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Versiõn actual de Letras de Canciones de 3rd Bass Portrait Of The Artist As A Hood (http://es.mp3lyrics.org/0-9/3rd-bass/portrait-of-the-artist-...) Versión actual de las letras |
Versiõn 1 de Letras de Canciones de 3rd Bass Portrait Of The Artist As A Hood (http://es.mp3lyrics.org/0-9/3rd-bass/portrait-of-the-artist-...) La versión 1 de la letra | |||||||||||||
| Today I'm prepared to bring specific charges | Today I'm prepared to bring specific charges | |||||||||||||
| 1 | Against certain members working in an industry | against certain members working in an industry | 1 | |||||||||||
| 2 | That reaches into every household in the country | that reaches into every household in the country | 2 | |||||||||||
| 1 | 1 | |||||||||||||
| 2 | 3rd Bass | 2 | ||||||||||||
| 3 | 3rd Bass | 3 | ||||||||||||
| 4 | 3rd Bass | 4 | ||||||||||||
| 5 | 3rd Bass | 5 | ||||||||||||
| 1 | [Pete Nice] | 1 | ||||||||||||
| Hoods is up so skills is up | Hoods is up so skills is up | |||||||||||||
| It's a stick-up, so why'd you interrupt? | It's a stick-up, so why'd you interrupt? | |||||||||||||
| So such bust material cerebral | So such bust material cerebral | |||||||||||||
| 3 | I'm eatin' cereal with spoons sippin' cepacol | I'm eatin cereal with spoons sippin Cepacol | 3 | |||||||||||
| 4 | Daddy-O slipped me some cause my breath stank | 4 | ||||||||||||
| 5 | Daddy-O slipped me some 'cause my breath stank | White gold, but no accounts in Swiss banks | 5 | |||||||||||
| 6 | White gold, but no accounts in Swiss Banks | 6 | ||||||||||||
| Think tanks once rolled on the city streets | Think tanks once rolled on the city streets | |||||||||||||
| I used to meet your moms between the sheets | I used to meet your moms between the sheets | |||||||||||||
| 7 | 7 | |||||||||||||
| Universe is versus hoods prospectus | Universe is versus hoods prospectus | |||||||||||||
| 6 | True flam, flammin' words on wax discus | True flam, flammin words on wax discus | 6 | |||||||||||
| So they dismiss this as vulgarity | So they dismiss this as vulgarity | |||||||||||||
| And once laughed and pointed at the university | And once laughed and pointed at the university | |||||||||||||
| 8 | 8 | |||||||||||||
| Some perk without skills and push a pen | Some perk without skills and push a pen | |||||||||||||
| I send surreal scenes where you never been | I send surreal scenes where you never been | |||||||||||||
| Looked out, gave you three strikes, you struck out | Looked out, gave you three strikes, you struck out | |||||||||||||
| Pop shit with the 3rd, knock your fronts out | Pop shit with the 3rd, knock your fronts out | |||||||||||||
| 9 | 9 | |||||||||||||
| Blew your blunts out you wings stuck up your ass | Blew your blunts out you wings stuck up your ass | |||||||||||||
| Gassed you up then slap you with my staff | Gassed you up then slap you with my staff | |||||||||||||
| I seen your skins like to go to the motels | I seen your skins like to go to the motels | |||||||||||||
| 7 | But your ass won't know to the hotels | but your ass won't know to the hotels | 7 | |||||||||||
| 8 | Cause a lip is zipped, I paint pictures | 8 | ||||||||||||
| 9 | 'Cause a lip is zipped, I paint pictures | A portrait, a self far from ?? | 9 | |||||||||||
| 10 | A portrait, a self far from [Incomprehensible] | 10 | ||||||||||||
| My discussion of impression ain't ignorance | My discussion of impression ain't ignorance | |||||||||||||
| So don't label the hoods on appearances | So don't label the hoods on appearances | |||||||||||||
| 11 | 11 | |||||||||||||
| You never thought that a gangsta could talk sense | You never thought that a gangsta could talk sense | |||||||||||||
| But this artifice flipped, your beans is spent | But this artifice flipped, your beans is spent | |||||||||||||
| Took your papes out your pocket and just stood out | Took your papes out your pocket and just stood out | |||||||||||||
| The focus, the portrait of the artist as a hoods-up | The focus, the portrait of the artist as a hoods-up | |||||||||||||
| 10 | 3rd Bass | [MC Serch] | 10 | |||||||||||
| 12 | 3rd Bass | 12 | ||||||||||||
| 13 | 3rd Bass | 13 | ||||||||||||
| 14 | 3rd Bass | 14 | ||||||||||||
| 15 | 15 | |||||||||||||
| Portrait planned it back in the days | Portrait planned it back in the days | |||||||||||||
| Young strays, posted at the L.Q. on Friday's | Young strays, posted at the L.Q. on Friday's | |||||||||||||
| 11 | Waitin' for dice to give the go ahead | Waitin for Dice to give the go ahead | 11 | |||||||||||
| 12 | Hawkin' 50 Cent, puttin' heads to bed | Hawkin 50 cent, puttin heads to bed | 12 | |||||||||||
| 13 | for a herringbone hear the tune of the Audio Two | 13 | ||||||||||||
