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Versiõn actual de Letras de Canciones de Janis Ian Miracle Row (http://es.mp3lyrics.org/j/janis-ian/miracle-row/) Versión actual de las letras |
Versiõn 1 de Letras de Canciones de Janis Ian Miracle Row (http://es.mp3lyrics.org/j/janis-ian/miracle-row/v1.html) La versión 1 de la letra | |||||||||||||
| Maria lives on Miracle Row | Maria lives on Miracle Row | |||||||||||||
| She tells fortunes, you know | She tells fortunes, you know | |||||||||||||
| 1 | At a dollar a throw | At a dollar a throw. | 1 | |||||||||||
| 1 | 1 | |||||||||||||
| Every pimp and every gigolo | Every pimp and every gigolo | |||||||||||||
| Has made love in the afternoon | Has made love in the afternoon | |||||||||||||
| 2 | To the lady by the windowsill | To the lady by the windowsill. | 2 | |||||||||||
| Five healthy children | Five healthy children | |||||||||||||
| 3 | And a home of your own | And a home of your own - - | 3 | |||||||||||
| Back on Miracle Row | Back on Miracle Row | |||||||||||||
| They all will follow the show | They all will follow the show | |||||||||||||
| 2 | 2 | |||||||||||||
| Soap operas in the afternoon | Soap operas in the afternoon | |||||||||||||
| And the old ladies swear | And the old ladies swear | |||||||||||||
| At the sun like a sauna | At the sun like a sauna | |||||||||||||
| On the tenement stair | On the tenement stair | |||||||||||||
| 3 | 3 | |||||||||||||
| All the boys play the conga | All the boys play the conga | |||||||||||||
| There’s a chill in the air | There’s a chill in the air | |||||||||||||
| 4 | And yes, they’re gonna break out of here | And yes, | 4 | |||||||||||
| 1 | They’re gonna break out of here. | 1 | ||||||||||||
| TV in the summer heat | TV in the summer heat | |||||||||||||
| Talk show hard to beat | Talk show hard to beat | |||||||||||||
| 5 | 'Til she hits the street | ‘Til she hits the street. | 5 | |||||||||||
| 4 | 4 | |||||||||||||
| Ripping pavement underneath her heels | Ripping pavement underneath her heels | |||||||||||||
| With the poetry of motion in chains | With the poetry of motion in chains | |||||||||||||
| 6 | And the lady by the windowpane | And the lady by the windowpane. | 6 | |||||||||||
| Five healthy children | Five healthy children | |||||||||||||
| 7 | And a home of your own | And a home of your own - - | 7 | |||||||||||
| Back on Miracle Row | Back on Miracle Row | |||||||||||||
| They all will follow the show | They all will follow the show | |||||||||||||
| 5 | 5 | |||||||||||||
| Love interest in the afternoon | Love interest in the afternoon | |||||||||||||
| And the old man swoon | And the old man swoon | |||||||||||||
| And the sun gets hotter | And the sun gets hotter | |||||||||||||
| Someone mumbles a tune | Someone mumbles a tune | |||||||||||||
| 6 | 6 | |||||||||||||
| And the young men spot her | And the young men spot her | |||||||||||||
| Running up to the room | Running up to the room | |||||||||||||
| 8 | And yes, they've gotta get out of here soon | And yes, | 8 | |||||||||||
| 2 | They’ve gotta get out of here soon. | 2 | ||||||||||||
| Five healthy children | Five healthy children | |||||||||||||
| 9 | And a home of your own | And a home of your own - - | 9 | |||||||||||
| Back on Miracle Row | Back on Miracle Row | |||||||||||||
| They all will count on the show | They all will count on the show | |||||||||||||
| 7 | 7 | |||||||||||||
| Soap opera in the afternoon | Soap opera in the afternoon | |||||||||||||
| The old ladies swear | The old ladies swear | |||||||||||||
| At the boys playing the conga | At the boys playing the conga | |||||||||||||
| On the tenement stair | On the tenement stair | |||||||||||||
| 8 | 8 | |||||||||||||
| And the sun is like a sauna | And the sun is like a sauna | |||||||||||||
| There’s a chill in the air | There’s a chill in the air | |||||||||||||
| 10 | And yes, they’re gonna break out of here | And yes, | 10 | |||||||||||
| 3 | They’re gonna break out of here. | 3 | ||||||||||||
| 11 | Oh Maria, your eyes are like | Oh, Maria your eyes are like | 11 | |||||||||||
| 12 | A [unverified] lover's child | a dimen lovers child | 12 | |||||||||||
| 13 | And lips of velvet who held an invitation | And lips of velvet who held | 13 | |||||||||||
| 14 | Every time you smiled | an invitation every time | 14 | |||||||||||
| 15 | you smiled | 15 | ||||||||||||
| 16 | You sucked me in, I must admit | You sucked me in | 16 | |||||||||||
| 17 | That I was waiting for a sign | I must admit that I was waiting for a sign | 17 | |||||||||||
| 18 | Won't you, leave me on the corner by the light? | Want you leave me on the | 18 | |||||||||||
| 4 | corner by the light | 4 | ||||||||||||
| Because I’m stepping out tonight | Because I’m stepping out tonight | |||||||||||||
| 19 | Oh Maria, I envy any man who knows your name | Oh, Mariah I envy any man | 19 | |||||||||||
| 20 | The ones I knew you, well, I’m not ashamed | who knows your name | 20 | |||||||||||
| 21 | To be the one who drags you down, your life is like a movie | The ones I knew you, well I’m not ashamed | 21 | |||||||||||
| 22 | To be the one who drags you down | 22 | ||||||||||||
| 23 | Like a star it's pasted up in subway walls | Your life is like a movie | 23 | |||||||||||
| 24 | Won’t you leave me something sacred when you fall? | Like a star it pasted up in subway-walls | 24 | |||||||||||
| 25 | Unless there’s nothing left at all | Won’t you leave me something | 25 | |||||||||||
| 5 | sacred when you fall? | 5 | ||||||||||||
| 6 | Unless there’s nothing left at all. | 6 | ||||||||||||
| Your lips are like a faded Spanish rose | Your lips are like a faded Spanish rose | |||||||||||||
| And every movement strikes a pose | And every movement strikes a pose | |||||||||||||
| On every technical enclose | On every technical enclose | |||||||||||||
| 9 | 9 | |||||||||||||
| And other women show their teeth | And other women show their teeth | |||||||||||||
| And schoolboy husbands pack and leave | And schoolboy husbands pack and leave | |||||||||||||
| 26 | And empty lovers search the streets | And empty lovers search the streets. | 26 | |||||||||||
| 10 | 10 | |||||||||||||
| 11 | Maria, convince me in the night she know the way | 11 | ||||||||||||
| 12 | Though every lover brings another scream into the light of day | 12 | ||||||||||||
| 7 | Maria. | 7 | ||||||||||||
| 8 | Convince me in the night she know the way | 8 | ||||||||||||
| 9 | Though every lover brings another scream | 9 | ||||||||||||
| 10 | In to the light of day | 10 | ||||||||||||
| Won’t you leave me by the lamppost | Won’t you leave me by the lamppost | |||||||||||||
| 27 | In the haze of your perfume night fades away? | In the haze of your perfume | 27 | |||||||||||
| 11 | night fades away? | 11 | ||||||||||||
| Won’t you leave me by the lamppost | Won’t you leave me by the lamppost | |||||||||||||
| In the haze of your perfume night fades away? | In the haze of your perfume | |||||||||||||
| 12 | night fades away? | 12 | ||||||||||||
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