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Versiõn actual de Letras de Canciones de 3rd Bass Monte Hall (http://es.mp3lyrics.org/0-9/3rd-bass/monte-hall/) Versión actual de las letras |
Versiõn 1 de Letras de Canciones de 3rd Bass Monte Hall (http://es.mp3lyrics.org/0-9/3rd-bass/monte-hall/v1.html) La versión 1 de la letra | |||||||||||||
| 1 | 3rd place is everything | "3rd place is everything.. | 1 | |||||||||||
| 2 | C'mon, I'll show you | C'mon, I'll show you" | 2 | |||||||||||
| 3 | Tight fit, dim lit spot, is where I'm movin' to | [MC Serch] | 3 | |||||||||||
| 4 | Sweaty but these slow tracks start soothin' you | Tight fit, dim lit spot, is where I'm movin to | 4 | |||||||||||
| 1 | Sweaty but these slow tracks start soothin you | 1 | ||||||||||||
| Light-skinned, steps into the picture | Light-skinned, steps into the picture | |||||||||||||
| Program is fixed, the mix will let you get your | Program is fixed, the mix will let you get your | |||||||||||||
| 5 | hand around waist, space drippin from moisture | 5 | ||||||||||||
| 6 | Hand around waist, space drippin' from moisture | Strokin the neck, you suspect that she'll voice her | 6 | |||||||||||
| 7 | Strokin' the neck, you suspect that she'll voice her | approval, whippin and flippin your pelvis | 7 | |||||||||||
| 1 | Approval, whippin' and flippin' your pelvis | 1 | ||||||||||||
| Brothers step in, step off, you get selfish | Brothers step in, step off, you get selfish | |||||||||||||
| 2 | 2 | |||||||||||||
| Yours for the take-home, so she can take up space | Yours for the take-home, so she can take up space | |||||||||||||
| 8 | At your place, but then you start to wake up | at your place, but then you start to wake up | 8 | |||||||||||
| Groove goes to fade, introductions are made | Groove goes to fade, introductions are made | |||||||||||||
| 9 | Love my name is Serch, now step for some shade in the dancehall | Love my name is Serch, now step for some shade | 9 | |||||||||||
| 2 | in the dancehall | 2 | ||||||||||||
| 10 | 3rd place is everything | "3rd place is everything.." | 10 | |||||||||||
| 11 | 3rd place is everything | "3rd place is everything.." | 11 | |||||||||||
| 3 | [Pete Nice] | 3 | ||||||||||||
| Soulfully smooth, she slithered to a solo | Soulfully smooth, she slithered to a solo | |||||||||||||
| Spot to drop her bass and I'll follow | Spot to drop her bass and I'll follow | |||||||||||||
| Fiend on a focus, I spoke this figure of speech | Fiend on a focus, I spoke this figure of speech | |||||||||||||
| Supposed to sway those who seek | Supposed to sway those who seek | |||||||||||||
| 12 | such wisdom, wildly workin towards a woman | 12 | ||||||||||||
| 3 | Such wisdom, wildly workin' towards a woman | 3 | ||||||||||||
| Therefore she's drawn, to the other man's | Therefore she's drawn, to the other man's | |||||||||||||
| 13 | Intentions of a G, tryin' to stump me | intentions of a G, tryin to stump me | 13 | |||||||||||
| Announced presence in the house of Mr. Puffy | Announced presence in the house of Mr. Puffy | |||||||||||||
| 14 | Smoke filled the tight-packed system | 14 | ||||||||||||
| 4 | Smoke filled the tight packed system | 4 | ||||||||||||
| A rack of skirt, kit for a victim | A rack of skirt, kit for a victim | |||||||||||||
| A three-stage pleasure on a principle | A three-stage pleasure on a principle | |||||||||||||
| 15 | As I step and drop a syllable | as I step and drop a syllable (yyyyo!) | 15 | |||||||||||
| 16 | A syllabus spoken by the 3rd on sss-swooin | 16 | ||||||||||||
| 17 | A syllabus spoken by the 3rd on sss-swooin' | a female, to impale, push-up, smooth and | 17 | |||||||||||
| 18 | A female, to impale, push-up, smooth | turn to spurn desire -- that all? | 18 | |||||||||||
| 5 | And turn to spurn desire, that all? | 5 | ||||||||||||
| Another episode in the dancehall | Another episode in the dancehall | |||||||||||||
| 19 | 3rd place is everything | "3rd place is everything.." | 19 | |||||||||||
| 20 | 3rd place is everything | "3rd place is everything.." | 20 | |||||||||||
| 21 | Step to the A.M., playin' a song that's slow | [MC Serch] | 21 | |||||||||||
