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Versiõn actual de Letras de Canciones de A Tribe Called Quest Excursions (http://es.mp3lyrics.org/a/a-tribe-called-quest/excursions/) Versión actual de las letras |
Versiõn 1 de Letras de Canciones de A Tribe Called Quest Excursions (http://es.mp3lyrics.org/a/a-tribe-called-quest/excursions/v1...) La versión 1 de la letra | |||||||||||||
| 1 | * vocal interludes sampled from "Time is | 1 | ||||||||||||
| 2 | Running Out" by The Last Poets | 2 | ||||||||||||
| 3 | [Q-Tip] | 3 | ||||||||||||
| Back in the days when I was a teenager | Back in the days when I was a teenager | |||||||||||||
| Before I had status and before I had a pager | Before I had status and before I had a pager | |||||||||||||
| You could find the Abstract listening to hip hop | You could find the Abstract listening to hip hop | |||||||||||||
| My pops used to say, it reminded him of be-bop | My pops used to say, it reminded him of be-bop | |||||||||||||
| 1 | I said, well daddy don't you know that things go in cycles | 1 | ||||||||||||
| 2 | I said, "Well daddy, don't you know that things go in cycles | The way that Bobby Brown is just ampin like Michael | 2 | |||||||||||
| 3 | The way that Bobby Brown is just ampin' like Michael | Its all expected, things are for the lookin | 3 | |||||||||||
| 4 | It's all expected, things are for the lookin' | If you got the money, Quest is for the bookin | 4 | |||||||||||
| 1 | If you got the money, Quest is for the bookin'" | 1 | ||||||||||||
| 2 | 2 | |||||||||||||
| Come on everybody, let's get with the fly modes | Come on everybody, let's get with the fly modes | |||||||||||||
| Still got room on the truck, load the back boom | Still got room on the truck, load the back boom | |||||||||||||
| Listen to the rhyme, to get a mental picture | Listen to the rhyme, to get a mental picture | |||||||||||||
| 5 | Of this black man, through black woman victim | of this black man, through black woman victim | 5 | |||||||||||
| 6 | Why do I say that, cuz I gotta speak the truth man | 6 | ||||||||||||
| 7 | Why do I say that, 'cuz I gotta speak the truth man | Doing what we feel for the music is the proof and | 7 | |||||||||||
| 8 | Doing what we feel for the music is the proof | Planted on the ground, the act is so together | 8 | |||||||||||
| 3 | And planted on the ground, the act is so together | 3 | ||||||||||||
| Bonafied strong, you need leverage to sever | Bonafied strong, you need leverage to sever | |||||||||||||
| 9 | The unit, yes, the unit, yes, the unit called the jazz is | 9 | ||||||||||||
| 10 | The unit, yes, the unit, yes, the unit called the jazz | deliberatley cheered LP filled with streeet goods | 10 | |||||||||||
| 11 | Is deliberately cheered L.P. filled with street goods | You can find it on the rack in your record store (store) | 11 | |||||||||||
| 4 | You can find it on your rack in your record store | 4 | ||||||||||||
| 5 | (Store) | 5 | ||||||||||||
| If you get the record, then your thoughts are adored | If you get the record, then your thoughts are adored | |||||||||||||
| 12 | and appreciated, cause we're ever so glad we made it | 12 | ||||||||||||
| 6 | And appreciated, 'cuz we're ever so glad we made it | 6 | ||||||||||||
| We work hard, so we gotta thank God | We work hard, so we gotta thank God | |||||||||||||
| 13 | Dishin' out the plastic, do the dance till you spastic | Dishin out the plastic, do the dance till you spastic | 13 | |||||||||||
| 14 | If you dis, it gets drastic | If you dis... it gets drastic | 14 | |||||||||||
| 15 | Listen to the rhymes, cuz its time to make gravy | 15 | ||||||||||||
