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Versiõn actual de Letras de Canciones de 3rd Bass Soul in the Hole (http://es.mp3lyrics.org/0-9/3rd-bass/soul-in-the-hole/) Versión actual de las letras |
Versiõn 1 de Letras de Canciones de 3rd Bass Soul in the Hole (http://es.mp3lyrics.org/0-9/3rd-bass/soul-in-the-hole/v1.htm...) La versión 1 de la letra | |||||||||||||
| 1 | Knowledge on the court, observin' what is all around | [MC Serch] | 1 | |||||||||||
| 2 | The light goes up, my mic blows up, the silence is now sound | Knowledge on the court, observin what is all around | 2 | |||||||||||
| 3 | Hearin' and fearin' the momentum of the stutter step | The light goes up, my mic blows up, | 3 | |||||||||||
| 4 | Shook to the left because the brother slept | the silence is now sound | 4 | |||||||||||
| 5 | Hearin and fearin, the momentum of the stutter step | 5 | ||||||||||||
| 1 | Shook to the left, because the brother slept | 1 | ||||||||||||
| Crept into his ego, so he caught a bad one | Crept into his ego, so he caught a bad one | |||||||||||||
| Switched my next flip, he thought he had some grip | Switched my next flip, he thought he had some grip | |||||||||||||
| 6 | But my grip is when my fingers curl around the mic | But my grip, is when my fingers curl around the mic | 6 | |||||||||||
| I know what it's like, a dog eat dog world | I know what it's like, a dog eat dog world | |||||||||||||
| 7 | but I'm a carnivore, out on the parquet floor | 7 | ||||||||||||
| 8 | But I'm a carnivore out on the parquet floor | Whether ballin, or callin out a sucker who is lookin for | 8 | |||||||||||
| 9 | Whether ballin' or callin' out a sucker who is lookin' for | static, me grab it every chance I get | 9 | |||||||||||
| 1 | Static, me grab it every chance I get | 1 | ||||||||||||
| One on one I'll never run and shoot the high off the net | One on one I'll never run and shoot the high off the net | |||||||||||||
| 10 | This position isn't switchin, pitchin out a blind pass | 10 | ||||||||||||
| 2 | This position isn't switchin', pitchin' out a blind pass | 2 | ||||||||||||
| Hindsight, my mind's right, time run through the hourglass | Hindsight, my mind's right, time run through the hourglass | |||||||||||||
| Serch is my name, the game and my goal | Serch is my name, the game and my goal | |||||||||||||
| 11 | 3rd Bass settin' soul in the hole | 3rd Bass settin soul in the hole | 11 | |||||||||||
| Yo man, why don't you give me the pole man? | Yo man, why don't you give me the pole man? | |||||||||||||
| 12 | Why are you freezin' me out? | Why are you freezin me out? | 12 | |||||||||||
| 13 | Yo man, 'cause you can't play, you ain't got no handle | Yo man, cause you can't play, you ain't got no handle | 13 | |||||||||||
| Got your socks up to your knees like Michael Raines | Got your socks up to your knees like Michael Raines | |||||||||||||
| 2 | [Pete Nice] | 2 | ||||||||||||
| Drip liquid, pick up a park pill | Drip liquid, pick up a park pill | |||||||||||||
| 14 | Induce a hand over free form with this skill | Enduce a hand over freeform with this skill | 14 | |||||||||||
| Spills are spun, a crossover break slice | Spills are spun, a crossover break slice | |||||||||||||
| Sugar brother the pavement says | Sugar brother the pavement says | |||||||||||||
| 15 | Scheamin on suicide to play post I slash | 15 | ||||||||||||
| 16 | Schemin' on suicide to play post I slash | First step.. I shook ya ass | 16 | |||||||||||
| 3 | First step, I shook ya ass | 3 | ||||||||||||
| Step to wayside, ain't no weak side | Step to wayside, ain't no weak side | |||||||||||||
| 17 | Baseline I'm never givin', on the flip side | Bassline I'm never givin, on the flipside | 17 | |||||||||||
| 4 | 4 | |||||||||||||
| Grass to a mic like a hand palm rubber | Grass to a mic like a hand palm rubber | |||||||||||||
| Roll off a finger, you're gum, I rubbed ya | Roll off a finger, you're gum, I rubbed ya | |||||||||||||
| Sweep like a Knickerbocker, the 3rd stops ya | Sweep like a Knickerbocker, the 3rd stops ya | |||||||||||||
| And after dark, I play the part of boot knocker | And after dark, I play the part of boot knocker | |||||||||||||
| 5 | 5 | |||||||||||||
| Twenty-four seven, always out to get some | Twenty-four seven, always out to get some | |||||||||||||
| 18 | Slap her on the concrete, bleed till the hand's numb | Slap her on the concrete, bleed til the hand's numb | 18 | |||||||||||
