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Versiõn 1 de Letras de Canciones de Eminem Lose Yourself (http://es.mp3lyrics.org/e/eminem/lose-yourself/v1.html) La versión 1 de la letra |
Versiõn 2 de Letras de Canciones de Eminem Lose Yourself (http://es.mp3lyrics.org/e/eminem/lose-yourself/v2.html) La versión 2 de la letra | |||||||||||||
| 1 | Look, if you had one shot, one opportunity | [Intro] | 1 | |||||||||||
| 2 | To seize everything you ever wanted | Look.. if you had.. one shot, one opportunity | 2 | |||||||||||
| 3 | To seize everything you ever wanted.. in one moment | 3 | ||||||||||||
| 4 | One moment | Would you capture it.. or would you let it slip? Yo.. | 4 | |||||||||||
| 1 | Would you capture it or just let it slip? | 1 | ||||||||||||
| 1 | [Verse 1] | 1 | ||||||||||||
| His palms are sweaty, knees weak, arms are heavy | His palms are sweaty, knees weak, arms are heavy | |||||||||||||
| 5 | There'ss vomit on his sweater already, mom's spaghetti | There's vomit on his sweater already, mom's spaghetti | 5 | |||||||||||
| He's nervous, but on the surface he looks calm and ready | He's nervous, but on the surface he looks calm and ready | |||||||||||||
| 6 | To drop bombs, but he keeps on forgettin | to drops bombs, but he keeps on forgetting | 6 | |||||||||||
| 7 | What he wrote down, the whole crowd goes so loud | what he wrote down, the whole crowd goes so loud | 7 | |||||||||||
| 8 | He opens his mouth, but the words won't come out | He opens his mouth but the words won't come out | 8 | |||||||||||
| 9 | He's chokin, how everybody's jokin now | He's chokin, how? Everybody's jokin now | 9 | |||||||||||
| 10 | The clocks run out, times up over, bloah! | The clock's run out, time's up, over - BLAOW! | 10 | |||||||||||
| 11 | Snap back to reality, Oh there goes gravity | Snap back to reality, Opss - there goes gravity | 11 | |||||||||||
| 12 | Oh, there goes Rabbit, he choked | OHH - there goes Rabbit, he choked | 12 | |||||||||||
| 13 | Hes so mad, but he wont give up that | He's so mad, but he won't | 13 | |||||||||||
| 14 | Is he? No | Give up that easy nope, he won't have it | 14 | |||||||||||
| 15 | He wont have it , he knows his whole back citys ropes | He knows, his whole back's to these ropes | 15 | |||||||||||
| 16 | It dont matter, hes dope | It don't matter, he's dope | 16 | |||||||||||
| 17 | He knows that, but hes broke | He knows that, but he's broke | 17 | |||||||||||
| 18 | Hes so stacked that he knows | He's so sad that he knows | 18 | |||||||||||
| 19 | When he goes back to his mobile home, thats when its | when he goes back to this mobile home, that's when it's | 19 | |||||||||||
| 20 | Back to the lab again yo | back to the lab again, yo, this whole rap shit | 20 | |||||||||||
| 21 | This whole rap shit | He better go capture this moment and hope it don't pass him | 21 | |||||||||||
| 2 | He better go capture this moment and hope it dont pass him | 2 | ||||||||||||
| 22 | [Chorus] | 22 | ||||||||||||
| 23 | HOOK: | You better - lose yourself in the music, the moment | 23 | |||||||||||
| 24 | You own it, you better never let it go (go) | 24 | ||||||||||||
| 3 | You better lose yourself in the music, the moment | 3 | ||||||||||||
| 4 | You own it, you better never let it go | 4 | ||||||||||||
| You only get one shot, do not miss your chance to blow | You only get one shot, do not miss your chance to blow | |||||||||||||
| 25 | This opportunity comes once in a lifetime yo | This opportunity comes once in a lifetime | 25 | |||||||||||
| 2 | You better - lose yourself in the music, the moment | 2 | ||||||||||||
| 3 | You own it, you better never let it go (go) | 3 | ||||||||||||
| 4 | You only get one shot, do not miss your chance to blow | 4 | ||||||||||||
| 5 | This opportunity comes once in a lifetime | 5 | ||||||||||||
| 6 | You better.. | 6 | ||||||||||||
| 26 | The souls escaping, through this hole that its gaping | [Verse 2] | 26 | |||||||||||
| 7 | Soul's escaping, through this hole that is gaping | 7 | ||||||||||||
| This world is mine for the taking | This world is mine for the taking | |||||||||||||
| Make me king, as we move toward a, new world order | Make me king, as we move toward a, new world order | |||||||||||||
| 27 | A normal life is borin, but superstardoms close to post mortar | A normal life is boring; but superstardom's | 27 | |||||||||||
| 28 | It only grows harder, only grows hotter | close to post-mortem, it only grows harder | 28 | |||||||||||
| 29 | He blows us all over these hoes is all on him | Homie grows hotter, he blows it's all over | 29 | |||||||||||
