| Que se está viendo una comparación entre la versión actual y versión 2 de la canción que hemos archivado como Letras de Canciones de Janis Ian's - At Seventeen (actual) | |||||
| → Más letras de Janis Ian | → Nuevas Letras | → This page in English ← | → es.mp3lyrics.org ← | Búsqueda de letras relacionados ← | Letras más populares ← |
|
|||||||||||||
|
|
||||||||||||
|
Versiõn actual de Letras de Canciones de Janis Ian At Seventeen (http://es.mp3lyrics.org/j/janis-ian/at-seventeen/) Versión actual de las letras |
Versiõn 2 de Letras de Canciones de Janis Ian At Seventeen (http://es.mp3lyrics.org/j/janis-ian/at-seventeen/v2.html) La versión 2 de la letra | ||||||||||||
| 1 | I learned the truth at seventeen, | I learned the truth at seventeen | 1 | ||||||||||
| 2 | That love was meant for beauty queens. | That love was meant for beauty queens | 2 | ||||||||||
| 3 | In high school, girls with clear-skin smiles, | And high school girls with clear skinned smiles | 3 | ||||||||||
| 4 | Who married young and then retired. | Who married young and then retired | 4 | ||||||||||
| 5 | The valentines I never knew | 5 | |||||||||||
| 6 | The valentines I never knew. | The Friday night charades of youth | 6 | ||||||||||
| 7 | The Friday night charades of youth, | Were spent on one more beautiful | 7 | ||||||||||
| 8 | Were spent on one more beautiful. | At seventeen, I learned the truth. | 8 | ||||||||||
| 1 | At seventeen I learned the truth. | 1 | |||||||||||
| 9 | And those of us with ravaged faces | 9 | |||||||||||
| 10 | And those of us with ravaged faces, | Lacking in the social graces | 10 | ||||||||||
| 11 | Lacking in the social graces, | Desperately remained at home | 11 | ||||||||||
| 12 | Desperately remained at home, | Inventing lovers on the phone | 12 | ||||||||||
| 13 | Inventing lovers on the phone. | Who called to say “Come dance with me” | 13 | ||||||||||
| 14 | Who called to say come dance with me. | And murmured vague obscenities | 14 | ||||||||||
| 15 | And murmured vague obscenities. | It isn’t all it seems at seventeen. | 15 | ||||||||||
| 2 | It isn't all it seems, | 2 | |||||||||||
| 16 | At seventeen. | A brown-eyed girl in hand-me-downs | 16 | ||||||||||
| 17 | Whose name I never could pronounce | 17 | |||||||||||
| 18 | A brown-eyed girl in hand-me-downs. | Said “pity please the ones who serve | 18 | ||||||||||
| 19 | Whose name I never could pronounce, | They only get what they deserve” | 19 | ||||||||||
| 20 | Said, "Pity, please, the ones who serve, | And the rich-relationed hometown queen | 20 | ||||||||||
| 21 | They only get what they deserve." | Marries into what she needs | 21 | ||||||||||
| 22 | With a guarantee of company | 22 | |||||||||||
| 3 | And the rich-relationed, hometown queen, | 3 | |||||||||||
| 4 | Marries into what she needs. | 4 | |||||||||||
| 5 | With a guarantee of company, | 5 | |||||||||||
| And haven for the elderly. | And haven for the elderly. | ||||||||||||
| 23 | Remember those who win the game, | Remember those who win the game | 23 | ||||||||||
| 24 | Lose the love they sought to gain. | Lose the love they sought to gain | 24 | ||||||||||
| 25 | In debentures[3] of quality, | In debentures of quality | 25 | ||||||||||
| 26 | And dubious integrity. | And dubious integrity | 26 | ||||||||||
| 27 | The small-town eyes will gape at you, | Their small-town eyes will gape at you | 27 | ||||||||||
| 28 | In dull surprise, when payment due, | In dull surprises, when payment due | 28 | ||||||||||
