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Versiõn actual de Letras de Canciones de Janis Ian Miracle Row (http://es.mp3lyrics.org/j/janis-ian/miracle-row/) Versión actual de las letras |
Versiõn 2 de Letras de Canciones de Janis Ian Miracle Row (http://es.mp3lyrics.org/j/janis-ian/miracle-row/v2.html) La versión 2 de la letra | |||||||||||||
| 1 | Maria lives on Miracle Row | Marie lives on Miracle Row, | 1 | |||||||||||
| 2 | She tells fortunes, you know | She tells fortunes, you know, | 2 | |||||||||||
| 3 | At a dollar a throw | At a dollar a throw. | 3 | |||||||||||
| 1 | 1 | |||||||||||||
| Every pimp and every gigolo | Every pimp and every gigolo | |||||||||||||
| 4 | Has made love in the afternoon | Has made love in the afternoon, | 4 | |||||||||||
| 5 | To the lady by the windowsill | To the lady by the windowsill. | 5 | |||||||||||
| 2 | 2 | |||||||||||||
| 3 | Five healthy children | 3 | ||||||||||||
| 4 | And a home of your own | 4 | ||||||||||||
| 5 | Back on Miracle Row | 5 | ||||||||||||
| 6 | They all will follow the show | 6 | ||||||||||||
| 6 | Soap operas in the afternoon | Five healthy children, | 6 | |||||||||||
| 1 | And a home of your own. | 1 | ||||||||||||
| 2 | Back on miracle row, | 2 | ||||||||||||
| 3 | They all follow the show. | 3 | ||||||||||||
| 4 | Soap Opera in the afternoon. | 4 | ||||||||||||
| And the old ladies swear | And the old ladies swear | |||||||||||||
| At the sun like a sauna | At the sun like a sauna | |||||||||||||
| 7 | On the tenement stair | On the tenement stair. | 7 | |||||||||||
| 8 | All the boys play the conga. | 8 | ||||||||||||
| 9 | All the boys play the conga | There's a chill in the air. | 9 | |||||||||||
| 10 | There’s a chill in the air | And, yes, they're gonna break out of here! | 10 | |||||||||||
| 7 | And yes, they’re gonna break out of here | 7 | ||||||||||||
| 11 | T.V. in the summer heat. | 11 | ||||||||||||
| 12 | TV in the summer heat | Talk show hard to beat, | 12 | |||||||||||
| 13 | Talk show hard to beat | Till she hits the street, | 13 | |||||||||||
| 14 | 'Til she hits the street | Ripping pavement underneath her heels, | 14 | |||||||||||
| 15 | With the poetry of motion in chains. | 15 | ||||||||||||
| 16 | Ripping pavement underneath her heels | And the lady by the window pane. | 16 | |||||||||||
| 8 | With the poetry of motion in chains | 8 | ||||||||||||
| 17 | And the lady by the windowpane | Five healthy children, | 17 | |||||||||||
| 18 | And a home of your own. | 18 | ||||||||||||
| 19 | Five healthy children | Back on miracle row, | 19 | |||||||||||
| 20 | And a home of your own | They all follow the show. | 20 | |||||||||||
| 21 | Back on Miracle Row | Love interest in the afternoon. | 21 | |||||||||||
| 22 | They all will follow the show | And the old men swoon. | 22 | |||||||||||
| 23 | And the sun gets hotter, | 23 | ||||||||||||
| 24 | Love interest in the afternoon | Someone mumbles a tune, | 24 | |||||||||||
| 9 | And the old man swoon | 9 | ||||||||||||
| 10 | And the sun gets hotter | 10 | ||||||||||||
| 11 | Someone mumbles a tune | 11 | ||||||||||||
| 12 | 12 | |||||||||||||
| And the young men spot her | And the young men spot her | |||||||||||||
| 25 | Running up to the room | Running up to the room. | 25 | |||||||||||
| 26 | And yes, they've gotta get out of here soon | And, yes, they've gotta get out of here soon! | 26 | |||||||||||
| 13 | 13 | |||||||||||||
| 14 | Five healthy children | 14 | ||||||||||||
| 15 | And a home of your own | 15 | ||||||||||||
| 16 | Back on Miracle Row | 16 | ||||||||||||
| 17 | They all will count on the show | 17 | ||||||||||||
| 27 | Soap opera in the afternoon | Five healthy children, | 27 | |||||||||||
| 5 | And a home of your own. | 5 | ||||||||||||
| 6 | Back on miracle row, | 6 | ||||||||||||
| 7 | They all count on the show. | 7 | ||||||||||||
| 8 | Soap Opera in the afternoon. | 8 | ||||||||||||
| The old ladies swear | The old ladies swear | |||||||||||||
| 28 | At the boys playing the conga | At the boys playing conga | 28 | |||||||||||
| 29 | On the tenement stair | On the tenement stair. | 29 | |||||||||||
| 30 | And the sun is like a sauna. | 30 | ||||||||||||
| 31 | And the sun is like a sauna | There's a chill in the air. | 31 | |||||||||||
| 32 | There’s a chill in the air | And, yes, they're gonna break out of here! | 32 | |||||||||||
