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Versiõn actual de Letras de Canciones de Janis Ian At Seventeen (http://es.mp3lyrics.org/j/janis-ian/at-seventeen/) Versión actual de las letras |
Versiõn 1 de Letras de Canciones de Janis Ian At Seventeen (http://es.mp3lyrics.org/j/janis-ian/at-seventeen/v1.html) La versión 1 de la letra | ||||||||||||
| 1 | I learned the truth at seventeen, | Janis Ian | 1 | ||||||||||
| 2 | That love was meant for beauty queens. | "At Seventeen" | 2 | ||||||||||
| 3 | In high school, girls with clear-skin smiles, | I leaned the truth at seventeen that love was meant for beauty queens | 3 | ||||||||||
| 4 | Who married young and then retired. | And high school girls with clear-skinned smiles who married young and then | 4 | ||||||||||
| 5 | retired. | 5 | |||||||||||
| 6 | The valentines I never knew. | The valentines I never knew, the Friday night charades of youth | 6 | ||||||||||
| 7 | The Friday night charades of youth, | Were spent on one more beautiful. At seventeen I learned the truth. | 7 | ||||||||||
| 8 | Were spent on one more beautiful. | And those of us with ravaged faces, lacking in the social graces, | 8 | ||||||||||
| 9 | At seventeen I learned the truth. | Desperately remained at home, inventing lovers on the phone | 9 | ||||||||||
| 10 | Who called to say, "Come dance with me," and murmured vague obscenities. | 10 | |||||||||||
| 11 | And those of us with ravaged faces, | It isn't all it seems at seventeen. | 11 | ||||||||||
| 12 | Lacking in the social graces, | A brown-eyed girl in hand-me-downs whose name I never could pronounce | 12 | ||||||||||
| 13 | Desperately remained at home, | Said, "Pity, please, the ones who serve; they only get what they deserve. | 13 | ||||||||||
| 14 | Inventing lovers on the phone. | The rich relationed hometown queen marries into what she needs. | 14 | ||||||||||
| 15 | Who called to say come dance with me. | A guarantee of company and haven for the elderly." | 15 | ||||||||||
| 16 | And murmured vague obscenities. | Remember those who win the game lose the love they sought to gain. | 16 | ||||||||||
| 17 | It isn't all it seems, | In debentures of quality and dubious integrity. | 17 | ||||||||||
| 18 | At seventeen. | Their small-town eyes will gape at you in dull surprise when payment due | 18 | ||||||||||
| 19 | Exceeds accounts received at seventeen. | 19 | |||||||||||
| 20 | A brown-eyed girl in hand-me-downs. | To those of us who know the pain of valentines that never came, | 20 | ||||||||||
| 21 | Whose name I never could pronounce, | And those whose names were never called when choosing sides for basketball. | 21 | ||||||||||
| 22 | Said, "Pity, please, the ones who serve, | It was long ago and far away; the world was much younger than today | 22 | ||||||||||
| 23 | They only get what they deserve." | And dreams were all they gave away for free to ugly duckling girls like me. | 23 | ||||||||||
| 24 | We all play the game and when we dare to cheat ourselves at solitaire. | 24 | |||||||||||
| 25 | And the rich-relationed, hometown queen, | Inventing lovers on the phone, repenting other lives unknown | 25 | ||||||||||
| 26 | Marries into what she needs. | That call and say, "Come dance with me," and murmur vague obscenities | 26 | ||||||||||
| 27 | With a guarantee of company, | At ugly girls like me at seventeen. | 27 | ||||||||||
| 1 | And haven for the elderly. | 1 | |||||||||||
| 2 | 2 | ||||||||||||
| 3 | Remember those who win the game, | 3 | |||||||||||
| 4 | Lose the love they sought to gain. | 4 | |||||||||||
| 5 | In debentures[3] of quality, | 5 | |||||||||||
| 6 | And dubious integrity. | 6 | |||||||||||
| 7 | The small-town eyes will gape at you, | 7 | |||||||||||
| 8 | In dull surprise, when payment due, | 8 | |||||||||||
| 9 | Exceeds accounts received. | 9 | |||||||||||
| 10 | At seventeen. | 10 | |||||||||||
| 11 | 11 | ||||||||||||
| 12 | [Instrumental break.] | 12 | |||||||||||
| 13 | 13 | ||||||||||||
| 14 | To those of us who knew the pain, | 14 | |||||||||||
| 15 | Of valentines that never came. | 15 | |||||||||||
| 16 | And those whose names were never called, | 16 | |||||||||||
| 17 | When choosing sides for basketball. | 17 | |||||||||||
| 18 | 18 | ||||||||||||
| 19 | It was long ago and far away, | 19 | |||||||||||
| 20 | The world was younger than today. | 20 | |||||||||||
| 21 | And dreams were all they gave for free, | 21 | |||||||||||
| 22 | To ugly-duckling girls like me. | 22 | |||||||||||
| 23 | 23 | ||||||||||||
| 24 | We all play the game and when we dare, | 24 | |||||||||||
| 25 | To cheat ourselves at solitaire. | 25 | |||||||||||
| 26 | Inventing lovers on the phone, | 26 | |||||||||||
| 27 | Repenting other lives unknown, | 27 | |||||||||||
| 28 | That call and say, come dance with me, | 28 | |||||||||||
| 29 | An' murmur vague obscenities, | 29 | |||||||||||
| 30 | At ugly girls like me, | 30 | |||||||||||
| 31 | At seventeen. | 31 | |||||||||||
| 32 | 32 | ||||||||||||
| 33 | 33 | ||||||||||||
| 34 | [AT SEVENTEEN] | 34 | |||||||||||
| 35 | [Written by: Janis Ian | 35 | |||||||||||
| 36 | Performed by: Janis Ian[1]-1975 | 36 | |||||||||||
| 37 | Appears on: Between the Lines-1975[2], The Best of Janis Ian-1980, Up | 37 | |||||||||||
| 38 | 'Til Now-1992, The Bottom Line Encore Colletion-1999, Souvenirs: Best | 38 | |||||||||||
| 39 | of Janis Ian (1972-1981)-2004, Ultimate Grammy Collection: Classic | 39 | |||||||||||
| 40 | Pop-2008, et al.] | 40 | |||||||||||
| 41 | 41 | ||||||||||||
| 42 | [1] Covered by: Anita Kerr-1975, Phil Woods-1975, Barbara Caroll-1976, | 42 | |||||||||||
| 43 | John Klemmer-1980, Charlie Byrd-1990, Stars Unlimted Singers-1991, | 43 | |||||||||||
| 44 | Loretta Holloway-1996, Miki Howard-1997, Justus Köhncke-1999, Jodie | 44 | |||||||||||
| 45 | Brooke Wilson-2003, Ray Conniff-2005, Chantal Chamberland-2006, Jann | 45 | |||||||||||
| 46 | Arden-2007, et al. | 46 | |||||||||||
| 47 | 47 | ||||||||||||
| 48 | [2] Transcribed from the track on this album. | 48 | |||||||||||
| 49 | 49 | ||||||||||||
| 50 | [3] De*ben"ture, n. In general the term, in British usage, designates | 50 | |||||||||||
| 51 | any security issued by companies other than their shares (stock). In | 51 | |||||||||||
| 52 | the United States they are commonly called bonds. When used in the | 52 | |||||||||||
| 53 | United States debenture generally designates a loan secured by an asset, | 53 | |||||||||||
| 54 | such as a home. Here, Janis is using the term as a metaphor for debt. | 54 | |||||||||||
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