| 14 | For a herringbone hear the tune of the audio two | Milk was chillin as I chilled in the back room | 14 | |||||||||||
| 15 | Milk was chillin' as I chilled in the back room | Listen to snaps, cuts by Scoob and Scrap | 15 | |||||||||||
| 16 | Listen to snaps, cuts by scoob and scrap | Union Square, to tear up the KRS tracks | 16 | |||||||||||
| 17 | Union square, to tear up the KRS tracks | Torn up by the Kent, the Clark Dark | 17 | |||||||||||
| 18 | as the brothers try to spark | 18 | ||||||||||||
| 19 | Torn up by the Kent, the Clark dark | We knocked boots, and the boots got knocked | 19 | |||||||||||
| 20 | As the brothers try to spark | Three A.M. and it was off to The Rooftop | 20 | |||||||||||
| 21 | We knocked boots and the boots got knocked | Hip-Hop Starski, the Masters of Ceremony | 21 | |||||||||||
| 22 | Three a.m. and it was off to the rooftop | Ka-ka-cracked out, was hookin property | 22 | |||||||||||
| 23 | Five A.M. it was the S&S | 23 | ||||||||||||
| 16 | Hip-Hop star ski, the masters of ceremony | 16 | ||||||||||||
| 17 | Ka-ka-cracked out, was hookin' property | 17 | ||||||||||||
| 18 | Five a.m. it was the S and S | 18 | ||||||||||||
| A hundred and forty-fifth street, down on Lennox | A hundred and forty-fifth street, down on Lennox | |||||||||||||
| 24 | Starchild made all the hoes squeal | 24 | ||||||||||||
| 25 | Star child made all the hoes squeal | For a dollar crackheads Armor-Alled your wheels | 25 | |||||||||||
| 26 | For a dollar crack heads armor-alled your wheels | Whippin home in the sunshine, fun time | 26 | |||||||||||
| 27 | Whippin' home in the sunshine, fun time | but now you can't find | 27 | |||||||||||
| 28 | But now you can't find | clubs like this that kept the music in the street | 28 | |||||||||||
| 19 | 19 | |||||||||||||
| 20 | Clubs like this that kept the music in the street | 20 | ||||||||||||
| And pop rap couldn't get a dime to eat | And pop rap couldn't get a dime to eat | |||||||||||||
| 29 | Yo, they're makin' mills but what about the hood? | Yo, they're makin mills, but what about the hood? | 29 | |||||||||||
| 30 | A parking lot where the Latin quarter stood | A parking lot, where the Latin Quarter stood! | 30 | |||||||||||
| 21 | 21 | |||||||||||||
| A landmark marked in the cranium | A landmark marked in the cranium | |||||||||||||
| 31 | But now I bring it back in front of packed stadiums | but now I bring it back in front of packed stadiums | 31 | |||||||||||
| Picture painted with the goals and the good | Picture painted with the goals and the good | |||||||||||||
| The portrait of an artist as a hood | The portrait of an artist as a hood | |||||||||||||
| 32 | 3rd Bass | [S] Yo Pete man, yo where the hoods at Pete? | 32 | |||||||||||
| 33 | 3rd Bass | [P] Yo the hoods is in Brooklyn, Queens, Bronx | 33 | |||||||||||
| 34 | 3rd Bass | Money-makin Strong Island | 34 | |||||||||||
| 35 | 3rd Bass | [S] Yo can't forget Newark New Jersey | 35 | |||||||||||
| 36 | 3rd Bass | Philly, D.C. | 36 | |||||||||||
| 37 | 3rd Bass | [P] From Detroit to Mobile Alabama | 37 | |||||||||||
| 22 | 22 | |||||||||||||
| 23 | Yo Pete man, yo where the hoods at Pete? | 23 | ||||||||||||
| 24 | Yo the hoods is in Brooklyn, Queens, Bronx | 24 | ||||||||||||
| 25 | Money-makin' strong island | 25 | ||||||||||||
| 26 | Yo can't forget Newark New Jersey | 26 | ||||||||||||
| 27 | Philly, D.C | 27 | ||||||||||||
| 28 | 28 | |||||||||||||
| 29 | From Detroit to mobile Alabama | 29 | ||||||||||||
| Memphis Tennesse Cleveland | Memphis Tennesse Cleveland | |||||||||||||
| 38 | Yo, money-makin' Miami, Chicago | [S] Yo, money-makin Miami, Chicago | 38 | |||||||||||
| East St. Louis got crazy hoods | East St. Louis got crazy hoods | |||||||||||||
| 39 | Oakland Compton watts wearin' the hoods | [P] Oakland Compton Watts wearin the hoods | 39 | |||||||||||
| 40 | [S] Yo true indeed, Louisville | 40 | ||||||||||||
| 41 | Yo true indeed, Louisville | Boostin Houston got CRAZY hoods | 41 | |||||||||||
| 42 | Boostin' Houston got crazy hoods | [P] New Orleans, Seattle | 42 | |||||||||||
| 43 | New Orleans, Seattle | [S] North Carolina cannot forget about Atlanta | 43 | |||||||||||
| 44 | North Carolina cannot forget about Atlanta | Shockmaster ?? got crazy hoods | 44 | |||||||||||
| 45 | listenin to his program | 45 | ||||||||||||
| 46 | Shock master [Incomprehensible] got crazy hoods | [P] And the hoods are holdin their joint | 46 | |||||||||||
| 47 | Listenin' to his program | And they're out | 47 | |||||||||||
| 48 | And the hoods are holdin' their joint and they're out | [S] True indeed.. SEE-YA! | 48 | |||||||||||
| 30 | True indeed, see-ya | 30 | ||||||||||||
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