| Que se está viendo una comparación entre versión 1 y versión 2 de la canción que hemos archivado como Letras de Canciones de Eminem's - Business (actual) | |||||
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Versiõn 1 de Letras de Canciones de Eminem Business (http://es.mp3lyrics.org/e/eminem/business/v1.html) La versión 1 de la letra |
Versiõn 2 de Letras de Canciones de Eminem Business (http://es.mp3lyrics.org/e/eminem/business/v2.html) La versión 2 de la letra | |||||||||||||
| 1 | Intro) | Marshall, sounds like an SOS... | 1 | |||||||||||
| 1 | Dre: Marshall...sounds like an S.O.S | 1 | ||||||||||||
| 2 | Eminem: Holy wack, unlyrical lyrics Andre, you're fuckin' right | Holy wack, unlyrical lyrics Andre, you're fuckin' | 2 | |||||||||||
| 3 | Dre: To the rapmobile...Let's go | right... | 3 | |||||||||||
| 2 | 2 | |||||||||||||
| 4 | Marshall! | To the rapmobile, let's go... | 4 | |||||||||||
| 3 | Marshall! | 3 | ||||||||||||
| 5 | (Marshall, Marshall), bitches and gentlemen, it's | 5 | ||||||||||||
| 6 | Eminem: Bitches and gentlemen, It's showtime! Hurry hurry, | showtime, hurry hurry, step right up, introducing | 6 | |||||||||||
| 7 | step right up Introducing the star of our show his name is... | the star of our show, his name is, {Marshall}, you | 7 | |||||||||||
| 8 | wouldn't want to be anywhere else in the world | 8 | ||||||||||||
| 9 | Marshall! | right now, so without further ado, I bring to you, | 9 | |||||||||||
| 10 | (Marshall)... | 10 | ||||||||||||
| 4 | Eminem: You wouldn't want to be anywhere else in | 4 | ||||||||||||
| 11 | the world right now So without further ado, I bring to you | You 'bout to witness hip-hop in it's most purest, | 11 | |||||||||||
| 12 | more rawest form, flow almost flawless, most | 12 | ||||||||||||
| 13 | Marshall! | hardest, most honest known artist, chip off the | 13 | |||||||||||
| 14 | old block, but ol' Doc is, {back}, looks like | 14 | ||||||||||||
| 15 | Verse 1 | Batman brought his own Robin, oh God, Sadam's got | 15 | |||||||||||
| 16 | You bout to witness hip hop in its most purest, more rawest form, | his own Laden, with his own private plane, his own | 16 | |||||||||||
| 17 | flow almost flawlessmost hardest, most honest known artist, chip off the old block, | pilot, set to blow college dorm rooms doors off | 17 | |||||||||||
| 18 | but good old Doc is BACKLooks like Batman brought his own Robin. | the hinges, oranges, peach, pears, plums, | 18 | |||||||||||
| 19 | Oh god, Sadam's got his own Laden wit' his own private plane, his own pilot, | syringes, {vnn vnn}, yeah here I come, I'm inches, | 19 | |||||||||||
| 20 | set to blow college dorm rooms doors off the hingesoranges, peach, pears, | away from you, dear fear none, hip-hop is in a | 20 | |||||||||||
| 21 | plums syringes. Vnnnn vnnnn, yeah here I come, I'm inches away from you, | state of 911, so... | 21 | |||||||||||
| 5 | dear fear none, hip hop is in a state of nine-one-one so... | 5 | ||||||||||||
| 22 | [Chorus] | 22 | ||||||||||||
| 6 | Chorus X2 | 6 | ||||||||||||
| 23 | Lets get down to business. I don't got no time to play around what is this | Let's get down to business, I don't got no time to | 23 | |||||||||||
| 24 | Must be a circus in town, lets shut the shit down on these clowns. | play around, what is this, must be a circus in | 24 | |||||||||||
| 25 | Can I get a witness? HELL YEAH! | town, let's shut the shit down on these clowns, | 25 | |||||||||||
| 26 | can I get a witness, {hell yeah}, let's get down | 26 | ||||||||||||
| 27 | Verse 2 | to business, I don't got no time to play around, | 27 | |||||||||||
| 28 | Quick gotta move fast, gotta perform miracles. Gee willikers, | what is this, must be a circus in town, let's shut | 28 | |||||||||||
| 29 | Dre, holy bat syllableslook at all the bullshit that goes on in Gotham when I'm gone. | the shit down on these clowns, can I get a | 29 | |||||||||||
| 30 | Time to get rid of these rap criminalsSo skip to your lou while I do what I do best. | witness, (hell yeah)... | 30 | |||||||||||
| 7 | You ain't even impressed no more, you're used to it/Flows too wet, nobody close to it, | 7 | ||||||||||||
| 31 | nobody says it, but still everybody knows the shit the most hated on out of all | Quick gotta move fast, gotta perform miracles, gee | 31 | |||||||||||
| 32 | those who say they get hated on in eighty songs and exaggerate it all So much, | willikers Dre, holy bat syllables, look at all the | 32 | |||||||||||
| 33 | they make it all up, there's no such thing, like a female with good looks, | bullshit that goes on in Gotham when I'm gone, | 33 | |||||||||||
| 34 | who cooks and cleansit just means so much more to so much more people when | time to get rid of these rap criminals, so skip to | 34 | |||||||||||