| 18 | And yes, they’re gonna break out of here | 18 | ||||||||||||
| 33 | Oh, Maria, | 33 | ||||||||||||
| 34 | Oh Maria, your eyes are like | Your eyes are like a demon lover's child. | 34 | |||||||||||
| 35 | A [unverified] lover's child | And lips of velvet issue invitation, | 35 | |||||||||||
| 36 | And lips of velvet who held an invitation | Every time you smile. | 36 | |||||||||||
| 19 | Every time you smiled | 19 | ||||||||||||
| 20 | 20 | |||||||||||||
| You sucked me in, I must admit | You sucked me in, I must admit | |||||||||||||
| 37 | That I was waiting for a sign | That I was waiting for a sign. | 37 | |||||||||||
| 38 | Won't you, leave me on the corner by the light? | Won't you leave me on the corner | 38 | |||||||||||
| 39 | Because I’m stepping out tonight | By the light. | 39 | |||||||||||
| 40 | Because I'm steppin' out tonight. | 40 | ||||||||||||
| 21 | Oh Maria, I envy any man who knows your name | 21 | ||||||||||||
| 41 | The ones I knew you, well, I’m not ashamed | Oh, Maria, | 41 | |||||||||||
| 42 | To be the one who drags you down, your life is like a movie | I envy any man who knows your name. | 42 | |||||||||||
| 43 | Though once I knew you well, | 43 | ||||||||||||
| 44 | Like a star it's pasted up in subway walls | I'm not ashamed to be the one | 44 | |||||||||||
| 45 | Won’t you leave me something sacred when you fall? | Who drags you down. | 45 | |||||||||||
| 46 | Unless there’s nothing left at all | Your life is like a movie, | 46 | |||||||||||
| 9 | Like a story pasted up on subway walls. | 9 | ||||||||||||
| 10 | Won't you leave me somethin' sacred | 10 | ||||||||||||
| 11 | When you fall? | 11 | ||||||||||||
| 12 | Unless there's nothing left at all. | 12 | ||||||||||||
| 47 | Your lips are like a faded Spanish rose | Your lips are like a faded Spanish Rose. | 47 | |||||||||||
| And every movement strikes a pose | And every movement strikes a pose | |||||||||||||
| 48 | On every technical enclose | On every technicolor close. | 48 | |||||||||||
| 13 | And other women show their teeth, | 13 | ||||||||||||
| 14 | And schoolboy husbands beg relief, | 14 | ||||||||||||
| 15 | And empty lovers search the street. | 15 | ||||||||||||
| 16 | 16 | |||||||||||||
| 17 | [Lengthy instrumental break.] | 17 | ||||||||||||
| 18 | 18 | |||||||||||||
| 19 | Maria, | 19 | ||||||||||||
| 20 | Convince me in the night you know the way. | 20 | ||||||||||||
| 21 | Though every lover brings another | 21 | ||||||||||||
| 22 | Screaming to the the light of day, | 22 | ||||||||||||
| 23 | Won't you leave me by the lamp post, | 23 | ||||||||||||
| 24 | In the haze of your perfume? | 24 | ||||||||||||
| 25 | Night fades away. | 25 | ||||||||||||
| 26 | Won't you leave me by the lamp post, | 26 | ||||||||||||
| 27 | In the haze of your perfume? | 27 | ||||||||||||
| 28 | Night fades away. | 28 | ||||||||||||
| 29 | 29 | |||||||||||||
| 30 | [Instrumental to end.] | 30 | ||||||||||||
| 31 | 31 | |||||||||||||
| 32 | 32 | |||||||||||||
| 33 | [MIRACLE ROW/MARIA][1] | 33 | ||||||||||||
| 34 | [Written by: Janis Ian-1977 | 34 | ||||||||||||
| 35 | Performed by: Janis Ian-1977 | 35 | ||||||||||||
| 36 | Appears on: Miracle Row (LP)-1977, (CD Japanese Import)-1990[2] & Up 'Til | 36 | ||||||||||||
| 37 | Now-1992[1].] | 37 | ||||||||||||
| 38 | 38 | |||||||||||||
| 39 | [1]There are two songs on the same track. The artist info applies to both.] | 39 | ||||||||||||
| 40 | 40 | |||||||||||||
| 41 | [2]Transcribed from the track on this album.] | 41 | ||||||||||||
| 49 | And other women show their teeth | [Copyright © Janis Ianher co-writer(s) if anytheir publisher(s). | 49 | |||||||||||
| 50 | And schoolboy husbands pack and leave | All rights reserved.] | 50 | |||||||||||
| 22 | And empty lovers search the streets | 22 | ||||||||||||
| 23 | 23 | |||||||||||||
| 24 | Maria, convince me in the night she know the way | 24 | ||||||||||||
| 25 | Though every lover brings another scream into the light of day | 25 | ||||||||||||
| 26 | 26 | |||||||||||||
| 27 | Won’t you leave me by the lamppost | 27 | ||||||||||||
| 28 | In the haze of your perfume night fades away? | 28 | ||||||||||||
| 29 | Won’t you leave me by the lamppost | 29 | ||||||||||||
| 30 | In the haze of your perfume night fades away? | 30 | ||||||||||||
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