| Que se está viendo una comparación entre versión 2 y versión 1 de la canción que hemos archivado como Letras de Canciones de Linkin Park's - It's Going Down [X-ecutioners] (actual) | |||||
| → Más letras de Linkin Park | → Nuevas Letras | → This page in English ← | → es.mp3lyrics.org ← | Búsqueda de letras relacionados ← | Letras más populares ← |
|
||||||||||||||
|
|
|||||||||||||
|
Versiõn 2 de Letras de Canciones de Linkin Park It's Going Down [X-ecutioners] (http://es.mp3lyrics.org/l/linkin-park/its-going-down/v2.html) La versión 2 de la letra |
Versiõn 1 de Letras de Canciones de Linkin Park It's Going Down [X-ecutioners] (http://es.mp3lyrics.org/l/linkin-park/its-going-down/v1.html) La versión 1 de la letra | |||||||||||||
| 1 | [Woman] | 1 | ||||||||||||
| 2 | [Intro] | 2 | ||||||||||||
| I knew I was being threatened | I knew I was being threatened | |||||||||||||
| 1 | Do you think it was | Do you think it's worth holding out? | 1 | |||||||||||
| 2 | worth holding out? | I mean I've heard some pretty ugly things about those guys | 2 | |||||||||||
| 3 | I mean I've heard some | 3 | ||||||||||||
| 4 | pretty ugly things about | 4 | ||||||||||||
| 5 | those guys | 5 | ||||||||||||
| Ugly stories | Ugly stories | |||||||||||||
| 3 | [X-ecutioners] | Watch them flee | 3 | |||||||||||
| 4 | Watch them flee...watch them flee | Watch them flee | 4 | |||||||||||
| 5 | Rap rap rap up | Rap up | 5 | |||||||||||
| Watch them flee | Watch them flee | |||||||||||||
| Hip-Hop hits | Hip-Hop hits | |||||||||||||
| And you do it like this | And you do it like this | |||||||||||||
| 6 | [Mike Shinoba] | 6 | ||||||||||||
| 7 | [Verse 1] | 7 | ||||||||||||
| It's going down | It's going down | |||||||||||||
| 6 | The rhythm projects | The rhythm projects 'round the next sound | 6 | |||||||||||
| 7 | 'round the next sound | Reflects the complex hybrid dialect now | 7 | |||||||||||
| 8 | Reflects the complex | Detect the mesh of many elements compressed down | 8 | |||||||||||
| 9 | hybrid dialect now | The melting pot of a super-future X-style | 9 | |||||||||||
| 10 | Detects the mesh of many | The combination of a vocal caress | 10 | |||||||||||
| 11 | elements compressed down | With lungs that gasp for breath | 11 | |||||||||||
| 8 | The melting pot of a | 8 | ||||||||||||
| 9 | super-futureesque style | 9 | ||||||||||||
| 10 | The combination of vocal caress | 10 | ||||||||||||
| 11 | With lungs the gasp for breath | 11 | ||||||||||||
| From emotional stress | From emotional stress | |||||||||||||
| With special effects | With special effects | |||||||||||||
| And a distorted collage | And a distorted collage | |||||||||||||
| 12 | Carefully lodged between beats | Carefully lodged between beats of rhythmic barrage | 12 | |||||||||||
| 12 | of rhythmic barrage | 12 | ||||||||||||
| It's going down | It's going down | |||||||||||||
| 13 | The logical progression | The logical progression on a the timeline | 13 | |||||||||||
| 14 | on the timeline | The separation narrowed down to a fine line | 14 | |||||||||||
| 15 | The seperation narrowed | To blur the edges so they blend together properly | 15 | |||||||||||
| 13 | down to a fine line | 13 | ||||||||||||
| 14 | To blur the edges so they | 14 | ||||||||||||
| 15 | blend together properly | 15 | ||||||||||||
| Take you on an audible odyssey | Take you on an audible odyssey | |||||||||||||
| Now it's going down | Now it's going down | |||||||||||||
| A logical progression on the timeline | A logical progression on the timeline | |||||||||||||
| 16 | The seperation narrowed | The separation narrowed down to a fine line | 16 | |||||||||||
| 17 | down to a fine line | To blur the edges so they blend together properly | 17 | |||||||||||
| 18 | To blur the edges so they | Take u on a an audible odyssey | 18 | |||||||||||
| 16 | blend together properly | 16 | ||||||||||||
| 17 | Take you on an audible odyssey | 17 | ||||||||||||
| Now it's going down | Now it's going down | |||||||||||||
| 19 | [X-ecutioners with Mike Shinoba] | [Refrain:] | 19 | |||||||||||
| 20 | [Chorus] | Put put put it up | 20 | |||||||||||
| 21 | Put put...put it up | It said it goes like this | 21 | |||||||||||
| 18 | I said it goes like this | 18 | ||||||||||||
| And you do it like this | And you do it like this | |||||||||||||
| It's going down | It's going down | |||||||||||||
| 22 | Put put...put it up | Put put it up | 22 | |||||||||||
| 23 | I said it goes goes like this | It said it go- go- goes like this | 23 | |||||||||||
| And you do it like this | And you do it like this | |||||||||||||
| 24 | It's going down | Its going down | 24 | |||||||||||
| 1 | 1 | |||||||||||||
| 19 | [Mike Shinoba] | 19 | ||||||||||||
| 20 | [Verse 3] | 20 | ||||||||||||
| Once again it is | Once again it is | |||||||||||||