| A way of life found, a rim stuck to a pole | A way of life found, a rim stuck to a pole | |||||||||||||
| 19 | An asphalt jungle, soul in the hole | An asphault jungle, soul in the hole | 19 | |||||||||||
| 6 | 6 | |||||||||||||
| 7 | Yo man, I got next! Next, you ain't got next man | 7 | ||||||||||||
| 8 | Yo go over there in the corner with Michael Raines | 8 | ||||||||||||
| 9 | And take a couple of tokes of the pipes man | 9 | ||||||||||||
| 10 | You know what I'm sayin'? | 10 | ||||||||||||
| 20 | Point is in effect, callin' for a play out | Yo man, I got next! | 20 | |||||||||||
| 21 | Lay out the plan but your scammin' for a way out | Next? You ain't got next man | 21 | |||||||||||
| 3 | Yo go over there in the corner, with Michael Raines | 3 | ||||||||||||
| 4 | and take a couple of tokes of the pipes man | 4 | ||||||||||||
| 5 | YouknowhatI'msayin? | 5 | ||||||||||||
| 6 | 6 | |||||||||||||
| 7 | [Serch] | 7 | ||||||||||||
| 8 | Point is in effect, callin for a play out | 8 | ||||||||||||
| 9 | Lay out the plan, but your scammin for a way out | 9 | ||||||||||||
| Figure of speech, spoken wise for a drum, three on one | Figure of speech, spoken wise for a drum, three on one | |||||||||||||
| 22 | You know the outcome | Tchk! You know the outcome! | 22 | |||||||||||
| 23 | Point up the joints up, straight up for an uproar soarin | 23 | ||||||||||||
| 24 | Point up the joints up, straight up for an uproar soarin' | then you execute the score, then you fade away | 24 | |||||||||||
| 11 | Then you execute the score, then you fade away | 11 | ||||||||||||
| This fade has been played | This fade has been played | |||||||||||||
| Gave the gift swift, you just got self-made | Gave the gift swift, you just got self-made | |||||||||||||
| 12 | 12 | |||||||||||||
| Execute performance, the 3rd step upon this | Execute performance, the 3rd step upon this | |||||||||||||
| Me and Pete, complete, like sex endurance | Me and Pete, complete, like sex endurance | |||||||||||||
| Tip on the rim you reverse and rehearse | Tip on the rim you reverse and rehearse | |||||||||||||
| 25 | Coachin' but you're slouchin', you can't be first | Coachin but you're slouchin, you can't be first | 25 | |||||||||||
| 26 | You want the rock? But you don't got the handle | 26 | ||||||||||||
| 27 | You want the rock?But you don't got the handle | I drop the French, cause Serch grilled your mantle | 27 | |||||||||||
| 28 | I drop the French, 'cause Serch grilled your mantle | Face intense, you're sellin your soul | 28 | |||||||||||
| 29 | Face intense, you're sellin' your soul | just for the action of soul in the hole | 29 | |||||||||||
| 13 | Just for the action of soul in the hole | 13 | ||||||||||||
| 10 | [Nice] | 10 | ||||||||||||
| Pavement bounce off metal meets human flesh | Pavement bounce off metal meets human flesh | |||||||||||||
| Slum onside stagnate you got next | Slum onside stagnate you got next | |||||||||||||
| Each day evident, parks brothers throw down | Each day evident, parks brothers throw down | |||||||||||||
| One on one, it boils down to showdown | One on one, it boils down to showdown | |||||||||||||
| 14 | 14 | |||||||||||||
| Spins reverb, soothe he goes a rip slip | Spins reverb, soothe he goes a rip slip | |||||||||||||
| 30 | By his larceny or petty theft | by his larceny, or petty theft | 30 | |||||||||||
| Spectators move, lips into motion | Spectators move, lips into motion | |||||||||||||
| Pop shit, get hit, the sewer then becomes an ocean | Pop shit, get hit, the sewer then becomes an ocean | |||||||||||||
| 15 | 15 | |||||||||||||
| Water runs, springs and I let it fly | Water runs, springs and I let it fly | |||||||||||||
| Slide a weak side, into vein | Slide a weak side, into vein | |||||||||||||
| 31 | Try to terminate silk textures of the fingertips | Try to terminate silk textures, of the fingertips | 31 | |||||||||||
| Three bases covered, as I dip | Three bases covered, as I dip | |||||||||||||
| 32 | deeper into repoitoire, the Minister an innovator | 32 | ||||||||||||
| 16 | Deeper into repertoire, the Minister an innovator | 16 | ||||||||||||
| Take a sphere and a mic and I'll step later | Take a sphere and a mic and I'll step later | |||||||||||||
| 33 | Under lamps of the Serch, cold | under lamps of the Serch, cold | 33 | |||||||||||
| 34 | Shootin' lava in the soul in the hole | Shootin lava in the soul in the hole | 34 | |||||||||||
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