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Versiõn actual de Letras de Canciones de 3rd Bass Microphone Techniques (http://es.mp3lyrics.org/0-9/3rd-bass/microphone/) Versión actual de las letras |
Versiõn 1 de Letras de Canciones de 3rd Bass Microphone Techniques (http://es.mp3lyrics.org/0-9/3rd-bass/microphone/v1.html) La versión 1 de la letra | |||||||||||||
| 1 | The next selection is bass filled | {*breathing like Darth Vader*} | 1 | |||||||||||
| 2 | Musical composition, entitled | The next selection is.. bass filled.. | 2 | |||||||||||
| 3 | Microphone techniques | Musical compisition, entitled.. | 3 | |||||||||||
| 4 | Please check it out | Microphone Techniques.. | 4 | |||||||||||
| 1 | Please check it out.. | 1 | ||||||||||||
| 5 | Get up everybody, it's time to sway okay | [Greg Nice] | 5 | |||||||||||
| 2 | Get up everybody, it's time to sway OK | 2 | ||||||||||||
| Greg Nice is on the mic with no delay | Greg Nice is on the mic with no delay | |||||||||||||
| 6 | Get up everybody, it's time to sway okay | Get up everybody, it's time to sway OK | 6 | |||||||||||
| Greg Nice is on the mic with no delay | Greg Nice is on the mic with no delay | |||||||||||||
| 1 | 1 | |||||||||||||
| She, said, her name was Lola | She, said, her name was Lola | |||||||||||||
| 7 | I said, "Yo Lola, swolla | I, said, yo Lola, swolla | 7 | |||||||||||
| Suave bola, Ayatollah | Suave bola, Ayatollah | |||||||||||||
| Saudi Arabia, Coca-Cola | Saudi Arabia, Coca-Cola | |||||||||||||
| 8 | My Rolex watch is run by solar" | My Rolex watch is ran by solar | 8 | |||||||||||
| 2 | 2 | |||||||||||||
| Get down, peep my mic technique | Get down, peep my mic technique | |||||||||||||
| 9 | Let's freak, let's freak, let's freak to the beat | Let's freak let's freak let's freak to the beat | 9 | |||||||||||
| 10 | Checks get cashed at the end of the weak | Checks get cashed, at the end of the weak | 10 | |||||||||||
| C'mon, Deck the Halls with skins and party | C'mon, Deck the Halls with skins and party | |||||||||||||
| 11 | Gainin' weight 'cause I do eat hearty | Gainin weight cause I do eat hearty | 11 | |||||||||||
| When I wanna get tipsy I drink Bacardi | When I wanna get tipsy I drink Bacardi | |||||||||||||
| 12 | Greg Nice, I'm outta here, ghost | Greg Nice, I'm outta here, ghost! | 12 | |||||||||||
| 13 | I'm on the microphone | "I'm on the microphone.." (5X) | 13 | |||||||||||
| 3 | I'm on the microphone | 3 | ||||||||||||
| 4 | I'm on the microphone | 4 | ||||||||||||
| 5 | I'm on the microphone | 5 | ||||||||||||
| 6 | I'm on the microphone | 6 | ||||||||||||
| 3 | [Pete Nice] | 3 | ||||||||||||
| Uncle Fester, the baldhead jester | Uncle Fester, the baldhead jester | |||||||||||||
| Not me, the Minister, the mic molestor | Not me, the Minister, the mic molestor | |||||||||||||
| 14 | Five-oh arrest a G, doin' ill deeds | Five-oh arrest a G, doin ill deeds | 14 | |||||||||||
| Took a hoe to pull out the weeds | Took a hoe to pull out the weeds | |||||||||||||
| 15 | Droppin' G, the case court is to hobos | Droppin G, the case court is to hobos | 15 | |||||||||||
| 16 | Kickin' the bobo, chewin' on a Rolo | Kickin the bobo, chewin on a Rolo | 16 | |||||||||||
| 7 | 7 | |||||||||||||
| Ain't a Volvo with no paid promos | Ain't a Volvo with no paid promos | |||||||||||||
| 17 | Sippin' cocoa and rollin' up momos | Sippin cocoa and rollin up momos | 17 | |||||||||||
| Fee fie foe fum I need awake drums | Fee fie foe fum I need awake drums | |||||||||||||
| The buns ain't mack cause your breath hums | The buns ain't mack cause your breath hums | |||||||||||||
| No Funky Drummer loser pass summons | No Funky Drummer loser pass summons | |||||||||||||
| 4 | But you can't stop the +Humrush+ hummings | 4 | ||||||||||||
| 5 | Like Roto Rooter layin pipes like a plumber | 5 | ||||||||||||
| 6 | Nice and Smooth cause Three's a prime number | 6 | ||||||||||||
| 7 | I go brick church buildin when I'm sleepin | 7 | ||||||||||||
| 8 | So flip off my tip, I rip the mic techniquein | 8 | ||||||||||||
| 18 | But you can't stop the Humrush hummings | "I'm on the microphone.." (6X) | 18 | |||||||||||
| 8 | Like Roto Rooter layin' pipes like a plumber | 8 | ||||||||||||
| 9 | Nice and Smooth 'cause three's a prime number | 9 | ||||||||||||
| 10 | I go brick church buildin' when I'm sleepin' | 10 | ||||||||||||
| 11 | So flip off my tip, I rip the mic techniquein' | 11 | ||||||||||||
| 12 | 12 | |||||||||||||
| 13 | I'm on the microphone | 13 | ||||||||||||
