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Versiõn 2 de Letras de Canciones de Eminem Business (http://es.mp3lyrics.org/e/eminem/business/v2.html) La versión 2 de la letra |
Versiõn 1 de Letras de Canciones de Eminem Business (http://es.mp3lyrics.org/e/eminem/business/v1.html) La versión 1 de la letra | ||||||||||||
| 1 | Marshall, sounds like an SOS... | Intro) | 1 | ||||||||||
| 2 | Dre: Marshall...sounds like an S.O.S | 2 | |||||||||||
| 3 | Holy wack, unlyrical lyrics Andre, you're fuckin' | Eminem: Holy wack, unlyrical lyrics Andre, you're fuckin' right | 3 | ||||||||||
| 4 | right... | Dre: To the rapmobile...Let's go | 4 | ||||||||||
| 1 | 1 | ||||||||||||
| 5 | To the rapmobile, let's go... | Marshall! | 5 | ||||||||||
| 6 | Marshall! | 6 | |||||||||||
| 2 | (Marshall, Marshall), bitches and gentlemen, it's | 2 | |||||||||||
| 7 | showtime, hurry hurry, step right up, introducing | Eminem: Bitches and gentlemen, It's showtime! Hurry hurry, | 7 | ||||||||||
| 8 | the star of our show, his name is, {Marshall}, you | step right up Introducing the star of our show his name is... | 8 | ||||||||||
| 3 | wouldn't want to be anywhere else in the world | 3 | |||||||||||
| 9 | right now, so without further ado, I bring to you, | Marshall! | 9 | ||||||||||
| 4 | (Marshall)... | 4 | |||||||||||
| 10 | Eminem: You wouldn't want to be anywhere else in | 10 | |||||||||||
| 11 | You 'bout to witness hip-hop in it's most purest, | the world right now So without further ado, I bring to you | 11 | ||||||||||
| 5 | more rawest form, flow almost flawless, most | 5 | |||||||||||
| 12 | hardest, most honest known artist, chip off the | Marshall! | 12 | ||||||||||
| 6 | old block, but ol' Doc is, {back}, looks like | 6 | |||||||||||
| 13 | Batman brought his own Robin, oh God, Sadam's got | Verse 1 | 13 | ||||||||||
| 14 | his own Laden, with his own private plane, his own | You bout to witness hip hop in its most purest, more rawest form, | 14 | ||||||||||
| 15 | pilot, set to blow college dorm rooms doors off | flow almost flawlessmost hardest, most honest known artist, chip off the old block, | 15 | ||||||||||
| 16 | the hinges, oranges, peach, pears, plums, | but good old Doc is BACKLooks like Batman brought his own Robin. | 16 | ||||||||||
| 17 | syringes, {vnn vnn}, yeah here I come, I'm inches, | Oh god, Sadam's got his own Laden wit' his own private plane, his own pilot, | 17 | ||||||||||
| 18 | away from you, dear fear none, hip-hop is in a | set to blow college dorm rooms doors off the hingesoranges, peach, pears, | 18 | ||||||||||
| 19 | state of 911, so... | plums syringes. Vnnnn vnnnn, yeah here I come, I'm inches away from you, | 19 | ||||||||||
| 20 | dear fear none, hip hop is in a state of nine-one-one so... | 20 | |||||||||||
| 7 | [Chorus] | 7 | |||||||||||
| 21 | Chorus X2 | 21 | |||||||||||
| 22 | Let's get down to business, I don't got no time to | Lets get down to business. I don't got no time to play around what is this | 22 | ||||||||||
| 23 | play around, what is this, must be a circus in | Must be a circus in town, lets shut the shit down on these clowns. | 23 | ||||||||||
| 24 | town, let's shut the shit down on these clowns, | Can I get a witness? HELL YEAH! | 24 | ||||||||||
| 8 | can I get a witness, {hell yeah}, let's get down | 8 | |||||||||||
| 25 | to business, I don't got no time to play around, | Verse 2 | 25 | ||||||||||
| 26 | what is this, must be a circus in town, let's shut | Quick gotta move fast, gotta perform miracles. Gee willikers, | 26 | ||||||||||
| 27 | the shit down on these clowns, can I get a | Dre, holy bat syllableslook at all the bullshit that goes on in Gotham when I'm gone. | 27 | ||||||||||
| 28 | witness, (hell yeah)... | Time to get rid of these rap criminalsSo skip to your lou while I do what I do best. | 28 | ||||||||||
| 29 | You ain't even impressed no more, you're used to itFlows too wet, nobody close to it, | 29 | |||||||||||
| 30 | Quick gotta move fast, gotta perform miracles, gee | nobody says it, but still everybody knows the shit the most hated on out of all | 30 | ||||||||||
| 31 | willikers Dre, holy bat syllables, look at all the | those who say they get hated on in eighty songs and exaggerate it all So much, | 31 | ||||||||||
| 32 | bullshit that goes on in Gotham when I'm gone, | they make it all up, there's no such thing, like a female with good looks, | 32 | ||||||||||
| 33 | time to get rid of these rap criminals, so skip to | who cooks and cleansit just means so much more to so much more people when | 33 | ||||||||||