| 4 | Step to the A.M., playin a song that's slow | 4 | ||||||||||||
| Low tempo kicks lyrics to those who show | Low tempo kicks lyrics to those who show | |||||||||||||
| 22 | A need to step to a def 3rd Bassment | a need to step to a def 3rd Bassment | 22 | |||||||||||
| 23 | A wink of eye, the smile of a face | A wink of eye, the smile of a face and I'm | 23 | |||||||||||
| 24 | D-O-W-N to send shockwaves | 24 | ||||||||||||
| 25 | And I'm D O W N to send shock waves | up the spine, while the clock saves | 25 | |||||||||||
| 26 | Up the spine, while the clock saves | just enough ticks to lick neck to your lips | 26 | |||||||||||
| 6 | Just enough ticks to lick neck to your lips | 6 | ||||||||||||
| Mouth to mouth, palm upon hips | Mouth to mouth, palm upon hips | |||||||||||||
| 7 | 7 | |||||||||||||
| Sigh in pleasure, measures the heat up | Sigh in pleasure, measures the heat up | |||||||||||||
| Nibble my neck, the affection I eat up | Nibble my neck, the affection I eat up | |||||||||||||
| Dine like a diner, hot enough to simmer | Dine like a diner, hot enough to simmer | |||||||||||||
| Jam comes to a close, come give a | Jam comes to a close, come give a | |||||||||||||
| 27 | number of seven in regard to the residents | 27 | ||||||||||||
| 8 | Number of seven in regard to the residents | 8 | ||||||||||||
| Told the mob that I slobbed and showed evidence | Told the mob that I slobbed and showed evidence | |||||||||||||
| Lipstick on the quill, a digit to call | Lipstick on the quill, a digit to call | |||||||||||||
| 28 | Another lovestruck, stuck to the wall of the dancehall | Another lovestruck, stuck to the wall | 28 | |||||||||||
| 5 | of the dancehall | 5 | ||||||||||||
| 29 | 3rd place is everything | "3rd place is everything.." | 29 | |||||||||||
| 30 | 3rd place is everything | "3rd place is everything.." | 30 | |||||||||||
| 31 | Steppin' over heads that swayed | [Pete Nice] | 31 | |||||||||||
| 6 | Steppin over heads that swayed | 6 | ||||||||||||
| You move over and the record's played | You move over and the record's played | |||||||||||||
| 32 | Swayed over smoothly, soothin' a listener | Swayed over smoothly, soothin a listener | 32 | |||||||||||
| Undergoes wanted death of a dancer | Undergoes wanted death of a dancer | |||||||||||||
| 9 | 9 | |||||||||||||
| To twist over you rises your liquor | To twist over you rises your liquor | |||||||||||||
| Slight panic on a dancehall picture | Slight panic on a dancehall picture | |||||||||||||
| Motion flows, scene gets hectic | Motion flows, scene gets hectic | |||||||||||||
| 33 | Freakin' bones like an epileptic | Freakin bones like an epileptic | 33 | |||||||||||
| 10 | 10 | |||||||||||||
| Melody moves scenario to chaos | Melody moves scenario to chaos | |||||||||||||
| Pursue principles and then you shoot livest | Pursue principles and then you shoot livest | |||||||||||||
| 34 | So called, it's boots that rise and fall | So-called, it's boots that rise and fall | 34 | |||||||||||
| 35 | Steppin' to the A.M., in the dancehall | Steppin to the A.M., in the dancehall | 35 | |||||||||||
| 7 | 7 | |||||||||||||
| 8 | "3rd place is everything.." | 8 | ||||||||||||
| 9 | "3rd place is everything.." | 9 | ||||||||||||
| 10 | 10 | |||||||||||||
| 11 | "3rd place is everything.." *echoes* | 11 | ||||||||||||
| 12 | "3rd place is everything.." *echoes* | 12 | ||||||||||||
| 13 | 13 | |||||||||||||
| 14 | "3rd place is everything.." *echoes* | 14 | ||||||||||||
| 15 | "3rd place is everything.." *echoes* | 15 | ||||||||||||
| 16 | 16 | |||||||||||||
| 17 | "3rd place is everything.." *echoes* | 17 | ||||||||||||
| 18 | "3rd place is everything.." *echoes* | 18 | ||||||||||||
| 19 | 19 | |||||||||||||
| 20 | "3rd place is everything.." *echoes* | 20 | ||||||||||||
| 21 | "3rd place is everything.." *echoes* | 21 | ||||||||||||
| 36 | 3rd place is everything | "3rd place is everything.." *echoes* | 36 | |||||||||||
| 11 | 3rd place is everything | 11 | ||||||||||||
| 12 | 3rd place is everything | 12 | ||||||||||||
| 13 | ... | 13 | ||||||||||||
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