| 14 | I'm on the microphone | 14 | ||||||||||||
| 15 | I'm on the microphone | 15 | ||||||||||||
| 16 | I'm on the microphone | 16 | ||||||||||||
| 17 | I'm on the microphone | 17 | ||||||||||||
| 18 | I'm on the microphone | 18 | ||||||||||||
| 9 | [Smooth B] | 9 | ||||||||||||
| I praise the Lord that I'm no longer a vandal | I praise the Lord that I'm no longer a vandal | |||||||||||||
| Kiss my daughter goodnight, then I light a white candle | Kiss my daughter goodnight, then I light a white candle | |||||||||||||
| 19 | And sit back and meditate | and sit back and meditate | 19 | |||||||||||
| Evaluate, appreciate | Evaluate, appreciate | |||||||||||||
| 20 | 'Cause I didn't have to be here, on wax | Cause I didn't have to be here, on wax | 20 | |||||||||||
| Unveling a truth with proof of all facts | Unveling a truth with proof of all facts | |||||||||||||
| 21 | Cause in my life I see the life of many others | 21 | ||||||||||||
| 22 | 'Cause in my life I see the life of many others | Various shades of colors, sisters brothers | 22 | |||||||||||
| 19 | Various shades of colors, sisters, brothers | 19 | ||||||||||||
| And once my soul leaves my bodily shell | And once my soul leaves my bodily shell | |||||||||||||
| I believe to receive a new vail | I believe to receive a new vail | |||||||||||||
| 23 | Of some concious subconcious abode | of some concious subconcious abode | 23 | |||||||||||
| 24 | chose by few on the positive road | 24 | ||||||||||||
| 20 | Chose by few on the positive road | 20 | ||||||||||||
| A man is judged by the goodness of his heart | A man is judged by the goodness of his heart | |||||||||||||
| So who's to say who's dumb and who's smart? | So who's to say who's dumb and who's smart? | |||||||||||||
| 25 | Aiyyo Serch, I came to hear you speak | Aiyyo Serch (Whattup?) I came to hear you speak | 25 | |||||||||||
| 21 | (What up?) | 21 | ||||||||||||
| Get on the mic and flaunt your microphone technique | Get on the mic and flaunt your microphone technique | |||||||||||||
| 26 | I'm on the microphone | "I'm on the microphone.." (7X) | 26 | |||||||||||
| 22 | I'm on the microphone | 22 | ||||||||||||
| 23 | I'm on the microphone | 23 | ||||||||||||
| 24 | I'm on the microphone | 24 | ||||||||||||
| 25 | I'm on the microphone | 25 | ||||||||||||
| 26 | I'm on the microphone | 26 | ||||||||||||
| 27 | I'm on the microphone | 27 | ||||||||||||
| 27 | Watch me shine till it's time for sundown | [MC Serch] | 27 | |||||||||||
| 10 | Watch me shine til it's time for sundown | 10 | ||||||||||||
| I had a scuffle with a kid it only went one round | I had a scuffle with a kid it only went one round | |||||||||||||
| I got a girl so there's no need to sex a hoe | I got a girl so there's no need to sex a hoe | |||||||||||||
| 28 | But I gas 'em up just like they're at Texaco | But I gas em up just like they're at Texaco | 28 | |||||||||||
| 29 | Ring goes my phone, so I pick it up and say, what up? | Ring goes my phone, so I pick it up and | 29 | |||||||||||
| 30 | say, "Whattup?" | 30 | ||||||||||||
| 31 | Somebody's flippin', so I tell him to shut up | Somebody's flippin, so I tell him to shut up | 31 | |||||||||||
| We'd use a F word, but Ice Cube got the copyright | We'd use a F word, but Ice Cube got the copyright | |||||||||||||
| 32 | So I'll make it, "Funky For You" with Greg Nice | so I'll make it +Funky For You+ with Greg Nice | 32 | |||||||||||
| 33 | And his partner Smooth B | and his partner Smooth B | 33 | |||||||||||
| Watch the Superbowl, just for Bud Bowl III | Watch the Superbowl, just for Bud Bowl III | |||||||||||||
| 34 | Then I watch Living Colour, cause | 34 | ||||||||||||
| 35 | Then I watch 'Living Colour' 'cause Homey don't play dat | "Homey don't play dat" | 35 | |||||||||||
| Money like my honey in my crib and it'll stay that way | Money like my honey in my crib and it'll stay that way | |||||||||||||
| The equality variety | The equality variety | |||||||||||||
| 36 | You don't like it then you're gonna join the Dead Poet's Society | You don't like it then you're gonna | 36 | |||||||||||
| 11 | join the Dead Poet's Society | 11 | ||||||||||||
| Try to flip on what this quartet speaks | Try to flip on what this quartet speaks | |||||||||||||
| And Serch will disperse, the microphone techniques | and Serch will disperse, the microphone techniques | |||||||||||||
| 12 | 12 | |||||||||||||
| 13 | * discussion by the crew over the beat until the end * | 13 | ||||||||||||
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