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Versiõn actual de Letras de Canciones de Linkin Park It's Going Down [X-ecutioners] (http://es.mp3lyrics.org/l/linkin-park/its-going-down/) Versión actual de las letras |
Versiõn 2 de Letras de Canciones de Linkin Park It's Going Down [X-ecutioners] (http://es.mp3lyrics.org/l/linkin-park/its-going-down/v2.html) La versión 2 de la letra | |||||||||||||
| 1 | I knew, I was being threatened | [Woman] | 1 | |||||||||||
| 2 | Do you think it was worth holding out? | [Intro] | 2 | |||||||||||
| 3 | I mean I've heard some pretty ugly things about those guys | I knew I was being threatened | 3 | |||||||||||
| 1 | Do you think it was | 1 | ||||||||||||
| 2 | worth holding out? | 2 | ||||||||||||
| 3 | I mean I've heard some | 3 | ||||||||||||
| 4 | pretty ugly things about | 4 | ||||||||||||
| 5 | those guys | 5 | ||||||||||||
| Ugly stories | Ugly stories | |||||||||||||
| 4 | Watch them flee, watch them flee | [X-ecutioners] | 4 | |||||||||||
| 5 | Rap, rap, rap up | Watch them flee...watch them flee | 5 | |||||||||||
| 6 | Rap rap rap up | 6 | ||||||||||||
| Watch them flee | Watch them flee | |||||||||||||
| 6 | Hip-hop hits | Hip-Hop hits | 6 | |||||||||||
| And you do it like this | And you do it like this | |||||||||||||
| 7 | [Mike Shinoba] | 7 | ||||||||||||
| 8 | [Verse 1] | 8 | ||||||||||||
| It's going down | It's going down | |||||||||||||
| 7 | The rhythm projects 'round the next sound | The rhythm projects | 7 | |||||||||||
| 8 | Reflects the complex hybrid dialect now | 'round the next sound | 8 | |||||||||||
| 9 | Detects the mesh of many elements compressed down | Reflects the complex | 9 | |||||||||||
| 10 | hybrid dialect now | 10 | ||||||||||||
| 11 | The melting pot of a super-futureesque style | Detects the mesh of many | 11 | |||||||||||
| 9 | elements compressed down | 9 | ||||||||||||
| 10 | The melting pot of a | 10 | ||||||||||||
| 11 | super-futureesque style | 11 | ||||||||||||
| The combination of vocal caress | The combination of vocal caress | |||||||||||||
| With lungs the gasp for breath | With lungs the gasp for breath | |||||||||||||
| 12 | From emotional stress with special effects | From emotional stress | 12 | |||||||||||
| 13 | With special effects | 13 | ||||||||||||
| And a distorted collage | And a distorted collage | |||||||||||||
| 14 | Carefully lodged between beats of rhythmic barrage | Carefully lodged between beats | 14 | |||||||||||
| 12 | of rhythmic barrage | 12 | ||||||||||||
| It's going down | It's going down | |||||||||||||
| 15 | The logical progression on the time line | The logical progression | 15 | |||||||||||
| 16 | on the timeline | 16 | ||||||||||||
| 17 | The separation narrowed down to a fine line | The seperation narrowed | 17 | |||||||||||
| 18 | To blur the edges so they blend together properly | down to a fine line | 18 | |||||||||||
| 13 | To blur the edges so they | 13 | ||||||||||||
| 14 | blend together properly | 14 | ||||||||||||
| 15 | Take you on an audible odyssey | 15 | ||||||||||||
| 16 | Now it's going down | 16 | ||||||||||||
| 17 | A logical progression on the timeline | 17 | ||||||||||||
| 18 | The seperation narrowed | 18 | ||||||||||||
| 19 | down to a fine line | 19 | ||||||||||||
| 20 | To blur the edges so they | 20 | ||||||||||||
| 21 | blend together properly | 21 | ||||||||||||
| Take you on an audible odyssey | Take you on an audible odyssey | |||||||||||||
| Now it's going down | Now it's going down | |||||||||||||
| 19 | A logical progression on the time line | [X-ecutioners with Mike Shinoba] | 19 | |||||||||||
| 20 | The separation narrowed down to a fine line | [Chorus] | 20 | |||||||||||
| 21 | To blur the edges so they blend together properly | Put put...put it up | 21 | |||||||||||
| 22 | Take you on an audible odyssey, now it's going down | I said it goes like this | 22 | |||||||||||
| 23 | And you do it like this | 23 | ||||||||||||
| 1 | Put, put, put it up | 1 | ||||||||||||
| 2 | I said, “It goes like this | 2 | ||||||||||||
| 3 | And you do it like this” | 3 | ||||||||||||
| It's going down | It's going down | |||||||||||||
| 24 | Put put...put it up | 24 | ||||||||||||
| 25 | Put, put, put it up | I said it goes goes like this | 25 | |||||||||||
| 26 | I said, “it goes goes like this | And you do it like this | 26 | |||||||||||
| 4 | And you do it like this” | 4 | ||||||||||||
| It's going down | It's going down | |||||||||||||
| 27 | Once again it is composed sentences | [Mike Shinoba] | 27 | |||||||||||
| 22 | [Verse 3] | 22 | ||||||||||||
| 23 | Once again it is | 23 | ||||||||||||
| 24 | Composed sentences | 24 | ||||||||||||
| All together venomous | All together venomous | |||||||||||||
