| Que se está viendo una comparación entre la versión actual y versión 1 de la canción que hemos archivado como Letras de Canciones de Heaven 17's - FIVE MINUTES TO MIDNIGHT (actual) | |||||
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Versiõn actual de Letras de Canciones de Heaven 17 FIVE MINUTES TO MIDNIGHT (http://es.mp3lyrics.org/h/heaven-17/five-minutes-to-midnight...) Versión actual de las letras |
Versiõn 1 de Letras de Canciones de Heaven 17 FIVE MINUTES TO MIDNIGHT (http://es.mp3lyrics.org/h/heaven-17/five-minutes-to-midnight...) La versión 1 de la letra | |||||||||||||
| Break or be broken | Break or be broken | |||||||||||||
| A sensitive target | A sensitive target | |||||||||||||
| A thirty day boy in | A thirty day boy in | |||||||||||||
| A twenty day city | A twenty day city | |||||||||||||
| 1 | 1 | |||||||||||||
| Nothing is easy | Nothing is easy | |||||||||||||
| You know their methods | You know their methods | |||||||||||||
| 1 | (Yeah yeah yeah yeah yeah) | 1 | ||||||||||||
| Just for a moment | Just for a moment | |||||||||||||
| That beats creation | That beats creation | |||||||||||||
| 2 | 2 | |||||||||||||
| Waiting for the flash to come | Waiting for the flash to come | |||||||||||||
| 3 | 3 | |||||||||||||
| A large map of nowhere | A large map of nowhere | |||||||||||||
| A statue of paper | A statue of paper | |||||||||||||
| Nothing can stop them | Nothing can stop them | |||||||||||||
| They're all white and spiteful | They're all white and spiteful | |||||||||||||
| 4 | 4 | |||||||||||||
| It's not important | It's not important | |||||||||||||
| Use any language | Use any language | |||||||||||||
| Before it gets too late | Before it gets too late | |||||||||||||
| Call for a doctor | Call for a doctor | |||||||||||||
| 1 | For hours and hours | 1 | ||||||||||||
| 2 | For hours and hours, they built us a tower | They built us a tower | 2 | |||||||||||
| You know how men are | You know how men are | |||||||||||||
| 3 | We fell to the power, stay with the money | We fell to the power | 3 | |||||||||||
| 2 | Stay with the money | 2 | ||||||||||||
| 'Til five to midnight's past | 'Til five to midnight's past | |||||||||||||
| 5 | 5 | |||||||||||||
| Twenty years later | Twenty years later | |||||||||||||
| There's someone to see you | There's someone to see you | |||||||||||||
| Your prayers are answered | Your prayers are answered | |||||||||||||
| He's saying something | He's saying something | |||||||||||||
| 6 | 6 | |||||||||||||
| Do you know something? | Do you know something? | |||||||||||||
| I don't remember | I don't remember | |||||||||||||
| Hot as a furnace | Hot as a furnace | |||||||||||||
| Wing to wing contact | Wing to wing contact | |||||||||||||
| 7 | 7 | |||||||||||||
| This happy solution | This happy solution | |||||||||||||
| Wouldn't it rock you? | Wouldn't it rock you? | |||||||||||||
| The choice of a weapon | The choice of a weapon | |||||||||||||
| 4 | The first and the last word | The first and the last sword | 4 | |||||||||||
| 8 | 8 | |||||||||||||
| Waiting for the flash to come | Waiting for the flash to come | |||||||||||||
| 9 | 9 | |||||||||||||
| It's not important | It's not important | |||||||||||||
| Use any language | Use any language | |||||||||||||
| Before it gets too late | Before it gets too late | |||||||||||||
| Call for a doctor | Call for a doctor | |||||||||||||
| 10 | 10 | |||||||||||||
| Waiting for the heat to come | Waiting for the heat to come | |||||||||||||
| 11 | 11 | |||||||||||||
| You know how men are | You know how men are | |||||||||||||
| 5 | How men are, [Incomprehensible] | How men are, how men are | 5 | |||||||||||
| 12 | 12 | |||||||||||||
| Do you know something? | Do you know something? | |||||||||||||
| I don't remember | I don't remember | |||||||||||||
| Hot as a furnace | Hot as a furnace | |||||||||||||
| Wing to wing contact | Wing to wing contact | |||||||||||||
| 3 | Glenn Gregory: Lead | 3 | ||||||||||||
| 4 | vocals, backing vocals | 4 | ||||||||||||
| 5 | Martyn Ware: | 5 | ||||||||||||
| 6 | Linndrum | 6 | ||||||||||||
| 7 | programming, backing | 7 | ||||||||||||
| 8 | vocals | 8 | ||||||||||||
| 9 | Ian Craig Marsh: | 9 | ||||||||||||
| 10 | Fairlight, backing vocals | 10 | ||||||||||||
| 11 | Greg Walsh: Fairlight programming | 11 | ||||||||||||
| 12 | David Cullen: | 12 | ||||||||||||
| 13 | Orchestra arrangement | 13 | ||||||||||||
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