| Que se está viendo una comparación entre la versión actual y versión 2 de la canción que hemos archivado como Letras de Canciones de Linkin Park's - Step Up (actual) | |||||
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Versiõn actual de Letras de Canciones de Linkin Park Step Up (http://es.mp3lyrics.org/l/linkin-park/step-up/) Versión actual de las letras |
Versiõn 2 de Letras de Canciones de Linkin Park Step Up (http://es.mp3lyrics.org/l/linkin-park/step-up/v2.html) La versión 2 de la letra | |||||||||||||
| 1 | Yo, watch as the room rocks | Watch | 1 | |||||||||||
| 2 | Mentally moon walk, mixed media slang | as the room rocks | 2 | |||||||||||
| 3 | Banging in your boom box | Mentally moonwalk | 3 | |||||||||||
| 4 | Verbal violence, lyrical stylist | Mixed media slang banging in your boom box | 4 | |||||||||||
| 5 | Verbal violence | 5 | ||||||||||||
| 6 | In a time when rock, hip hop rhymes are childish | Lyrical stylist | 6 | |||||||||||
| 1 | In a time when rock hip hop rhymes are childish | 1 | ||||||||||||
| You can't tempt me with rhymes that are empty | You can't tempt me with rhymes that are empty | |||||||||||||
| Rapping to a beat doesn't make you an emcee | Rapping to a beat doesn't make you an emcee | |||||||||||||
| 7 | With your lack of skill and facility | With your lack of skill and facility you're killing me | 7 | |||||||||||
| 8 | And a DJ in the group just for credibility | 8 | ||||||||||||
| 1 | You're killing me and a DJ in the group just for credibility | 1 | ||||||||||||
| I heard that some of you are getting help with your rhymes | I heard that some of you are getting help with your rhymes | |||||||||||||
| You're not an emcee if someone else writes your lines | You're not an emcee if someone else writes your lines | |||||||||||||
| 9 | Rapping over rock doesn't make you a pioneer | And rapping over rock doesn't make you a pioneer | 9 | |||||||||||
| 10 | Cause rock and hip hop have collaborated for years | 10 | ||||||||||||
| 2 | 'Cause rock and hip hop have collaborated for years | 2 | ||||||||||||
| But now they're getting randomly mixed and matched up | But now they're getting randomly mixed and matched up | |||||||||||||
| All after a fast buck and all the tracks suck | All after a fast buck and all the tracks suck | |||||||||||||
| 11 | So how does it stack up, none of it's real | So how does it stack up? None of it's real | 11 | |||||||||||
| 12 | You want to be an emcee you've got to study the skill | You wanna be an emcee - you gotta study the skill | 12 | |||||||||||
| Who can rock a rhyme like this? | Who can rock a rhyme like this? | |||||||||||||
| 13 | Bring it to you every time like this | Bring it to you every time like this? | 13 | |||||||||||
| Who can rock a rhyme like this? | Who can rock a rhyme like this? | |||||||||||||
| Step, step up, step, step up | Step, step up, step, step up | |||||||||||||
| So you pick up a pen and write yourself a new identity | So you pick up a pen and write yourself a new identity | |||||||||||||
| But mentally you don't have the hip hop energy | But mentally you don't have the hip hop energy | |||||||||||||
| With a tendency to make up stories | With a tendency to make up stories | |||||||||||||
| 14 | Sounding like the only hip hop you've heard is top 40 | And sounding like the only hip hop you've heard is top 40 | 14 | |||||||||||
| 3 | (Top 40) | 3 | ||||||||||||
| 4 | 4 | |||||||||||||
| And your record company is completely missing it | And your record company is completely missing it | |||||||||||||
| 15 | All the kids are dissing it for not being legitimate | And all the kids are dissing it for not being legitimate | 15 | |||||||||||
| 16 | So in a battle you can't hack it, react with whack shit | So in a battle you can't hack it | 16 | |||||||||||
| 2 | React with whack shit | 2 | ||||||||||||
| And get smacked with verbal back flips | And get smacked with verbal back flips | |||||||||||||
| 5 | 5 | |||||||||||||
