| Que se está viendo una comparación entre versión 3 y versión 2 de la canción que hemos archivado como Letras de Canciones de Linkin Park's - Step Up (actual) | |||||
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Versiõn 3 de Letras de Canciones de Linkin Park Step Up (http://es.mp3lyrics.org/l/linkin-park/step-up/v3.html) La versión 3 de la letra |
Versiõn 2 de Letras de Canciones de Linkin Park Step Up (http://es.mp3lyrics.org/l/linkin-park/step-up/v2.html) La versión 2 de la letra | |||||||||||||
| 1 | Watch as the room rocks | Watch | 1 | |||||||||||
| 1 | as the room rocks | 1 | ||||||||||||
| Mentally moonwalk | Mentally moonwalk | |||||||||||||
| 2 | Mixed media slang | Mixed media slang banging in your boom box | 2 | |||||||||||
| 3 | Banging in your boom box verbal violence | Verbal violence | 3 | |||||||||||
| Lyrical stylist | Lyrical stylist | |||||||||||||
| In a time when rock hip hop rhymes are childish | In a time when rock hip hop rhymes are childish | |||||||||||||
| 4 | You can’t tempt me with rhymes that are empty | You can't tempt me with rhymes that are empty | 4 | |||||||||||
| 5 | Rapping to a beat doesn’t make you an emcee | Rapping to a beat doesn't make you an emcee | 5 | |||||||||||
| 6 | With your lack of skill and facility | With your lack of skill and facility you're killing me | 6 | |||||||||||
| 1 | You’re killing me | 1 | ||||||||||||
| And a DJ in the group just for credibility | And a DJ in the group just for credibility | |||||||||||||
| I heard that some of you are getting help with your rhymes | I heard that some of you are getting help with your rhymes | |||||||||||||
| 7 | You’re not an emcee if someone else writes your lines | You're not an emcee if someone else writes your lines | 7 | |||||||||||
| 8 | And rapping over rock doesn’t make you a pioneer | And rapping over rock doesn't make you a pioneer | 8 | |||||||||||
| Cause rock and hip hop have collaborated for years | Cause rock and hip hop have collaborated for years | |||||||||||||
| 9 | But now they’re getting randomly mixed and matched up | But now they're getting randomly mixed and matched up | 9 | |||||||||||
| All after a fast buck and all the tracks suck | All after a fast buck and all the tracks suck | |||||||||||||
| 10 | So how does it stack up? None of it’s real | So how does it stack up? None of it's real | 10 | |||||||||||
| 11 | You want to be an emcee you’ve got to study the skill | You wanna be an emcee - you gotta study the skill | 11 | |||||||||||
| Who can rock a rhyme like this? | Who can rock a rhyme like this? | |||||||||||||
| 12 | Bring it to you every time like this? [2x] | Bring it to you every time like this? | 12 | |||||||||||
| 2 | Who can rock a rhyme like this? | 2 | ||||||||||||
| Step, step up, step, step up | Step, step up, step, step up | |||||||||||||
| So you pick up a pen and write yourself a new identity | So you pick up a pen and write yourself a new identity | |||||||||||||
| 13 | But mentally you don’t have the hip hop energy | But mentally you don't have the hip hop energy | 13 | |||||||||||
| With a tendency to make up stories | With a tendency to make up stories | |||||||||||||
| 14 | Sounding like the only hip hop you’ve heard is top 40 | And sounding like the only hip hop you've heard is top 40 | 14 | |||||||||||
| And your record company is completely missing it | And your record company is completely missing it | |||||||||||||
| 15 | All the kids are dissing it for not being legitimate | And all the kids are dissing it for not being legitimate | 15 | |||||||||||
| So in a battle you can't hack it | So in a battle you can't hack it | |||||||||||||
| React with whack shit | React with whack shit | |||||||||||||
| And get smacked with verbal back flips | And get smacked with verbal back flips | |||||||||||||
| Get your ass kicked by fabulous battle catalysts | Get your ass kicked by fabulous battle catalysts | |||||||||||||
| It's taken decades for emcees to establish this | It's taken decades for emcees to establish this | |||||||||||||
| 16 | You’re new to hip hop and welcome if your serious | You're new to hip hop and welcome if you're serious | 16 | |||||||||||
| 17 | But not on the mic | But not on the mic - leave that to the experienced | 17 | |||||||||||
| 2 | Leave that to the experienced | 2 | ||||||||||||
| 18 | (Using the waves of sound, | 18 | ||||||||||||
| 19 | (Using the waves of sound the true master | the true master paralyzes his opponent, | 19 | |||||||||||
| 20 | paralyzes his opponents, leaving him | leaving him vulnerable to attack) | 20 | |||||||||||
| 3 | vulnerable to attack) | 3 | ||||||||||||
| 4 | 4 | |||||||||||||
| 5 | [Chorus (2x)] | 5 | ||||||||||||
| 6 | 6 | |||||||||||||
| 7 | (After years of pain staking research by the | 7 | ||||||||||||
| 8 | world's leading sound scientists, we | 8 | ||||||||||||
| 9 | here at the sound institute have invented a | 9 | ||||||||||||
| 10 | reliable audio weapons system. Actual | 10 | ||||||||||||
| 11 | movement of musical sound in space used to | 11 | ||||||||||||
| 12 | carefully attack and neutralize the | 12 | ||||||||||||
| 13 | cellular structure of the human body, and | 13 | ||||||||||||
| 14 | the question must be asked.) | 14 | ||||||||||||
| [Chorus (2x)] | Who can rock a rhyme like this? | |||||||||||||
| 3 | Bring it to you every time like this? | 3 | ||||||||||||
| 4 | Who can rock a rhyme like this? | 4 | ||||||||||||
| 5 | Step, step up, step, step up | 5 | ||||||||||||
| 6 | 6 | |||||||||||||
| 7 | Who can rock a rhyme like this? | 7 | ||||||||||||
| 8 | Bring it to you every time like this? | 8 | ||||||||||||
| 9 | Who can rock a rhyme like this? | 9 | ||||||||||||
| 10 | Step, step up, step, step up | 10 | ||||||||||||
| 11 | 11 | |||||||||||||
| 12 | (After years of pain staking research by the world's leading | 12 | ||||||||||||
| 13 | sound scientists, | 13 | ||||||||||||
| 14 | we here at the sound institute have invented a reliable audio | 14 | ||||||||||||
| 15 | weapon system. | 15 | ||||||||||||
| 16 | Actual movement of musical sound in space is used to carefully | 16 | ||||||||||||
| 17 | attack and | 17 | ||||||||||||
| 18 | neutralize the cellular structure of the human body, | 18 | ||||||||||||
| 19 | and the question must be asked) | 19 | ||||||||||||
| 20 | 20 | |||||||||||||
| 21 | Who can rock a rhyme like this? | 21 | ||||||||||||
| 22 | Bring it to you every time like this? | 22 | ||||||||||||
| 23 | Who can rock a rhyme like this? | 23 | ||||||||||||
| 24 | Step, step up, step, step up | 24 | ||||||||||||
| 25 | 25 | |||||||||||||
| 26 | Who can rock a rhyme like this? | 26 | ||||||||||||
| 27 | Bring it to you every time like this? | 27 | ||||||||||||
| 28 | Who can rock a rhyme like this? | 28 | ||||||||||||
| 29 | Step, step up, step, step up | 29 | ||||||||||||
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