| 29 | Exceeds accounts received. | Exceeds accounts received at seventeen. | 29 | ||||||||||
| 6 | At seventeen. | 6 | |||||||||||
| 30 | To those of us who new the pain | 30 | |||||||||||
| 31 | [Instrumental break.] | Of valentines that never came | 31 | ||||||||||
| 32 | And those whose names we never called | 32 | |||||||||||
| 33 | To those of us who knew the pain, | When choosing sides for the basketball | 33 | ||||||||||
| 34 | Of valentines that never came. | It was long ago and far away | 34 | ||||||||||
| 35 | And those whose names were never called, | The world was younger than today | 35 | ||||||||||
| 36 | When choosing sides for basketball. | When dreams were all they gave for free | 36 | ||||||||||
| 37 | To ugly duckling girls like me. | 37 | |||||||||||
| 7 | It was long ago and far away, | 7 | |||||||||||
| 38 | The world was younger than today. | We all play the game, and when we dare | 38 | ||||||||||
| 39 | And dreams were all they gave for free, | We cheat ourselves at solitaire | 39 | ||||||||||
| 40 | To ugly-duckling girls like me. | Inventing lovers on the phone | 40 | ||||||||||
| 41 | Repenting other lives unknown | 41 | |||||||||||
| 42 | We all play the game and when we dare, | That call and say “Come dance with me” | 42 | ||||||||||
| 43 | To cheat ourselves at solitaire. | And murmured vague obscenities | 43 | ||||||||||
| 44 | Inventing lovers on the phone, | At ugly girls like me, at seventeen. | 44 | ||||||||||
| 8 | Repenting other lives unknown, | 8 | |||||||||||
| 9 | That call and say, come dance with me, | 9 | |||||||||||
| 10 | An' murmur vague obscenities, | 10 | |||||||||||
| 11 | At ugly girls like me, | 11 | |||||||||||
| 12 | At seventeen. | 12 | |||||||||||
| 13 | 13 | ||||||||||||
| 14 | 14 | ||||||||||||
| 15 | [AT SEVENTEEN] | 15 | |||||||||||
| 16 | [Written by: Janis Ian | 16 | |||||||||||
| 17 | Performed by: Janis Ian[1]-1975 | 17 | |||||||||||
| 18 | Appears on: Between the Lines-1975[2], The Best of Janis Ian-1980, Up | 18 | |||||||||||
| 19 | 'Til Now-1992, The Bottom Line Encore Colletion-1999, Souvenirs: Best | 19 | |||||||||||
| 20 | of Janis Ian (1972-1981)-2004, Ultimate Grammy Collection: Classic | 20 | |||||||||||
| 21 | Pop-2008, et al.] | 21 | |||||||||||
| 22 | 22 | ||||||||||||
| 23 | [1] Covered by: Anita Kerr-1975, Phil Woods-1975, Barbara Caroll-1976, | 23 | |||||||||||
| 24 | John Klemmer-1980, Charlie Byrd-1990, Stars Unlimted Singers-1991, | 24 | |||||||||||
| 25 | Loretta Holloway-1996, Miki Howard-1997, Justus Köhncke-1999, Jodie | 25 | |||||||||||
| 26 | Brooke Wilson-2003, Ray Conniff-2005, Chantal Chamberland-2006, Jann | 26 | |||||||||||
| 27 | Arden-2007, et al. | 27 | |||||||||||
| 28 | 28 | ||||||||||||
| 29 | [2] Transcribed from the track on this album. | 29 | |||||||||||
| 30 | 30 | ||||||||||||
| 31 | [3] De*ben"ture, n. In general the term, in British usage, designates | 31 | |||||||||||
| 32 | any security issued by companies other than their shares (stock). In | 32 | |||||||||||
| 33 | the United States they are commonly called bonds. When used in the | 33 | |||||||||||
| 34 | United States debenture generally designates a loan secured by an asset, | 34 | |||||||||||
| 35 | such as a home. Here, Janis is using the term as a metaphor for debt. | 35 | |||||||||||
|
→ política de privacidad → contacto |
![]() |
letras de canciones populares ← búsqueda de letras ← |
|||
| |||||