| 30 | Coast to coast shows, hes know as the globetrotter | These hoes is all on him, coast to coast shows | 30 | |||||||||||
| 8 | He's known as the Globetrotter | 8 | ||||||||||||
| Lonely roads, God only knows | Lonely roads, God only knows | |||||||||||||
| 31 | Hes grown farther from home, hes no father | He's grown farther from home, he's no father | 31 | |||||||||||
| He goes home and barely knows his own daughter | He goes home and barely knows his own daughter | |||||||||||||
| 32 | But hold your nose cuz here goes the cold water | But hold your nose cause here goes the cold water | 32 | |||||||||||
| 33 | These hoes don't want him no mo', he's cold product | 33 | ||||||||||||
| 5 | His bosses dont want him no mo, hes cold product | 5 | ||||||||||||
| 6 | 6 | |||||||||||||
| They moved on to the next schmoe who flows | They moved on to the next schmoe who flows | |||||||||||||
| 34 | He nose dove and sold nada | He nose-dove and sold nada, and so the soap opera | 34 | |||||||||||
| 35 | So the soap opera is told and unfolds | is told, it unfolds, I suppose it's old partner | 35 | |||||||||||
| 36 | I suppose its old potna, but the beat goes on | But the beat goes on da-da-dum da-dum da-dah | 36 | |||||||||||
| 7 | Da da dum da dum da da | 7 | ||||||||||||
| 37 | [Chorus] | 37 | ||||||||||||
| 8 | HOOK | 8 | ||||||||||||
| 38 | [Verse 3] | 38 | ||||||||||||
| 39 | No more games, Ima change what you call rage | No more games, I'ma change what you call rage | 39 | |||||||||||
| 40 | Tear this mothafuckin roof off like 2 dogs caged | Tear this motherfuckin roof off like two dogs caged | 40 | |||||||||||
| 41 | I was playin in the beginnin, the mood all changed | I was playin in the beginning, the mood all changed | 41 | |||||||||||
| 42 | I been chewed up and spit out and booed off stage | I've been chewed up and spit out and booed off stage | 42 | |||||||||||
| 43 | But I kept rhymin and stepwritin the next cypher | But I kept rhymin and stepped right in the next cypher | 43 | |||||||||||
| 44 | Best believe somebodys payin the pied piper | Best believe somebody's payin the pied piper | 44 | |||||||||||
| 45 | All the pain inside amplified by the fact | All the pain inside amplified by the | 45 | |||||||||||
| 46 | That I cant get by with my 9 to 5 | fact that I can't get by with my nine to | 46 | |||||||||||
| 47 | And I cant provide the right type of life for my family | five and I can't provide the right type of | 47 | |||||||||||
| 48 | Cuz man, these goddam food stamps dont buy diapers | life for my family, cause man, these God damn | 48 | |||||||||||
| 49 | And its no movie, theres no Mekhi Phifer, this is my life | food stamps don't buy diapers, and there's no movie | 49 | |||||||||||
| 50 | And these times are so hard and it's getting even harder | There's no Mekhi Phifer, this is my life | 50 | |||||||||||
| 51 | Tryin to feed and water my seed, plus | And these times are so hard, and it's gettin even harder | 51 | |||||||||||
| 52 | See dishonor caught up bein a father and a prima donna | Tryin to feed and water my seed plus, teeter-totter | 52 | |||||||||||
| 53 | Baby mama drama screamin on and | Caught up between bein a father and a primadonna | 53 | |||||||||||
| 54 | Too much for me to wanna | Baby momma drama screamin on her too much for me to wanna | 54 | |||||||||||
| 55 | Stay in one spot, another jam or not | stay in one spot, another day of monotony | 55 | |||||||||||
| 56 | Has gotten me to the point, I'm like a snail | has gotten me to the point, I'm like a snail I've got | 56 | |||||||||||
| 57 | I've got to formulate a plot fore I end up in jail or shot | to formulate a plot, or end up in jail or shot | 57 | |||||||||||
| 58 | Success is my only mothafuckin option, failures not | Success is my only motherfuckin option, failure's not | 58 | |||||||||||
| 59 | Mom, I love you, but this trail has got to go | Mom I love you but this trailer's got to go | 59 | |||||||||||
| 60 | I cannot grow old in Salems lot | I cannot grow old in Salem's Lot | 60 | |||||||||||
| 61 | So here I go is my shot. | So here I go it's my shot, feet fail me not | 61 | |||||||||||
| 62 | Feet fail me not cuz maybe the only opportunity that I got | This may be the only opportunity that I got | 62 | |||||||||||
| 63 | HOOK | [Chorus] | 63 | |||||||||||
| 9 | [Outro] | 9 | ||||||||||||
| You can do anything you set your mind to, man | You can do anything you set your mind to, man | |||||||||||||
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