| 7 | Listen to the rhyme, 'cuz it's time to make gravy | 7 | ||||||||||||
| If it moves your booty, then shake, shake it baby | If it moves your booty, then shake, shake it baby | |||||||||||||
| 16 | All the way to Africa A.K.A. 'The Motherland' | All the way to Africa a.k.a. The Motherland (uh) | 16 | |||||||||||
| Stick out the left, then I'll ask for the other hand | Stick out the left, then I'll ask for the other hand | |||||||||||||
| 17 | That's the right hand, Black Man (man) | 17 | ||||||||||||
| 18 | That's the right hand, Black Man | Only if you was noted as my man (man) | 18 | |||||||||||
| 8 | (Man) | 8 | ||||||||||||
| 9 | Only if you are noted as my man | 9 | ||||||||||||
| 10 | (Man) | 10 | ||||||||||||
| If I get the credit, then I'll think I deserve it | If I get the credit, then I'll think I deserve it | |||||||||||||
| If you fake moves, don't fix your mouth to word it | If you fake moves, don't fix your mouth to word it | |||||||||||||
| 11 | 11 | |||||||||||||
| Get in the zone of positivity, not negativity | Get in the zone of positivity, not negativity | |||||||||||||
| 19 | 'Cuz we gotta strive for longevity | Cuz we gotta strive for longevity | 19 | |||||||||||
| 20 | If you botch up, what's in that | If you botch up, what's in that (ass) (what?) | 20 | |||||||||||
| 21 | (What) | A pair of Nikes, size ten-and-a-half (come on, come on) | 21 | |||||||||||
| 22 | A pair of Nike, size ten-and-a-half | Chorus: | 22 | |||||||||||
| 12 | 12 | |||||||||||||
| 13 | (Come on, come on) | 13 | ||||||||||||
| We gotta make moves | We gotta make moves | |||||||||||||
| 23 | Never, ever, ever could we fake moves | Never, ever, ever could we fake moves (come on, come on) (4X) | 23 | |||||||||||
| 24 | (Come on, come on) | "Time.. time is a ship on a merciless sea | 24 | |||||||||||
| 14 | We gotta make moves | 14 | ||||||||||||
| 15 | Never, ever, ever could we fake moves | 15 | ||||||||||||
| 16 | 16 | |||||||||||||
| 17 | (Come on, come on) | 17 | ||||||||||||
| 18 | We gotta make moves | 18 | ||||||||||||
| 19 | Never, ever, ever could we fake moves | 19 | ||||||||||||
| 20 | (Come on, come on) | 20 | ||||||||||||
| 21 | We gotta make moves | 21 | ||||||||||||
| 22 | Never, ever, ever could we fake moves | 22 | ||||||||||||
| 23 | 23 | |||||||||||||
| 24 | Time, time is a ship on a merciless sea | 24 | ||||||||||||
| Drifting toward an average of nothingness | Drifting toward an average of nothingness | |||||||||||||
| 25 | Until it can be retarded for its own destiny | Until it can be retarded for it's own destiny | 25 | |||||||||||
| 26 | Time is an inanimate object | TIME is an inanimate object | 26 | |||||||||||
| 27 | Praying and praying and praying for [Inaudible] | Praying and praying and praying for ?? | 27 | |||||||||||
| 28 | Time is dancing, moving lingering all memories of past | Time is DANCING, moving lingering all memories of past.." | 28 | |||||||||||
| 29 | - The Last Poets | 29 | ||||||||||||
| 30 | We gotta be a winner all the time | You gotta be a winner all the time | 30 | |||||||||||
| Can't fall prey to a hip hop crime | Can't fall prey to a hip hop crime | |||||||||||||
| With the dope raps and dope tracks for you for blocks | With the dope raps and dope tracks for you for blocks | |||||||||||||
| From the fly girlies to the hardest of the rocks | From the fly girlies to the hardest of the rocks | |||||||||||||
| 25 | 25 | |||||||||||||
| Musically the Quest, is on the rise | Musically the Quest, is on the rise | |||||||||||||
| 31 | We on these excursions so you must realize | We on these Excursions so you must realize | 31 | |||||||||||