| The four elements of natural force | The four elements of natural force | |||||||||||||
| 28 | Projected daily through the sound of the source | Projected daily through the | 28 | |||||||||||
| 29 | sound of the source | 29 | ||||||||||||
| Everybody on board as we blend | Everybody on board as we blend | |||||||||||||
| The sword with the pen | The sword with the pen | |||||||||||||
| The mightiest the weapons | The mightiest the weapons | |||||||||||||
| Swinging right from the chin | Swinging right from the chin | |||||||||||||
| 5 | 5 | |||||||||||||
| To elevate of mental states | To elevate of mental states | |||||||||||||
| Long gone with the wind | Long gone with the wind | |||||||||||||
| 30 | To defend men from shoddy imitation pretends | To defend men from shoddy | 30 | |||||||||||
| 25 | imitation pretends | 25 | ||||||||||||
| It's going down | It's going down | |||||||||||||
| 6 | 6 | |||||||||||||
| Stalence emulation readily | Stalence emulation readily | |||||||||||||
| 31 | Trekking through the weaponry of the pure pedigree | Trekking through the weaponry | 31 | |||||||||||
| 32 | Cleverly seeing through whatever is ahead of me | Of the pure pedigree | 32 | |||||||||||
| 33 | Whatever the weather be, we invent the steadily | Cleverly seeing through | 33 | |||||||||||
| 34 | whatever is ahead of me | 34 | ||||||||||||
| 26 | Whatever the weather be | 26 | ||||||||||||
| 27 | We invent the steadily | 27 | ||||||||||||
| It's going down sub-terrestrial high | It's going down sub-terrestrial high | |||||||||||||
| 35 | I rhyme regiment that's calling the shots | I rhyme regiment that's | 35 | |||||||||||
| 36 | Execution of collaborative plots | calling the shots | 36 | |||||||||||
| 37 | Ready to bring the separation of style to a stop | Exectution of colloborative plots | 37 | |||||||||||
| 38 | Ready to bring the | 38 | ||||||||||||
| 39 | A logical progression on the time line | seperation of style to a | 39 | |||||||||||
| 40 | The separation narrowed down to a fine line | stop | 40 | |||||||||||
| 7 | To blur the edges so they blend together properly | 7 | ||||||||||||
| 41 | Take you on an audible odyssey, now it's going down | A logical progression on the timeline | 41 | |||||||||||
| 28 | The seperation narrowed | 28 | ||||||||||||
| 29 | down to a fine line | 29 | ||||||||||||
| 30 | To blur the edges so they | 30 | ||||||||||||
| 31 | blend together properly | 31 | ||||||||||||
| 32 | Take you on an audible odyssey | 32 | ||||||||||||
| 33 | Now it's going down | 33 | ||||||||||||
| 42 | Put, put, put it up | [X-ecutioners with Mike Shinoba] | 42 | |||||||||||
| 34 | [Chorus] | 34 | ||||||||||||
| 35 | Put put...put it up | 35 | ||||||||||||
| I said it goes like this | I said it goes like this | |||||||||||||
| And you do it like this | And you do it like this | |||||||||||||
| It's going down | It's going down | |||||||||||||
| 43 | Put put...put it up | 43 | ||||||||||||
| 8 | Put, put, put it up | 8 | ||||||||||||
| I said it goes like this | I said it goes like this | |||||||||||||
| And you do it like this | And you do it like this | |||||||||||||
| It's going down | It's going down | |||||||||||||
| 36 | [X-ecutioners] | 36 | ||||||||||||
| X-men 'bout to blast off world wide | X-men 'bout to blast off world wide | |||||||||||||
| Yo it's a request only | Yo it's a request only | |||||||||||||
| X-men 'bout to blast off world wide | X-men 'bout to blast off world wide | |||||||||||||
| It's built from scratch | It's built from scratch | |||||||||||||
| 9 | 9 | |||||||||||||
| Album in stores soon | Album in stores soon | |||||||||||||
| 'Bout to blast off world wide | 'Bout to blast off world wide | |||||||||||||
| And you do it like this | And you do it like this | |||||||||||||
| Just like this | Just like this | |||||||||||||
| 44 | Put, put, put it up | [X-ecutioners] | 44 | |||||||||||
| 45 | I said, “It goes like this | Put put...put it up | 45 | |||||||||||
| 46 | And you do it like this” | I said it goes like this | 46 | |||||||||||
| 37 | And you do it like this | 37 | ||||||||||||
| It's going down | It's going down | |||||||||||||
| 47 | Put put...put it up | 47 | ||||||||||||
| 48 | Put, put, put it up | I said it goes like this | 48 | |||||||||||
| 49 | I said, “It goes like this | And you do it like this | 49 | |||||||||||
| 10 | And you do it like this” | 10 | ||||||||||||
| It's going down | It's going down | |||||||||||||
| 38 | [X-ecutioners, Mike Shinoba] | 38 | ||||||||||||
| Like this | Like this | |||||||||||||
| Like this | Like this | |||||||||||||
| Like this | Like this | |||||||||||||
| Like this | Like this | |||||||||||||
| Like this | Like this | |||||||||||||
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