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Versiõn actual de
Letras de Canciones de
Madonna
I'd Be Surprisingly Good For You
(http://es.mp3lyrics.org/m/madonna/id-be-surprisingly-good-fo...)
Versión actual de las letras
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Versiõn 1 de
Letras de Canciones de
Madonna
I'd Be Surprisingly Good For You
(http://es.mp3lyrics.org/m/madonna/id-be-surprisingly-good-fo...)
La versión 1 de la letra
| |
| 1 | Colonel Peron, Eva Duarte | | | | | | [Eva:] Colonel Peron | 1 |
| 1 | | | | | | | [Peron:] Eva Duarte | 1 |
| 2 | | | | | | | | 2 |
| 3 | | | | | | | [Eva and Peron:] | 3 |
| I've heard so much about you | | | | | | I've heard so much about you | |
| 1 | I'm amazed, for I'm only an actress | | | | | | | 1 |
| 2 | (A soldier) | | | | | | | 2 |
| | | | | | | | |
| 2 | Nothing to shout about | | | | | | [Eva and Peron:] | 2 |
| 3 | (One of the thousands) | | | | | | I'm amazed, for I'm only an actress (a soldier) | 3 |
| 4 | Only a girl on the air | | | | | | Nothing to shout about (One of the thousands) | 4 |
| 5 | (Defending the country he loves) | | | | | | Only a girl on the air (Defending | 5 |
| 6 | | | | | | | the country he loves) | 6 |
| 3 | But when you act, the things you do affect us all | | | | | | | 3 |
| 7 | But when you act, you take us away from the | | | | | | [Eva:] | 7 |
| 8 | Squalor of the real world are you here on your own? | | | | | | But when you act, the things | 8 |
| 9 | Yes, oh yes, so am I, what a fortunate coincidence | | | | | | you do affect us all | 9 |
| 4 | Maybe you're my reward for my efforts here tonight | | | | | | | 4 |
| 4 | | | | | | | [Peron:] | 4 |
| 5 | | | | | | | But when you act, you take us | 5 |
| 6 | | | | | | | away from the squalor of the | 6 |
| 7 | | | | | | | real world | 7 |
| 8 | | | | | | | Are you here on your own? | 8 |
| 9 | | | | | | | | 9 |
| 10 | | | | | | | [Eva:] | 10 |
| 11 | | | | | | | Yes, oh yes | 11 |
| 12 | | | | | | | | 12 |
| 13 | | | | | | | [Peron:] | 13 |
| 14 | | | | | | | So am I, what a fortunate coincidence | 14 |
| 15 | | | | | | | Maybe you're my reward for my | 15 |
| 16 | | | | | | | efforts here tonight | 16 |
| | | | | | | | |
| 17 | | | | | | | [Eva:] | 17 |
| It seems crazy but you must believe | | | | | | It seems crazy but you must believe | |
| There's nothing calculated, nothing planned | | | | | | There's nothing calculated, nothing planned | |
| Please forgive me if I seem naive | | | | | | Please forgive me if I seem naive | |
| I would never want to force your hand | | | | | | I would never want to force your hand | |
| But please understand, I'd be good for you | | | | | | But please understand, I'd be good for you | |
| | | | | | | | |
| I don't always rush in like this | | | | | | I don't always rush in like this | |
| Twenty seconds after saying hello | | | | | | Twenty seconds after saying hello | |
| Telling strangers I'm too good to miss | | | | | | Telling strangers I'm too good to miss | |
| If I'm wrong I hope you'll tell me so | | | | | | If I'm wrong I hope you'll tell me so | |
| But you really should know, I'd be good for you | | | | | | But you really should know, I'd be good for you | |
| I'd be surprisingly good for you | | | | | | I'd be surprisingly good for you | |
| | | | | | | | |
| I won't go on if I'm boring you | | | | | | I won't go on if I'm boring you | |
| But do you understand my point of view? | | | | | | But do you understand my point of view? | |
| Do you like what you hear, what you see | | | | | | Do you like what you hear, what you see | |
| And would you be, good for me too? | | | | | | And would you be, good for me too? | |
| | | | | | | | |
| I'm not talking of a hurried night | | | | | | I'm not talking of a hurried night | |
| A frantic tumble then a shy goodbye | | | | | | A frantic tumble then a shy goodbye | |
| Creeping home before it gets too light | | | | | | Creeping home before it gets too light | |
| That's not the reason that I caught your eye | | | | | | That's not the reason that I caught your eye | |
| Which has to imply, I'd be good for you | | | | | | Which has to imply, I'd be good for you | |
| I'd be surprisingly good for you | | | | | | I'd be surprisingly good for you | |
| | | | | | | | |
| 18 | | | | | | | [Peron:] | 18 |
| Please go on, you enthrall me | | | | | | Please go on, you enthrall me | |
| I can understand you perfectly | | | | | | I can understand you perfectly | |
| 10 | And I like what I hear, what I see | | | | | | And I like what I hear, what I | 10 |
| 11 | And knowing me, I would be good for you too | | | | | | see, and knowing me | 11 |
| 19 | | | | | | | I would be good for you too | 19 |
| | | | | | | | |
| 20 | | | | | | | [Eva:] | 20 |
| I'm not talking of a hurried night | | | | | | I'm not talking of a hurried night | |
| A frantic tumble then a shy goodbye | | | | | | A frantic tumble then a shy goodbye | |
| Creeping home before it gets too light | | | | | | Creeping home before it gets too light | |
| That's not the reason that I caught your eye | | | | | | That's not the reason that I caught your eye | |
| Which has to imply, I'd be good for you | | | | | | Which has to imply, I'd be good for you | |
| I'd be surprisingly good for you | | | | | | I'd be surprisingly good for you | |
| | | | | | | | |