| 32 | That continually, I pop my Zulu | that continually, I pop my Zulu | 32 | |||||||||||
| If you don't like it, get off the Zulu tip | If you don't like it, get off the Zulu tip | |||||||||||||
| 33 | So what could you do in the times which exist | 33 | ||||||||||||
| 26 | So what can you do in the times which exist | 26 | ||||||||||||
| You can't fake moves on your brother or your sis | You can't fake moves on your brother or your sis | |||||||||||||
| 34 | But if your sis is a bitch, brother is a jerk | But if your sis is a (bitch), brother is a jerk | 34 | |||||||||||
| Leave 'em both alone and continue with your work | Leave 'em both alone and continue with your work | |||||||||||||
| 27 | 27 | |||||||||||||
| Whatever it may be in today's society | Whatever it may be in today's society | |||||||||||||
| 35 | Everything is fair, at least that's how it seems to me | Everything is fair, at least that how it seems to me | 35 | |||||||||||
| You must be honest and true to the next | You must be honest and true to the next | |||||||||||||
| Don't be phony and expect one not to flex | Don't be phony and expect one not to flex | |||||||||||||
| 28 | 28 | |||||||||||||
| Especially if you rhyme, you have to live by the pen | Especially if you rhyme, you have to live by the pen | |||||||||||||
| Your man is your man, then treat him like your friend | Your man is your man, then treat him like your friend | |||||||||||||
| All it is, is the code of the streets | All it is, is the code of the streets | |||||||||||||
| 36 | So listen to the knowledge bein' dropped over beats | So listen to the knowledge bein dropped over beats | 36 | |||||||||||
| 29 | 29 | |||||||||||||
| Beats that are hard, beats that are funky | Beats that are hard, beats that are funky | |||||||||||||
| It could get you hooked like a crackhead junkie | It could get you hooked like a crackhead junkie | |||||||||||||
| What you gotta do to is know that the Tribe is in the sphere | What you gotta do to is know that the Tribe is in the sphere | |||||||||||||
| The Abstract Poet, prominent like Shakespeare | The Abstract Poet, prominent like Shakespeare | |||||||||||||
| 37 | Chorus | 37 | ||||||||||||
| 38 | (Come on, come on) | Edgar Allan Poe, it don't stop (uh!) | 38 | |||||||||||
| 39 | We gotta make moves | "Time is running out on black power Africans today | 39 | |||||||||||
| 40 | Never, ever, ever could we fake moves | and whites blacks and reporters at night | 40 | |||||||||||
| 41 | (Come on, come on) | Everytime you see them ?? with their tongues hangin out | 41 | |||||||||||
| 30 | We gotta make moves | 30 | ||||||||||||
| 31 | Never, ever, ever could we fake moves | 31 | ||||||||||||
| 32 | 32 | |||||||||||||
| 33 | (Come on, come on) | 33 | ||||||||||||
| 34 | We gotta make moves | 34 | ||||||||||||
| 35 | Never, ever, ever could we fake moves | 35 | ||||||||||||
| 36 | (Come on, come on) | 36 | ||||||||||||
| 37 | We gotta make moves | 37 | ||||||||||||
| 38 | Never, ever, ever could we fake moves | 38 | ||||||||||||
| 39 | 39 | |||||||||||||
| 40 | Time is running out on black power Africans today | 40 | ||||||||||||
| 41 | And whites, blacks and reporters at night | 41 | ||||||||||||
| 42 | Every time you see them they're chasing some white woman | 42 | ||||||||||||
| 43 | With their tongues hangin' out | 43 | ||||||||||||
| Time is running and past and passing and running | Time is running and past and passing and running | |||||||||||||
| 42 | Running and past and passing and running | Running and past and passing and running (excursions)" | 42 | |||||||||||
| 44 | (Excursions) | 44 | ||||||||||||
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