| 34 | your lou while I do what I do best, you ain't even | you're rappin' and you know what forthe show must go on. So I'd like to | 34 | ||||||||||
| 35 | impressed no more, you're used to it, flows too | welcome y'all to Marshall and Andre's carnival, C'mon! Now... | 35 | ||||||||||
| 9 | wet, nobody close to it, nobody says it, but still | 9 | |||||||||||
| 36 | everybody knows the shit, the most hated on out of | Chorus X2 | 36 | ||||||||||
| 10 | all those who say they get hated on in eighty | 10 | |||||||||||
| 37 | songs and exaggerate it all so much, they make it | Verse 3 | 37 | ||||||||||
| 38 | all up, there's no such thing, like a female with | Its just like old times, the dynamic duo, two old friends, | 38 | ||||||||||
| 39 | good looks, who cooks and cleans, it just means so | why panic, you already know who's fully capable, the two capped heroes, | 39 | ||||||||||
| 40 | much more to so much more people when you're | dial straight down the center eight-zero-zeroyou can even call collect, | 40 | ||||||||||
| 41 | rappin' and you know what for, the show must go | the most feared duet, since me and Elton played career Russian Roulette | 41 | ||||||||||
| 42 | on, so I'd like to welcome y'all to Marshall and | and never even see me blink or get to bustin' a sweat, people steppin' | 42 | ||||||||||
| 43 | Andre's carnival, c'mon now... | over people just to rush to the setjust to get to see an MC who breathes so freely, | 43 | ||||||||||
| 44 | ease over these beats and be so breezyJesus how can shit be so easy, | 44 | |||||||||||
| 45 | [Chorus] | how can one Chandra be so Levy? Turn on these beats, MC's don't see me. | 45 | ||||||||||
| 46 | Believe me BET and MTV are gonna grievewhen we leave, dog, fo' sheezy. | 46 | |||||||||||
| 47 | It's just like old times, the dynamic duo, two old | Can't leave rap alone, the game needs me Till we grow beards, get weird, | 47 | ||||||||||
| 48 | friends, why panic, you already know who's fully | and disappear into the mountains. Nothin' but clowns down herebut we ain't | 48 | ||||||||||
| 49 | capable, the two capped heroes, dial straight down | fuckin around round here, yo Dre. . . What up? Can I get a Hell? Hell Yeah! | 49 | ||||||||||
| 50 | the center eight-zero-zero, you can even call | Now... | 50 | ||||||||||
| 11 | collect, the most feared duet, since me and Elton | 11 | |||||||||||
| 51 | played career Russian Roulette, and never even see | [Chorus X2] | 51 | ||||||||||
| 12 | me blink or get to bustin' a sweat, people | 12 | |||||||||||
| 52 | steppin' over people just to rush to the set, just | [Refrain X2] | 52 | ||||||||||
| 53 | to get to see an emcee who breathes so freely, | Da Da Da Da Da Da Da Da Marshall! | 53 | ||||||||||
| 54 | ease over these beat's and be so breezy, Jesus how | Da Da Da Da Da Da Da Marshall! | 54 | ||||||||||
| 13 | can shit be so easy, how can one Chandra be so | 13 | |||||||||||
| 55 | Levy, turn on these beats, emcee's don't see me, | [Outro] | 55 | ||||||||||
| 56 | believe me BET and MTV are gonna grieve, when we | So there you have it folks, Marshall has come to save the day | 56 | ||||||||||
| 57 | leave, dog fo' sheezy, can't leave rap alone, the | Back with his friend Andre, and to remind you that bullshit does not pay | 57 | ||||||||||
| 58 | game needs me, 'till we grow beards, get weird, | Because Marshall! And Andre are here to stay and never go away until our | 58 | ||||||||||
| 59 | and disappear into the mountains, nothin' but | dying day until we're old and grey Marshall! So until next time friends, | 59 | ||||||||||
| 60 | clowns down here, but we ain't fuckin around round | same blonde hair, same rap channel, Good night everyone, Thank you for coming | 60 | ||||||||||
| 61 | here, yo' Dre, what up, can I get a hell, hell | Your host for the evening. . . Marshall! Oh... | 61 | ||||||||||
| 14 | yeah, now... | 14 | |||||||||||
| 15 | 15 | ||||||||||||
| 16 | [Chorus] | 16 | |||||||||||
| 17 | 17 | ||||||||||||
| 18 | So there you have it folks, (Marshall), has come | 18 | |||||||||||
| 19 | to save the day, back with his friend Andre, and | 19 | |||||||||||
| 20 | to remind you that bullshit does not pay, because, | 20 | |||||||||||
| 21 | (Marshall), and Andre are here to stay and never | 21 | |||||||||||
| 22 | go away until our dying day until we're old and | 22 | |||||||||||
| 23 | grey, (Marshall), so until next time friends, same | 23 | |||||||||||
| 24 | blonde hair, same rap channel, good night | 24 | |||||||||||
| 25 | everyone, thank you for coming, your host for the | 25 | |||||||||||
| 26 | evening, (Marshall), oh, ha... | 26 | |||||||||||
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