and Susie dear | |||||||||||||
| 18 | Would find themselves at four winds bar | Would find themselves at Four Winds Bar | 18 | |||||||||||
| It's the nexus of the crisis | It's the nexus of the crisis | |||||||||||||
| And the origin of storms | And the origin of storms | |||||||||||||
| Just the place to hopelessly | Just the place to hopelessly | |||||||||||||
| Encounter time and then came me | Encounter time and then came me | |||||||||||||
| 19 | Oh, hey, hey, hey, hey | Hey! Hey! Hey! Hey! | 19 | |||||||||||
| 20 | Call me Desdenova, eternal light | Call me Desdinova | 20 | |||||||||||
| 6 | Eternal light | 6 | ||||||||||||
| These gravely digs of mine | These gravely digs of mine | |||||||||||||
| Will surely prove a sight | Will surely prove a sight | |||||||||||||
| 21 | And don't forget my dog, fixed and consequent | And don't forget my dog | 21 | |||||||||||
| 22 | Fixed and consequent | 22 | ||||||||||||
| 5 | Astronomy, a star | 5 | ||||||||||||
| 6 | Astronomy, yeah, a star | 6 | ||||||||||||
| 7 | Astronomy | 7 | ||||||||||||
| 8 | (Astronomy) | 8 | ||||||||||||
| 9 | A star, yeah | 9 | ||||||||||||
| 10 | Astronomy, a star | 10 | ||||||||||||
| 23 | Astronomy, yeah | Astronomy...a star | 23 | |||||||||||
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