| Get your ass kicked by fabulous battle catalysts | Get your ass kicked by fabulous battle catalysts | |||||||||||||
| It's taken decades for emcees to establish this | It's taken decades for emcees to establish this | |||||||||||||
| 17 | You're new to hip hop and welcome if your serious | You're new to hip hop and welcome if you're serious | 17 | |||||||||||
| 18 | But not on the mic, leave that to the experienced | But not on the mic - leave that to the experienced | 18 | |||||||||||
| 19 | Using the waves of sound the true master | (Using the waves of sound, | 19 | |||||||||||
| 20 | Paralyzes his opponents | the true master paralyzes his opponent, | 20 | |||||||||||
| 21 | Leaving him vulnerable to attack | leaving him vulnerable to attack) | 21 | |||||||||||
| Who can rock a rhyme like this? | Who can rock a rhyme like this? | |||||||||||||
| 22 | Bring it to you every time like this | Bring it to you every time like this? | 22 | |||||||||||
| Who can rock a rhyme like this? | Who can rock a rhyme like this? | |||||||||||||
| Step, step up, step, step up | Step, step up, step, step up | |||||||||||||
| 23 | Who can rock a rhyme like this | Who can rock a rhyme like this? | 23 | |||||||||||
| 24 | Bring it to you every time like this | Bring it to you every time like this? | 24 | |||||||||||
| 25 | Who can rock a rhyme like this | Who can rock a rhyme like this? | 25 | |||||||||||
| 26 | Step, step up, step, step up, step up | Step, step up, step, step up | 26 | |||||||||||
| 6 | 6 | |||||||||||||
| 7 | After years of pain staking research | 7 | ||||||||||||
| 8 | By the world's leading sound scientists | 8 | ||||||||||||
| 9 | We here at the sound | 9 | ||||||||||||
| 10 | Institute have invented a reliable audio weapons system | 10 | ||||||||||||
| 27 | Actual movement of musical sound in space | (After years of pain staking research by the world's leading | 27 | |||||||||||
| 28 | Used to carefully attack | sound scientists, | 28 | |||||||||||
| 29 | And neutralize the cellular structure of the human body | we here at the sound institute have invented a reliable audio | 29 | |||||||||||
| 30 | So the question must be asked | weapon system. | 30 | |||||||||||
| 3 | Actual movement of musical sound in space is used to carefully | 3 | ||||||||||||
| 4 | attack and | 4 | ||||||||||||
| 5 | neutralize the cellular structure of the human body, | 5 | ||||||||||||
| 6 | and the question must be asked) | 6 | ||||||||||||
| Who can rock a rhyme like this? | Who can rock a rhyme like this? | |||||||||||||
| 31 | Bring it to you every time like this | Bring it to you every time like this? | 31 | |||||||||||
| Who can rock a rhyme like this? | Who can rock a rhyme like this? | |||||||||||||
| 32 | Step, step up ,step, step up | Step, step up, step, step up | 32 | |||||||||||
| Who can rock a rhyme like this? | Who can rock a rhyme like this? | |||||||||||||
| 33 | Bring it to you every time like this | Bring it to you every time like this? | 33 | |||||||||||
| Who can rock a rhyme like this? | Who can rock a rhyme like this? | |||||||||||||
| 34 | Step, step up, step, step up, step up | Step, step up, step, step up | 34 | |||||||||||
| 11 | 11 | |||||||||||||
| 12 | Mixed media, mixed media, mixed media | 12 | ||||||||||||
| 13 | Step up to the microphone | 13 | ||||||||||||
| 14 | And you do it like this | 14 | ||||||||||||
| 15 | And you do it like this | 15 | ||||||||||||
| 16 | 16 | |||||||||||||
| 17 | Step up to the microphone | 17 | ||||||||||||
| 18 | Mixed media | 18 | ||||||||||||
| 19 | And you do it like this | 19 | ||||||||||||
| 20 | 20 | |||||||||||||
| 21 | Mixed media | 21 | ||||||||||||
| 22 | Step up to the microphone | 22 | ||||||||||||
| 23 | And you do it like this | 23 | ||||||||||||
| 24 | 24 | |||||||||||||
| 25 | Mixed media | 25 | ||||||||||||
| 26 | Step up to the microphone | 26 | ||||||||||||
| 27 | And you do it like this | 27 | ||||||||||||
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