| 35 | you're rappin' and you know what forthe show must go on. So I'd like to | your lou while I do what I do best, you ain't even | 35 | |||||||||||
| 36 | welcome y'all to Marshall and Andre's carnival, C'mon! Now... | impressed no more, you're used to it, flows too | 36 | |||||||||||
| 37 | wet, nobody close to it, nobody says it, but still | 37 | ||||||||||||
| 38 | Chorus X2 | everybody knows the shit, the most hated on out of | 38 | |||||||||||
| 39 | all those who say they get hated on in eighty | 39 | ||||||||||||
| 40 | Verse 3 | songs and exaggerate it all so much, they make it | 40 | |||||||||||
| 41 | Its just like old times, the dynamic duo, two old friends, | all up, there's no such thing, like a female with | 41 | |||||||||||
| 42 | why panic, you already know who's fully capable, the two capped heroes, | good looks, who cooks and cleans, it just means so | 42 | |||||||||||
| 43 | dial straight down the center eight-zero-zeroyou can even call collect, | much more to so much more people when you're | 43 | |||||||||||
| 44 | the most feared duet, since me and Elton played career Russian Roulette | rappin' and you know what for, the show must go | 44 | |||||||||||
| 45 | and never even see me blink or get to bustin' a sweat, people steppin' | on, so I'd like to welcome y'all to Marshall and | 45 | |||||||||||
| 46 | over people just to rush to the setjust to get to see an MC who breathes so freely, | Andre's carnival, c'mon now... | 46 | |||||||||||
| 8 | ease over these beats and be so breezy/Jesus how can shit be so easy, | 8 | ||||||||||||
| 47 | how can one Chandra be so Levy? Turn on these beats, MC's don't see me. | [Chorus] | 47 | |||||||||||
| 9 | Believe me BET and MTV are gonna grieve/when we leave, dog, fo' sheezy. | 9 | ||||||||||||
| 48 | Can't leave rap alone, the game needs me Till we grow beards, get weird, | It's just like old times, the dynamic duo, two old | 48 | |||||||||||
| 49 | and disappear into the mountains. Nothin' but clowns down herebut we ain't | friends, why panic, you already know who's fully | 49 | |||||||||||
| 50 | fuckin around round here, yo Dre. . . What up? Can I get a Hell? Hell Yeah! | capable, the two capped heroes, dial straight down | 50 | |||||||||||
| 51 | Now... | the center eight-zero-zero, you can even call | 51 | |||||||||||
| 52 | collect, the most feared duet, since me and Elton | 52 | ||||||||||||
| 53 | [Chorus X2] | played career Russian Roulette, and never even see | 53 | |||||||||||
| 54 | me blink or get to bustin' a sweat, people | 54 | ||||||||||||
| 55 | [Refrain X2] | steppin' over people just to rush to the set, just | 55 | |||||||||||
| 56 | Da Da Da Da Da Da Da Da Marshall! | to get to see an emcee who breathes so freely, | 56 | |||||||||||
| 57 | Da Da Da Da Da Da Da Marshall! | ease over these beat's and be so breezy, Jesus how | 57 | |||||||||||
| 58 | can shit be so easy, how can one Chandra be so | 58 | ||||||||||||
| 59 | [Outro] | Levy, turn on these beats, emcee's don't see me, | 59 | |||||||||||
| 60 | So there you have it folks, Marshall has come to save the day | believe me BET and MTV are gonna grieve, when we | 60 | |||||||||||
| 61 | Back with his friend Andre, and to remind you that bullshit does not pay | leave, dog fo' sheezy, can't leave rap alone, the | 61 | |||||||||||
| 62 | Because Marshall! And Andre are here to stay and never go away until our | game needs me, 'till we grow beards, get weird, | 62 | |||||||||||
| 63 | dying day until we're old and grey Marshall! So until next time friends, | and disappear into the mountains, nothin' but | 63 | |||||||||||
| 64 | same blonde hair, same rap channel, Good night everyone, Thank you for coming | clowns down here, but we ain't fuckin around round | 64 | |||||||||||
| Your host for the evening. . . Marshall! Oh... | here, yo' Dre, what up, can I get a hell, hell | |||||||||||||
| 1 | yeah, now... | 1 | ||||||||||||
| 2 | 2 | |||||||||||||
| 3 | [Chorus] | 3 | ||||||||||||
| 4 | 4 | |||||||||||||
| 5 | So there you have it folks, (Marshall), has come | 5 | ||||||||||||
| 6 | to save the day, back with his friend Andre, and | 6 | ||||||||||||
| 7 | to remind you that bullshit does not pay, because, | 7 | ||||||||||||
| 8 | (Marshall), and Andre are here to stay and never | 8 | ||||||||||||
| 9 | go away until our dying day until we're old and | 9 | ||||||||||||
| 10 | grey, (Marshall), so until next time friends, same | 10 | ||||||||||||
| 11 | blonde hair, same rap channel, good night | 11 | ||||||||||||
| 12 | everyone, thank you for coming, your host for the | 12 | ||||||||||||
| 13 | evening, (Marshall), oh, ha... | 13 | ||||||||||||
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