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Versiõn actual de Letras de Canciones de Janis Ian At Seventeen (http://es.mp3lyrics.org/j/janis-ian/at-seventeen/) Versión actual de las letras |
Versiõn 3 de Letras de Canciones de Janis Ian At Seventeen (http://es.mp3lyrics.org/j/janis-ian/at-seventeen/v3.html) La versión 3 de la letra | ||||||||||||
| 1 | I learned the truth at seventeen, | I learned the truth at seventeen | 1 | ||||||||||
| 2 | That love was meant for beauty queens. | That love was meant for beauty queens | 2 | ||||||||||
| 3 | In high school, girls with clear-skin smiles, | And high school girls with clear skinned smiles | 3 | ||||||||||
| 4 | Who married young and then retired. | Who married young and then retired | 4 | ||||||||||
| 5 | The valentines I never knew | 5 | |||||||||||
| 6 | The valentines I never knew. | The Friday night charades of youth | 6 | ||||||||||
| 7 | The Friday night charades of youth, | Were spent on one more beautiful | 7 | ||||||||||
| 1 | Were spent on one more beautiful. | 1 | |||||||||||
| At seventeen I learned the truth. | At seventeen I learned the truth. | ||||||||||||
| 8 | And those of us with ravaged faces, | And those of us with ravaged faces | 8 | ||||||||||
| 9 | Lacking in the social graces, | Lacking in the social graces | 9 | ||||||||||
| 10 | Desperately remained at home, | Desperately remained at home | 10 | ||||||||||
| 11 | Inventing lovers on the phone. | Inventing lovers on the phone | 11 | ||||||||||
| 12 | Who called to say come dance with me. | Who called to say “Come dance with me” | 12 | ||||||||||
| 13 | And murmured vague obscenities. | And murmured vague obscenities | 13 | ||||||||||
| 14 | It isn't all it seems, | It isn’t all it seems at seventeen. | 14 | ||||||||||
| 2 | At seventeen. | 2 | |||||||||||
| 15 | A brown-eyed girl in hand-me-downs | 15 | |||||||||||
| 16 | A brown-eyed girl in hand-me-downs. | Whose name I never could pronounce | 16 | ||||||||||
| 17 | Whose name I never could pronounce, | Said “pity, please, the ones who serve | 17 | ||||||||||
| 18 | Said, "Pity, please, the ones who serve, | They only get what they deserve” | 18 | ||||||||||
| 19 | They only get what they deserve." | And the rich-relationed hometown queen | 19 | ||||||||||
| 20 | Marries into what she needs | 20 | |||||||||||
| 21 | And the rich-relationed, hometown queen, | With a guarantee of company | 21 | ||||||||||
| 3 | Marries into what she needs. | 3 | |||||||||||
| 4 | With a guarantee of company, | 4 | |||||||||||
| And haven for the elderly. | And haven for the elderly. | ||||||||||||
| 22 | Remember those who win the game, | Remember those who win the game | 22 | ||||||||||
| 23 | Lose the love they sought to gain. | They lose the love they sought to gain | 23 | ||||||||||
| 24 | In debentures[3] of quality, | In debentures of quality | 24 | ||||||||||
| 25 | And dubious integrity. | And dubious integrity | 25 | ||||||||||
| 26 | The small-town eyes will gape at you, | Their small-town eyes will gape at you | 26 | ||||||||||
| 27 | In dull surprise, when payment due, | In dull surprise, when payment due | 27 | ||||||||||
| 28 | Exceeds accounts received. | Exceeds accounts received at seventeen. | 28 | ||||||||||
| 5 | At seventeen. | 5 | |||||||||||
| 29 | (instrumental) | 29 | |||||||||||
| 6 | [Instrumental break.] | 6 | |||||||||||
| 30 | To those of us who knew the pain | 30 | |||||||||||
| 31 | To those of us who knew the pain, | Of valentines that never came | 31 | ||||||||||
| 32 | Of valentines that never came. | And those whose names were never called | 32 | ||||||||||
| 33 | And those whose names were never called, | When choosing sides for basketball | 33 | ||||||||||
| 34 | When choosing sides for basketball. | It was long ago and far away | 34 | ||||||||||
| 35 | When the world was younger than today | 35 | |||||||||||
| 36 | It was long ago and far away, | And dreams were all they gave for free | 36 | ||||||||||
| 37 | The world was younger than today. | To ugly duckling girls like me. | 37 | ||||||||||
| 7 | And dreams were all they gave for free, | 7 | |||||||||||
| 38 | To ugly-duckling girls like me. | We all play the game, and when we dare | 38 | ||||||||||
| 39 | We cheat ourselves at solitaire | 39 | |||||||||||
| 40 | We all play the game and when we dare, | Inventing lovers on the phone | 40 | ||||||||||
| 41 | To cheat ourselves at solitaire. | Repenting other lives unknown | 41 | ||||||||||
| 42 | Inventing lovers on the phone, | They call and say “Come dance with me” | 42 | ||||||||||
| 43 | Repenting other lives unknown, | And murmur vague obscenities | 43 | ||||||||||
| 44 | That call and say, come dance with me, | At ugly girls like me, at seventeen. | 44 | ||||||||||
| 8 | An' murmur vague obscenities, | 8 | |||||||||||
| 9 | At ugly girls like me, | 9 | |||||||||||
| 10 | At seventeen. | 10 | |||||||||||
| 11 | 11 | ||||||||||||
| 12 | 12 | ||||||||||||
| 13 | [AT SEVENTEEN] | 13 | |||||||||||
| 14 | [Written by: Janis Ian | 14 | |||||||||||
| 15 | Performed by: Janis Ian[1]-1975 | 15 | |||||||||||
| 16 | Appears on: Between the Lines-1975[2], The Best of Janis Ian-1980, Up | 16 | |||||||||||
| 17 | 'Til Now-1992, The Bottom Line Encore Colletion-1999, Souvenirs: Best | 17 | |||||||||||
| 18 | of Janis Ian (1972-1981)-2004, Ultimate Grammy Collection: Classic | 18 | |||||||||||
| 19 | Pop-2008, et al.] | 19 | |||||||||||
| 20 | 20 | ||||||||||||
| 21 | [1] Covered by: Anita Kerr-1975, Phil Woods-1975, Barbara Caroll-1976, | 21 | |||||||||||
| 22 | John Klemmer-1980, Charlie Byrd-1990, Stars Unlimted Singers-1991, | 22 | |||||||||||
| 23 | Loretta Holloway-1996, Miki Howard-1997, Justus Köhncke-1999, Jodie | 23 | |||||||||||
| 24 | Brooke Wilson-2003, Ray Conniff-2005, Chantal Chamberland-2006, Jann | 24 | |||||||||||
| 25 | Arden-2007, et al. | 25 | |||||||||||
| 26 | 26 | ||||||||||||
| 27 | [2] Transcribed from the track on this album. | 27 | |||||||||||
| 28 | 28 | ||||||||||||
| 29 | [3] De*ben"ture, n. In general the term, in British usage, designates | 29 | |||||||||||
| 30 | any security issued by companies other than their shares (stock). In | 30 | |||||||||||
| 31 | the United States they are commonly called bonds. When used in the | 31 | |||||||||||
| 32 | United States debenture generally designates a loan secured by an asset, | 32 | |||||||||||
| 33 | such as a home. Here, Janis is using the term as a metaphor for debt. | 33 | |||||||||||
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