| 25 | Composed sentences | Composed sentences all together venomous | 25 | |||||||||||
| 21 | All together venomous | 21 | ||||||||||||
| The four elements of natural force | The four elements of natural force | |||||||||||||
| 26 | Projected daily through the | Projected daily through the sound of the source | 26 | |||||||||||
| 27 | sound of the source | Everybody on board with this blend | 27 | |||||||||||
| 22 | Everybody on board as we blend | 22 | ||||||||||||
| The sword with the pen | The sword with the pen | |||||||||||||
| 28 | The mightiest the weapons | The mightiest is the weapons | 28 | |||||||||||
| Swinging right from the chin | Swinging right from the chin | |||||||||||||
| 29 | To elevate of mental states | The elevate of mental states | 29 | |||||||||||
| Long gone with the wind | Long gone with the wind | |||||||||||||
| 30 | To defend men from shoddy | To defend men for shoddy imitation pretends | 30 | |||||||||||
| 23 | imitation pretends | 23 | ||||||||||||
| It's going down | It's going down | |||||||||||||
| Stalence emulation readily | Stalence emulation readily | |||||||||||||
| Trekking through the weaponry | Trekking through the weaponry | |||||||||||||
| Of the pure pedigree | Of the pure pedigree | |||||||||||||
| 31 | Cleverly seeing through | Cleverly seeing through whatever is ahead of me | 31 | |||||||||||
| 24 | whatever is ahead of me | 24 | ||||||||||||
| Whatever the weather be | Whatever the weather be | |||||||||||||
| We invent the steadily | We invent the steadily | |||||||||||||
| 32 | It's going down sub-terrestrial high | It's going down to sub-terrestrial high | 32 | |||||||||||
| 33 | I rhyme regiment that's | I rhyme regiment that's calling the shots | 33 | |||||||||||
| 34 | calling the shots | Execution of collaborative plots | 34 | |||||||||||
| 35 | Exectution of colloborative plots | Ready to bring the separation of style to a stop | 35 | |||||||||||
| 25 | Ready to bring the | 25 | ||||||||||||
| 26 | seperation of style to a | 26 | ||||||||||||
| 27 | stop | 27 | ||||||||||||
| 36 | A logical progression on the timeline | It's going down | 36 | |||||||||||
| 37 | The seperation narrowed | A logical progression on a the timeline | 37 | |||||||||||
| 38 | down to a fine line | The separation narrowed down to a fine line | 38 | |||||||||||
| 39 | To blur the edges so they | To blur the edges so they blend together properly | 39 | |||||||||||
| 28 | blend together properly | 28 | ||||||||||||
| Take you on an audible odyssey | Take you on an audible odyssey | |||||||||||||
| 40 | Now it's going down | Now, it's going down | 40 | |||||||||||
| 41 | [X-ecutioners with Mike Shinoba] | [au Refrain] | 41 | |||||||||||
| 29 | [Chorus] | 29 | ||||||||||||
| 30 | Put put...put it up | 30 | ||||||||||||
| 31 | I said it goes like this | 31 | ||||||||||||
| 32 | And you do it like this | 32 | ||||||||||||
| 33 | It's going down | 33 | ||||||||||||
| 34 | Put put...put it up | 34 | ||||||||||||
| 35 | I said it goes like this | 35 | ||||||||||||
| 36 | And you do it like this | 36 | ||||||||||||
| 37 | It's going down | 37 | ||||||||||||
| 42 | [X-ecutioners] | It's going down | 42 | |||||||||||
| 43 | X-men 'bout to blast off world wide | X-men 'bout to blast of world wide | 43 | |||||||||||
| 44 | Yo it's a request only | Yo it's request only | 44 | |||||||||||
| 45 | X-men 'bout to blast off world wide | X- men 'bout to blast of world wide | 45 | |||||||||||
| It's built from scratch | It's built from scratch | |||||||||||||
| Album in stores soon | Album in stores soon | |||||||||||||
| 'Bout to blast off world wide | 'Bout to blast off world wide | |||||||||||||
| And you do it like this | And you do it like this | |||||||||||||
| 38 | Just like this | 38 | ||||||||||||
| 46 | [X-ecutioners] | It's going down | 46 | |||||||||||
| 47 | Put put...put it up | Put put put it up | 47 | |||||||||||
| 48 | I said it goes like this | It said it goes like this | 48 | |||||||||||
| And you do it like this | And you do it like this | |||||||||||||
| It's going down | It's going down | |||||||||||||
| 49 | Put put...put it up | Put put it up | 49 | |||||||||||
| 50 | I said it goes like this | It said it goes like this | 50 | |||||||||||
| And you do it like this | And you do it like this | |||||||||||||
| It's going down | It's going down | |||||||||||||
| 51 | Like this... | 51 | ||||||||||||
| 39 | [X-ecutioners, Mike Shinoba] | 39 | ||||||||||||
| 40 | Like this | 40 | ||||||||||||
| 41 | Like this | 41 | ||||||||||||
| 42 | Like this | 42 | ||||||||||||
| 43 | Like this | 43 | ||||||||||||
| 44 | Like this | 44 | ||||||||||||
|
→ política de privacidad → contacto |
![]() |
letras de canciones populares ← búsqueda de letras ← |
|||
| |||||